Tupac Shakur Murder Trial Day 2

Tupac Shakur Murder Trial Day 2

Day 2 of the trial of Duane Davis, who is charged with the murder of rapper Tupac Shakur. Read the transcript here.

Day 2 of the trial of Duane Davis, who is charged with the murder of rapper Tupac Shakur.
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Judge (04:50):

(silence).

(04:50)
We're on record in State v. Davis C377407. Anything we need to address outside the presence of the jury?

Speaker 1 (04:56):

Not from the state.

Marc DiGiacomo (04:57):

No, Your Honor.

Judge (04:58):

Okay, let's bring the jury in.

Officer of the Court (04:59):

Stand for the jury.

Judge (05:31):

Do the parties stipulate to the presence of the jury?

Marc DiGiacomo (05:32):

Yes, Your Honor.

Judge (05:38):

You may be seated. All right. Welcome back, ladies and gentlemen. I hope you had a restful evening. We are still in the state's case-in-chief. So at this time, I'm going to turn to Mr. DiGiacomo. Who's your next witness that we're going to be calling?

Marc DiGiacomo (05:47):

We're going to finish that recording and then call the witness.

Judge (05:49):

Okay. Sounds good. You may proceed.

Officer of the Court (05:50):

Have that [inaudible 00:06:05]

Audio: Miller (06:05):

Yeah, go ahead. Okay. Okay. I'll go back and ask you the question again. While you were there in the parking structure and you heard the commotion of people running to the South on Fairfax or backing towards the parking area, did you recognize anybody that... My concern is that may have been further North on Fairfax on the sidewalk, may have seen the shooting or heard something. Anybody that you saw that-

Audio: Davis (06:59):

I seen running?

Audio: Miller (07:00):

Yeah.

Audio: Davis (07:01):

They were standing there with me, Keyshawn Johnson, the football player.

Audio: Miller (07:07):

Okay.

Audio: Davis (07:08):

And Ricky Bell.

Audio: Miller (07:12):

The singer?

Audio: Davis (07:12):

The singer.

Audio: Miller (07:16):

And they were with you or they were...?

Audio: Davis (07:18):

They were standing there with me. He was waiting on his-

Audio: Miller (07:20):

Oh, they didn't run around the corner? They were with you?

Audio: Davis (07:23):

They was with me. They was waiting on the green van, this green van that pulled up. Then my car came after his and we just drove out, I think.

Audio: Miller (07:30):

But anybody just parked around the corner, you didn't recognize anybody that you might know, singer or any, actor? Okay.

Audio: Davis (07:34):

No, nothing.

Audio: Miller (07:38):

Yeah, we saw Keyshawn and some of the pictures that were taken inside and Ricky.

Audio: Davis (07:43):

I was on the pictures with him. I had on the blue jumpsuit.

Audio: Miller (07:47):

Now that I see you in person, because from my impression you were six foot two.

Audio: Faal (07:53):

Tall guy.

Audio: Miller (07:53):

Yeah, right. Thought you were bigger. Well, no, that's why I said now that I'm looking at you, I think I do remember seeing those pictures.

Audio: Davis (07:59):

Yeah.

Audio: Miller (08:14):

I don't know if we asked or not, and I'll [inaudible 00:08:15], did you see anybody be stereotyped, considered a gang banger, dressed down, anything like that in the party?

Audio: Davis (08:21):

I didn't seen any.

Audio: Miller (08:26):

Okay. What about outside in the parking lot where you're either parking your car and coming to or going back to your car in the parking over there? Okay. I don't need to ask that. I just wanted to verify some of the things you said earlier, I think. Okay. You're in the parking structure, you see some people running.

Audio: Davis (08:51):

Running towards us, you know coming in from Fairfax. Yeah.

Audio: Miller (09:05):

From Fairfax?

Audio: Davis (09:05):

Yeah. Hollering and stuff. Yeah.

Audio: Miller (09:06):

And from there. Are you in your car at this time or are you outside?

Audio: Davis (09:09):

I'm not. I'm outside.

Audio: Miller (09:11):

Are you near your car?

Audio: Davis (09:13):

No. They was pulling up cars. Everybody's waiting on me.

Audio: Miller (09:16):

Oh, okay. You were waiting for a valet to bring your car up then, correct?

Audio: Davis (09:20):

Correct.

Audio: Miller (09:21):

Okay. When the car comes up... I mean, when was the first time you heard that Biggie had been shot? Was it there in the parking structure?

Audio: Davis (09:29):

In the parking structure.

Audio: Miller (09:31):

What people were saying, "Biggie's been shot," or did any particular person tell you?

Audio: Davis (09:35):

Yeah, they were just running. Crowd was saying, the whole crowd, "Biggie got shot. Biggie got..." Like, "What?"

Audio: Miller (09:48):

Okay. Then you were, as you're leaving, directed by a police officer to turn right as you're coming out onto Fairfax.

Audio: Davis (09:57):

He directed every car that came up out of there-

(09:58)
[inaudible 00:09:59]

Audio: Miller (09:58):

Okay. You left, you were going down. Did you go all the way through Wilshire Boulevard?

Audio: Davis (10:09):

No, I made a right.

Audio: Miller (10:10):

Made a right turn on Wilshire?

Audio: Davis (10:16):

Yeah.

Audio: Miller (10:16):

Okay. So you're Northbound, Fairfax to... You made a right turn? So it would be Eastbound there, or Westbound?

Audio: Davis (10:30):

Eastbound.

Audio: Miller (10:36):

Eastbound. Okay. That's right. Eastbound. Eastbound Wilshire. Okay. Then did you go all the way down Wilshire or was there another turn that you made?

Audio: Davis (10:48):

On La Brea.

Audio: Miller (10:51):

On La Brea. Did you make a left or a right?

Audio: Davis (10:52):

Right.

Audio: Miller (10:53):

A right on La Brea? Then where'd you go?

Audio: Davis (10:59):

To the 10.

Audio: Miller (11:04):

10?

Audio: Davis (11:06):

Yeah, went to the marina. Yeah, to the 10.

Audio: Miller (11:07):

10. You went to 10 Freeway?

Audio: Davis (11:07):

Yeah.

Audio: Miller (11:14):

Okay. And you went directly to the marina to go eat? That's you, Wendell...

Audio: Davis (11:19):

And Wonder Mike.

Audio: Miller (11:21):

And Wonder Mike.

Audio: Davis (11:25):

Jerry's Deli.

Audio: Miller (11:27):

Okay. You were at Jerry's Deli. About what time were you there?

Audio: Faal (11:32):

You'd met before. [inaudible 00:11:34]

Audio: Miller (11:34):

Yeah, the Compton Court.

Audio: Davis (11:38):

What time did I get there?

Audio: Miller (11:39):

Yeah. [inaudible 00:11:45]

Audio: Davis (11:39):

I don't remember...

Audio: Miller (11:39):

I was on the... I'm sorry. Go on. I'm sorry, the Southside Slayer in... [inaudible 00:11:51] Restaurant or marina.

Audio: Faal (11:39):

Okay, okay.

Audio: Miller (11:54):

Well, you and I were speaking with defense attorneys. I think Mr. Faal, you were there.

Audio: Faal (11:59):

Probably so.

Audio: Miller (12:01):

Fred and I were talking about homicide investigation? I think you were there.

Audio: Faal (12:04):

Yeah, I think so.

Audio: Miller (12:04):

Ragsdale.

Audio: Faal (12:08):

Yeah. I was just searching my mind.

Audio: Miller (12:12):

And your son went to elementary school with my son when you lived in Phillips Ranch.

Audio: Faal (12:17):

Oh yeah?

Audio: Miller (12:18):

Yeah. I remember seeing you there.

Audio: Faal (12:20):

That's true, that's true.

Audio: Miller (12:22):

You no longer live in Phillips Ranch.

Audio: Faal (12:23):

No. Yeah.

Audio: Miller (12:25):

That was years ago. That was '91 or 92.

Audio: Faal (12:28):

That's quite a time... I still have a house there, though.

Audio: Miller (12:31):

Oh, you do?

Audio: Faal (12:31):

Yeah.

Audio: Miller (12:32):

You rent it out?

Audio: Faal (12:32):

Yeah, I didn't sell it. No, I have family members living...

Audio: Miller (12:37):

Okay. About what time do you think you got to. What time did you leave the parking structure approximately? Do you recall?

Audio: Davis (12:46):

Recall... I wasn't watching my watch.

Audio: Miller (12:56):

You said you arrived at the party about 11:00 or 11:30. You were inside the party for about an hour and then...

Audio: Davis (13:04):

About an hour, yeah.

Audio: Miller (13:05):

Okay. So that would either make it 12:00 or 12:30 when you left the party. So driving time from there to Jerry's Deli. Right around what? 1:00?

Audio: Davis (13:22):

Yeah, just about 1:00.

Audio: Miller (13:26):

About 1:00 would you say?

Audio: Davis (13:27):

Yeah.

Audio: Miller (13:27):

1:00 AM? Okay.

Audio: Davis (13:33):

I'd say about 1:30. 1:30.

Audio: Miller (13:33):

Between 1:00 AM and 1:30?

Audio: Davis (13:33):

Yeah. About 1:30. 1:30.

Audio: Miller (13:34):

Okay. And how long were you at Jerry's Deli?

Audio: Davis (13:34):

About an hour.

Audio: Miller (13:35):

Okay. About one hour. So that would make it at this point-

Audio: Davis (14:01):

Not long, about 2:30.

Audio: Miller (14:04):

Well, that means if you were at the Deli about one hour, it would be 2:00 AM to 2:30.

Audio: Davis (14:12):

Yeah.

Audio: Miller (14:15):

Okay. Now you got to drive from the marina. Where'd you go?

Audio: Davis (14:19):

I dropped Wonder Mike off in the same area.

Audio: Miller (14:23):

Okay. Then you dropped off -

Audio: Davis (14:24):

Wonder Mike.

Audio: Miller (14:29):

Wonder Mike. In Compton, right?

Audio: Davis (14:33):

Yeah.

Audio: Miller (14:33):

And then I'm assuming Wonder Mike and Wendell lived pretty close.

Audio: Davis (14:37):

Yeah, yeah, yeah.

Audio: Miller (14:46):

Okay. And Wendell in Compton. About what time would you estimate that to be? If you left Jerry's Deli -

Audio: Davis (14:58):

I got home about 2:30.

Audio: Miller (15:01):

Okay. About 2:30. 02:30, arrived approximately 02:30.

Audio: Davis (15:16):

I wasn't watching the watch, though.

Audio: Miller (15:16):

Yeah, approximately.

Audio: Faal (15:16):

All the times are approximately.

Audio: Miller (15:18):

Right. Okay. And when you got home, was there anybody up, like your mom or brother or sister or girlfriend, or her mom?

Audio: Davis (15:27):

Her mom came and open the door for me.

Audio: Miller (15:28):

Okay. So Paula's mom opened the door?

Audio: Davis (15:31):

Yeah.

Audio: Miller (15:33):

Was she up already or was she...

Audio: Davis (15:35):

She was sleeping.

Audio: Miller (15:36):

You had to knock on the door?

Audio: Davis (15:37):

I rang the doorbell. Yeah, I had on a blue jumpsuit.

Audio: Miller (15:37):

Okay.

Audio: Davis (15:37):

[Inaudible 00:15:38] You know the Michael Jordan jumpsuit, we got that blue one. You know what I'm talking about?

Audio: Miller (15:57):

Yeah.

Audio: Davis (15:57):

Yeah.

Audio: Miller (16:06):

Okay. When she opened the door, did you talk with her?

Audio: Davis (16:09):

No, I didn't talk to her.

Audio: Miller (16:12):

I mean, did you tell her anything about the events that happened, like Biggie had been shot or anything?

Audio: Davis (16:17):

She's 73 years old.

Audio: Miller (16:19):

Oh, so not into rap music, huh?

Audio: Davis (16:23):

No.

Audio: Miller (16:24):

She was the only one up at that time?

Audio: Davis (16:27):

Yeah.

Audio: Miller (16:27):

Okay. Then would you go head straight to your bedroom to go to bed?

Audio: Davis (16:32):

Yeah.

Audio: Miller (16:34):

Did you talk with anybody between entering the house? Did you speak to anybody, either in person or on the phone at all when you...

Audio: Davis (16:49):

When I talked to Paula, I told her that Biggie got killed.

Audio: Miller (16:49):

Okay. You and Paula slept in the same room together?

Audio: Davis (16:50):

Yes.

Audio: Miller (16:51):

Okay. So you told Paula?

Audio: Davis (16:55):

I said "Biggie got killed." I don't know whether he got killed or not, you know?

Audio: Miller (17:07):

So did you talk to anybody else besides Paula?

Audio: Davis (17:14):

Just us two.

Audio: Miller (17:15):

Okay. Wonder Mike and Wendell?

Audio: Davis (17:17):

Yeah, we was like, [inaudible 00:17:19]

Audio: Miller (17:24):

Okay. From the time you was about ready to leave the party to the time you arrived home, the only people you talked to were Wonder Mike, Wendell, Paula's mom. You may not have said anything to Paula's mom. Okay. Then you talked to Paula.

Audio: Davis (17:40):

Right.

Audio: Miller (17:41):

Was there anybody else that you talked to?

Audio: Davis (17:43):

Right before we left, Keyshawn said he was going to some other party. I was going home.

Audio: Miller (17:57):

Okay. Which party was that?

Audio: Davis (18:01):

I don't know.

Audio: Miller (18:01):

You don't know what party that was?

Audio: Davis (18:02):

No.

Audio: Miller (18:05):

Did Keyshawn ask you to go to that?

Audio: Davis (18:07):

No, he just said he was going to the party.

Audio: Miller (18:12):

Which party was that? Was this another after party?

Audio: Davis (18:16):

Yeah. Another after party.

Audio: Miller (18:20):

Okay. Do you know who held that party? Was it a star that had the party or?

Audio: Davis (18:26):

I don't know. It's at some mansion or something. I don't know.

Audio: Miller (18:31):

At a mansion?

Audio: Davis (18:32):

Yeah. And where at?

Audio: Miller (18:35):

Up there where the mansion would be. In Beverly Hills or Hollywood, wherever. I don't know. He just said he was going to a party.

Audio: Davis (18:48):

Okay. And you had no idea where that party was?

Audio: Miller (19:12):

Mm-mm.

Audio: Davis (19:12):

No?

Audio: Faal (19:12):

I don't mean to interrupt, but I do have that appointment downtown at 6:00.

Audio: Miller (19:12):

Okay. Okay. If you want to talk to Keefe in the future, we'll call you.

Audio: Faal (19:12):

Sure. And also -

Audio: Miller (19:12):

Yes, sir.

Audio: Faal (19:20):

I have a Keefe's sister-in-law. Her name is Gina Davis. She said that police have been going to her house, knocking at her door, looking for her, and she has nothing to do with this thing. She expressed -

Audio: Miller (19:27):

Sister-in-law?

Audio: Faal (19:28):

Yes. She expressed concern about word getting around that she's wanted. I told her -

Audio: Miller (19:37):

Where does she live? Let me ask you a question.

Audio: Faal (19:38):

I think in Norwalk.

Audio: Davis (19:38):

Norwalk.

Audio: Faal (19:44):

Norwalk. So I said I was going to check with you guys.

Audio: Miller (19:46):

Oh, Cooper, Cooper's over there?

Audio: Davis (19:51):

Yeah. He's been over the windows. He's been everywhere.

Audio: Faal (19:51):

Yeah. So,

Audio: Miller (20:03):

Oh, Norwalk?

Audio: Davis (20:03):

Long Beach or Norwalk.

Audio: Faal (20:03):

I think that's Norwalk.

Audio: Miller (20:03):

Have you talked to Detective Cooper?

Audio: Davis (20:03):

Yeah, I talked to him on the phone. He said, "Man, we know you ain't did it, but we think you can clear up the air or something." I said, "Yeah," then I came to you.

Audio: Miller (20:06):

When was that? When did you speak with Detective Cooper?

Audio: Davis (20:06):

That was the day that you went over her house.

Audio: Miller (20:14):

Pardon me? The day?

Audio: Davis (20:16):

You remember y'all went there?

Audio: Miller (20:16):

Yeah. Oh, you talked to him-

Audio: Davis (20:16):

I talked to him that day.

Audio: Miller (20:16):

Okay, that's right.

Audio: Faal (20:24):

Yeah, now the point with Gina Davis is that I told her I'll check with you guys. If Detective Cooper goes there looking for her, she's not going to talk to Detective Cooper. I want Cooper to know that. If someone wants to talk to her, just call me.

Audio: Miller (20:33):

Okay.

Audio: Faal (20:37):

I'll make her available. But if someone goes there without being cleared, she's not going to talk to anyone.

Audio: Miller (20:43):

Okay. We have 15 people working on this.

Audio: Faal (20:44):

[inaudible 00:20:47].

Audio: Davis (20:44):

Okay. I didn't see nothing in that. All [inaudible 00:20:52]

Audio: Miller (20:56):

Okay. This is Northbound up here. This is the museum right here. This is the parking structure. This is Fairfax going North. You said you were going South on Fairfax, then you pulled into the parking lot when you first got there?

Audio: Davis (21:22):

Legal term, yeah.

Audio: Miller (21:32):

Yeah, right. [inaudible 00:21:22] Give you a ticket right now.

Audio: Faal (21:36):

No, he's not a traffic cop.

Audio: Miller (21:36):

Okay. You turned in here. Yes. And you said, was it valet parked?

Audio: Davis (21:36):

Yeah, it was valet, pull up in here and the man was right here with the valet.

Audio: Miller (21:36):

Okay. So you got out here, then you went out to the party.

Audio: Davis (21:36):

There's a lot of people here.

Audio: Miller (21:36):

Right.

Audio: Davis (21:36):

Drop-off pass, went on in here.

Audio: Miller (21:37):

Okay. Now, when you came out, you came out the same way?

Audio: Davis (21:39):

Same way.

Audio: Miller (21:39):

Okay, down this door.

Audio: Davis (21:41):

It was the stairs with the rails.

Audio: Miller (21:43):

Right.

Audio: Davis (21:43):

We ran down right here.

Audio: Miller (21:45):

Okay. When you came up, was Biggie down here already?

Audio: Davis (21:49):

Yeah, Biggie was in front. He was getting in their car.

Audio: Miller (21:52):

Okay. There were parks here in front?

Audio: Davis (21:53):

Yes.

Audio: Miller (21:53):

Okay.

Audio: Davis (21:53):

Mostly the Subarus.

Audio: Miller (21:56):

Right. Okay. Mostly Subarus. And do you know which one Biggie got into?

Audio: Davis (21:59):

He got in the front one and the boy got in the back. Then [inaudible 00:22:06] that was behind them too.

Audio: Miller (22:07):

Who was?

Audio: Faal (22:07):

Go ahead.

Audio: Davis (22:11):

[inaudible 00:22:11] The little guy.

Audio: Miller (22:11):

Oh, Damien?

Audio: Davis (22:15):

His little crew.

Audio: Miller (22:16):

Yeah. Okay. In a different car, right?

Audio: Davis (22:19):

Yeah. I know some of them dudes there was hollering at them who they left out. Me and Keyshawn were standing over here by the cars here, waiting on the man to come. Everybody ran in here. I didn't even hear no shots. I just seen the crowd running. I was like, "Man."

Audio: Miller (22:36):

Okay. And had you received your car yet?

Audio: Davis (22:37):

No.

Audio: Miller (22:37):

Okay. So you were still going around?

Audio: Davis (22:38):

Waiting on the car, yeah.

Audio: Miller (22:40):

Did you see them leave the area? Biggie and his entourage? You see him pull out?

Audio: Davis (22:46):

Not really. I just seen a lot of cars just leaving.

Audio: Miller (22:50):

Okay. So you saw them there and you just continued over here?

Audio: Davis (22:52):

Over there in my car, yeah.

Audio: Miller (22:53):

Okay. And then approximately how long do you think it was when you saw them take off that you saw these people come rushing back in there?

Audio: Davis (23:04):

Between five and 10 minutes. It was quick.

Audio: Miller (23:13):

Okay. And then that's whenever he comes running around here. Were you in your car there or were you still waiting for it?

Audio: Davis (23:16):

I was still waiting.

Audio: Miller (23:18):

Okay. How long did it take them to get your car? I'm talking it's not either side of the crowd coming to you to egress and you [inaudible 00:23:27]

Audio: Davis (23:29):

They pulled over Keyshawn's first, then they pulled up with mine.

Audio: Miller (23:32):

Okay.

Audio: Davis (23:32):

We came together.

Audio: Miller (23:36):

Okay. So you were inside here. And when you leave, did you go out this way?

Audio: Davis (23:39):

Pull out this way. The man was standing right here this way. He was standing, waving people out.

Audio: Miller (23:39):

Okay.

Audio: Davis (23:44):

He was making sure they go right, though.

Audio: Miller (23:45):

Okay.

Audio: Davis (23:45):

Because I know if you was leaving, you turn left.

Audio: Miller (23:53):

Okay. You said this individual was a police officer?

Audio: Davis (23:56):

Yeah, he was tall, about six-four, blonde hair, real tall. Yeah. And he just waving the cars out. He waved about 50 cars up out of here.

Audio: Miller (24:11):

Did you see any policemen there in the parking lot? As you were leaving the museum, had the shooting already gone down, or was it until you actually got walked a little ways inside the parking structure?

Audio: Davis (24:29):

I was coming down the stairs.

Audio: Miller (24:31):

Okay.

Audio: Davis (24:32):

When I was there, seen Biggie and them.

Audio: Miller (24:34):

Okay.

Audio: Davis (24:35):

Later, they just got on. Then I was over here. We was talking about football, you know with Keyshawn.

Audio: Miller (24:42):

Keyshawn, talking this right here, waiting for your cars?

Audio: Davis (24:45):

Yeah.

Audio: Miller (24:45):

Okay.

Audio: Davis (24:46):

And the crowd came around. I was about...

Audio: Miller (24:51):

How long were you standing there? When you exited that museum, how long a time span? From about-

Audio: Davis (25:00):

10 minutes.

Audio: Miller (25:00):

10 minutes when you saw people rushing in?

Audio: Davis (25:00):

Yeah, it was about 10 minutes.

Audio: Miller (25:11):

Okay. Did you see any policemen anywhere around any LAPD? Uniformed officers when you came out?

Audio: Speaker 7 (25:20):

Speaker 7: I was trying to set the time [inaudible 00:25:22]

Audio: Davis (25:22):

All I've seen was. That's what I seen out right here. The tall guy. It was more they was pulling up. They was coming real red, coming in. A whole lot of cops was coming.

Audio: Miller (25:36):

Okay. People were rushing. Okay. 10 minutes between the time you exited and the time that people were running into the parking structure. Then how long from that time did it take you to finally get into your car and start pulling out?

Audio: Davis (25:55):

I'd say about six to seven minutes.

Audio: Miller (25:59):

Six to 10 minutes?

Audio: Davis (26:00):

About six to 10 minutes, yeah.

Audio: Miller (26:02):

Okay. And then how long did it take for you to exit the structure? Is that -

Audio: Davis (26:10):

It was my bumper.

Audio: Miller (26:11):

Okay. So you're finally in your car.

Audio: Davis (26:15):

Yeah. Then we leave.

Audio: Miller (26:16):

I mean, did you have to wait for a long period of time because of -

Audio: Davis (26:19):

No, not really.

Audio: Miller (26:21):

He was pushing through pretty fast.

Audio: Davis (26:22):

He was waving them through, yeah.

Audio: Miller (26:24):

So after the crowd started moving in, the policemen were there within what? Six?

Audio: Davis (26:32):

Yeah, about six minutes, yeah. He was running in. "Biggie got killed. Lord have mercy." I had been at one of them before over there in Inglewood, and they made everybody spend the night at that hotel, interviewed everybody that was there.

Audio: Miller (26:52):

Which hotel?

Audio: Davis (26:53):

This was at the [inaudible 00:26:54].

Audio: Miller (26:54):

What, that shooting you're talking about?

Audio: Davis (26:55):

Yeah, it was a shooting. Yeah. And that was kind of strange for him to be waving people out, so you know what I'm saying?

Audio: Miller (26:59):

Okay, okay. I appreciate your time.

Audio: Faal (27:05):

Yeah, okay. [inaudible 00:27:05] Again, because I tell you when I thought what you were interested in talking to him. My advisement was don't talk to the [inaudible 00:27:17].

(27:09)
I said don't, but he insisted that he wants to come talk to you.

Audio: Davis (27:09):

Get this over with.

Audio: Faal (27:24):

So he's doing this on his own.

Audio: Miller (27:26):

No, I understand.

Audio: Faal (27:44):

He said he wants to talk to you.

Audio: Miller (27:45):

That's why [inaudible 00:27:45]. When you talked to Sean Combs, what did you talk about?

Audio: Davis (27:45):

He said the FBI is all over me, man. I don't want you guys catching my heat, stay away from me.

Audio: Miller (27:49):

Who said this?

Audio: Davis (27:51):

Sean.

Audio: Miller (27:51):

Oh, shit, really?

Audio: Davis (27:53):

Yeah.

Audio: Miller (27:53):

Did you, you know this Lil C, did you talk to him?

Audio: Davis (27:59):

That's the person that slid the invitations. Sent me the invitations.

Audio: Miller (28:00):

Oh, okay. You got the invitation from Lil C?

Audio: Davis (28:00):

Yeah, him and they manager.

Audio: Miller (28:08):

A manager?

Audio: Davis (28:09):

Him and they manager He got a lot of braids. You seen him.

Audio: Miller (28:14):

Oh, yeah, he wore the Starter cap, right.

Audio: Davis (28:15):

Yeah.

Audio: Miller (28:17):

Combs said "FBI is all over me?"

Audio: Davis (28:20):

Yes.

Audio: Miller (28:22):

That was it? So was Lil C was just high and...

Audio: Davis (28:32):

Yeah, he gave me the invitation.

Audio: Miller (28:36):

This was before you went in?

Audio: Davis (28:37):

Before I went in. Then I went upstairs. They was drinking. Gave me a bottle, started drinking.

Audio: Miller (28:43):

Did you talk to Lil C inside?

Audio: Davis (28:45):

Huh?

Audio: Miller (28:47):

Did you talk to Lil C inside?

Audio: Davis (28:47):

Yeah, I talked to Lil C.

Audio: Miller (28:47):

What did you guys talk about? I mean, you met before, right?

Audio: Davis (28:51):

He just said, "How you doing?"

Audio: Miller (28:53):

How long had you known Sean and Lil C before this event?

Audio: Davis (28:59):

Maybe about a year.

Audio: Miller (29:03):

A year? Where'd you meet him?

Audio: Davis (29:04):

A couple of years. He had gave an after party at the Soul Train Award.

Audio: Miller (29:07):

In what year?

Audio: Davis (29:09):

That was '96. One night did that guy get killed at the Elroy. What year was that? They got beat up.

Audio: Miller (29:19):

[inaudible 00:29:20] that was 94?

Audio: Davis (29:20):

That was the year I met him.

Audio: Miller (29:27):

Okay. So that's three years ago.

Audio: Davis (29:28):

Yeah.

Audio: Faal (29:28):

Do you want to make a phone call?

Audio: Davis (29:39):

Yeah, I'm good.

Audio: Faal (29:39):

Okay. I'll make this phone call.

Audio: Miller (29:53):

I appreciate Keefe. I appreciate because I'd like to talk to you again and we'll call your attorney, and you have no problems?

Audio: Davis (29:53):

I've got no problems.

(29:53)
[inaudible 00:30:05].

Audio: Miller (29:53):

Thanks buddy. No calls. Great, thanks, appreciate it. Okay. Hello?

Audio: Faal (29:53):

Okay, hi. Okay. [inaudible 00:30:47] Friday, you know, today, you know. [inaudible 00:31:12] Yeah, I'm at the police department. Yeah, yeah, I'm at the police department.

Audio: Davis (29:53):

Well, I've got a number with that guy in the [inaudible 00:31:34].

Audio: Miller (29:53):

[inaudible 00:31:47]

Judge (32:33):

All right. Who's your next witness?

Marc DiGiacomo (32:34):

Thomas Kern.

Speaker 2 (33:09):

You do solemnly swear the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

Thomas Kern (33:15):

I do.

Speaker 2 (33:15):

You may be seated. May I please have you state and spell your first and last name for the record?

Thomas Kern (33:22):

First name is Thomas, T-H-O-M-A-S. Last name is Kern, K-E-R-N.

Judge (33:28):

Thank you, sir. Whenever you're ready, Mr. DiGiacomo, you may proceed.

Marc DiGiacomo (33:32):

Thank you.

(33:32)
Sir, how are you currently employed?

Thomas Kern (33:34):

I work for Customs and Border Protection at the Chicago Laboratory as a latent fingerprint examiner.

Marc DiGiacomo (33:39):

I'm going to take you back 30 years ago.

Thomas Kern (33:42):

Okay.

Marc DiGiacomo (33:42):

30 years ago, what were you doing for a living?

Thomas Kern (33:45):

I had just started here as a crime scene analyst. I was in my first year.

Marc DiGiacomo (33:50):

What does a crime scene analyst for the Las Vegas Metropolitan Police Department do?

Thomas Kern (33:54):

Basically, it's a response to crime scenes to recover evidence that was potentially left behind during the incident. Things like burglaries would go look for fingerprint evidence. They...

Thomas Kern (34:00):

... incident. Things like burglaries, we would go look for fingerprint evidence, maybe sometimes broken glass, those sort of things. We would collect that from the scene and bring it back to the lab for potential use later.

Marc DiGiacomo (34:10):

Did you have a field training officer on September 7th, or September 13th, I guess it is, of 1996?

Thomas Kern (34:18):

I did.

Marc DiGiacomo (34:19):

Who was that?

Thomas Kern (34:21):

David LeMaster. That's L-E-M-A-S-T-E-R.

Marc DiGiacomo (34:27):

Do crime scene analysts respond to the coroner's office for autopsies to document the body and collect any evidence that the doctor pulls out during the course of an autopsy?

Thomas Kern (34:37):

Yes.

Marc DiGiacomo (34:39):

Were you present at the autopsy with Dave LeMaster for the autopsy of Tupac Shakur?

Thomas Kern (34:45):

I was.

Marc DiGiacomo (34:47):

May I approach, Judge?

Judge Carli Kierny (34:48):

You may.

Marc DiGiacomo (34:55):

I'm going to start with State Proposed Exhibits 44 to, looks like, 56 there. I just want you to flip through those.

(35:04)
I can't remember what my first number was. Forty-four through 54, are those all depictions of his body bag, as well as Mr. Shakur during the course of the autopsy documenting both tattoos and injuries to Mr. Shakur?

Thomas Kern (36:18):

Yes, sir.

Marc DiGiacomo (36:19):

And then, 55 and 56, it is two sides, I'll say, of what looks like a bullet and a fragment that was removed from his body at the time of autopsy. Is that correct?

Thomas Kern (36:33):

That's correct.

Marc DiGiacomo (36:35):

All right. Now, I'm going to show you what's been marked as State's Proposed Exhibit Number 128. From looking at that, does that appear to be an impound done by Dave LeMaster from the autopsy of Mr. Shakur in September of 1996?

Thomas Kern (36:57):

It is.

Marc DiGiacomo (36:59):

Flip it over here. Why don't you explain to the ladies and gentlemen of the jury how evidence is collected?

Thomas Kern (37:04):

This is a typical evidence collection bag, and on the front there's information that you would complete and fill out that would be relevant to the investigation you're working on. I know that this is David's paperwork. We are assigned a personnel number when we start the job, and David's personnel number was 4243 as his first initial, last initial, and that's about here in the center of this information.

(37:28)
When we collect the evidence, we're supposed to put a seal on the reverse and the seal has to remain intact throughout the investigation of that. That also has David's initial and personnel number and the date that was collected.

Marc DiGiacomo (37:39):

It appears that nobody's opened this since David impounded it 30 years ago.

Thomas Kern (37:43):

That's correct.

Marc DiGiacomo (37:45):

Judge, I offer 44 through 56 and 128.

Judge Carli Kierny (37:50):

Any objection?

Michael Sanft (37:51):

No objection, Your Honor.

Judge Carli Kierny (37:51):

They will be admitted.

Marc DiGiacomo (37:51):

Thank you. I pass the witness.

Judge Carli Kierny (37:57):

Okay. Cross-examination, Mr. Sanft?

Michael Sanft (37:59):

Your Honor, I have no cross.

Judge Carli Kierny (38:00):

Ladies and gentlemen of the jury, any questions for this witness? Seeing none, thank you so much.

(38:06)
Have a good day. You are excused, Mr. Kern.

(38:13)
State, who's your next witness?

Marc DiGiacomo (38:15):

Dr. Lisa Gavin.

Judge Carli Kierny (38:15):

Okay.

Speaker 3 (38:15):

Lisa Gavin.

Speaker 4 (38:16):

You do solemnly swear the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

Lisa Gavin (38:55):

I do.

Speaker 4 (38:56):

You may be seated.

Judge Carli Kierny (38:59):

May I please have you state and spell your first and last name for the record?

Lisa Gavin (39:02):

Good morning. I'm Dr. Lisa Gavin, L-I-S-A G-A-V-I-N.

Judge Carli Kierny (39:08):

Thank you, Dr. Gavin.

(39:09)
Mr. DiGiacomo, you may proceed.

Marc DiGiacomo (39:11):

Doctor, how are you employed?

Lisa Gavin (39:12):

I am a forensic pathologist medical examiner here in Clark County.

Marc DiGiacomo (39:16):

What does that mean you do for a living?

Lisa Gavin (39:19):

We determine the cause of death and the manner of death and sudden unexpected deaths.

Marc DiGiacomo (39:25):

In order to hold the position that you do with the coroner's office, do you have certain education, training, and background?

Lisa Gavin (39:34):

Yes.

Marc DiGiacomo (39:35):

Explain that to the ladies and gentlemen of the jury.

Lisa Gavin (39:37):

I went to medical school at the University of Connecticut School of Medicine. I did a pathology residency at Hartford Hospital in Connecticut. I did a surgical pathology fellowship at Hartford Hospital in Connecticut. I did a forensic pathology fellowship in the Office of the Medical Investigator in New Mexico.

(39:54)
And then, I came here to Clark County. I have a medical license to practice here in the State of Nevada, and I'm board- certified in anatomic pathology and forensic pathology.

Marc DiGiacomo (40:04):

How long overall have you been a forensic pathologist?

Lisa Gavin (40:08):

This September, it'll be about 17 years practicing here.

Marc DiGiacomo (40:12):

I'm going to guess that 30 years ago, you were not at the autopsy of Tupac Shakur?

Lisa Gavin (40:18):

No, I was in medical school.

Marc DiGiacomo (40:22):

Have you, in the past, had to come in and testify to your opinions as to cause and manner of death in cases where you weren't the actual examiner at the table?

Lisa Gavin (40:32):

Yes.

Marc DiGiacomo (40:33):

Explain why that would happen.

Lisa Gavin (40:35):

We have people that have retired. We have doctors that have died. We have doctors that have gone to other locations in the country.

Marc DiGiacomo (40:46):

When you are asked to review, what is it that you get to review in order to form your opinions and conclusions?

Lisa Gavin (40:55):

Most often, it would be the investigation report from our office. It would be the autopsy report from the forensic pathologist that did the case. It could be photographs associated with the case. Could be medical records associated with the case. Could be any consultations or the like associated with the case.

Marc DiGiacomo (41:16):

In this particular case, do you know who the examiner was?

Lisa Gavin (41:20):

Yes.

Marc DiGiacomo (41:21):

Who was it?

Lisa Gavin (41:21):

It was Dr. Jordan.

Marc DiGiacomo (41:24):

Dr. Jordan is no longer with us, correct?

Lisa Gavin (41:27):

Correct. Dr. Jordan had passed away.

Marc DiGiacomo (41:30):

In addition to what the medical examiner's office had, did you also get a copy of the photographs taken by crime scene analysts during the course of the autopsy?

Lisa Gavin (41:43):

Yes.

Marc DiGiacomo (41:45):

Did you utilize those as well to render your opinions?

Lisa Gavin (41:51):

Yes.

Marc DiGiacomo (41:54):

I'm going to start with what's been previously admitted as State's Exhibit Number 44. Now, as long as you don't click that mouse, there should be a nice little arrow that comes up and you can point to it. What are we looking at in State's Exhibit 44?

Lisa Gavin (42:19):

In the background is a green body bag. The way that we sealed the body bag to preserve the body as evidence is we put this little blue tag through the eyelets of the zippers as they come together to demonstrate that the body was received, placed into that sealed body bag, and then received in the office with that seal intact at that time.

(42:42)
Similarly, we also attached onto that area what will become the toe tag, the identifying marker for that particular body, that particular individual.

Marc DiGiacomo (42:52):

If I zoom in on that, we're able to see that the name was Lesane Crooks, aka Tupac Shakur, date of death 9/13/96, at approximately 1600 or 4:00 PM.

Lisa Gavin (43:12):

That's correct.

Marc DiGiacomo (43:25):

45. What are we looking at, Doctor?

Lisa Gavin (43:27):

This is just opening up of the body bag, and then one of the first photos that was taken at the time that the body bag was opened, demonstrating the decedent and the condition that he was received in and the body bag.

Marc DiGiacomo (43:43):

From reviewing the medical records that were part of the coroner's office file, did it appear that Mr. Shakur had survived his wounds for some period of time?

Lisa Gavin (43:57):

Yes.

Marc DiGiacomo (43:58):

A lot of what we see on these photographs are evidence of medical intervention?

Lisa Gavin (44:04):

That's correct.

Marc DiGiacomo (44:05):

046. Is this a facial shot? I know there's a ruler in the way, but this is a facial shot of Mr. Shakur?

Lisa Gavin (44:19):

Oh, that's correct.

Marc DiGiacomo (44:22):

And then, we're not going to display all of his tattoos, but there were photographs taken, this is 47, to identify his various tattoos?

Lisa Gavin (44:39):

Correct.

Marc DiGiacomo (44:40):

We can see on his right stomach there that says thug. And then if we go to 48, on the other side, it says life. Correct?

Lisa Gavin (44:57):

Correct.

Marc DiGiacomo (44:59):

Okay. Now, I want to get to his injuries. I'm going to start with... Well, I'll start with 49. What are we looking at here?

Lisa Gavin (45:13):

This is the right side of the body up by the chest area. You can see the right axilla or armpit in that region. And then, you could see some of the sutures of what they call a thoracotomy incision where they've cut into the side of the chest. And then just below that, this is an entrance gunshot wound.

Marc DiGiacomo (45:34):

And then just below that thoracotomy chest, there appears to be a stitched up area. I can move my mouse too right there. What is that?

Lisa Gavin (45:44):

That's a sutured chest tube site.

Marc DiGiacomo (45:47):

He had a tube there to help drain some of what was going on in his body?

Lisa Gavin (45:52):

Correct. In the previous one that had all the medical intervention, you could see from the left side, there was a similar chest tube on that left side.

Marc DiGiacomo (46:00):

From your review, were you able to determine sort of the path of this particular bullet?

Lisa Gavin (46:04):

Yes.

Marc DiGiacomo (46:05):

What was that?

Lisa Gavin (46:06):

It entered here in the right lateral aspect of the chest, just below the axilla or the armpit, and then went across the right chest face, went across the right lung, and then ended up coming to rest in what we call the sternal notch. The sternal notch is a location just between where your collarbones kind of meet up towards the center of your chest. Just beneath that, the projectile was recovered.

Marc DiGiacomo (46:33):

The nature of that type of wound, what did it physically do to him, his ability to breathe and those types of things?

Lisa Gavin (46:47):

The injury to the lung would've collapsed the lung and also caused the lung to bleed. So, it was documented within the medical records that he had about two liters of blood in his chest cavity when they put in the chest tube to try to save him.

(47:03)
Similarly, they ended up removing that lung to try to save him and kind of clamp off the bleeding. And then, he had already had multiple episodes of not becoming responsive, so he wasn't able to breathe. He was bleeding out in that area from that injury.

Marc DiGiacomo (47:22):

I guess I should have asked this when I was back on some of the prior pictures. We're going to see a lot of pictures, or we have seen some pictures of Mr. Shakur while he's alive. We're going to see some video of him alive. He certainly looks a lot skinnier in those pictures than he does in these pictures.

(47:40)
Is there a reason why he's so bloated in these photographs?

Lisa Gavin (47:43):

After they've been on the life support system, you end up not being able to circulate the fluid in the body that they're trying to give you. So, it kind of seeps into the tissues and it makes your tissues look kind of bloated and kind of literally bloated.

Marc DiGiacomo (48:04):

I'm going to move on to his next wound, State's Exhibit Number 51. What are we looking at here?

Lisa Gavin (48:12):

This is the right lateral aspect of his body, his right flank and his lateral aspect of his right thigh.

Marc DiGiacomo (48:21):

And the-

Lisa Gavin (48:21):

And then, his backside of his right hand is also within this picture.

Marc DiGiacomo (48:28):

The ruler though is identifying what?

Lisa Gavin (48:30):

The ruler is around the right lateral aspect of his thigh. The right thigh on the lateral side.

Marc DiGiacomo (48:40):

What is that?

Lisa Gavin (48:41):

That's an entrance gunshot wound.

Marc DiGiacomo (48:43):

Can you tell me the path that that bullet took?

Lisa Gavin (48:46):

Yes.

Marc DiGiacomo (48:48):

Go ahead.

Lisa Gavin (48:49):

That bullet entered in the lateral aspect of the right thigh and then went upwards into the abdomen and damaged his intestines. They ended up operating there and removed a portion of his intestines. And then during that surgery, they recovered another projectile.

Marc DiGiacomo (49:10):

State's Exhibit Number 52. You can see it in 51, but now the ruler is on. Try that again. Now, the ruler is on that lower mark. Describe that for us.

Lisa Gavin (49:29):

This is the lateral aspect of his body or his right flank. This wound does not penetrate into the body, but it kind of causes this deeper abrasion in this area. This could be from a spent projectile that might have hit something else and then hit his body, so it lost its momentum to be able to penetrate into his body further. It kind of hit this area and created this wound on the side of his body.

Marc DiGiacomo (49:56):

Were there evidence within the medical records that Mr. Shakur had received bullet wounds sometime prior to the injuries that caused his death?

Lisa Gavin (50:08):

He had some scars in other areas of his body that were suggestive of that.

Marc DiGiacomo (50:15):

Okay. State's Exhibit Number 53. What are we looking at?

Lisa Gavin (50:25):

This is the back of his right hand. On the ring finger, he has an entrance gunshot wound. This path goes through the hand and goes through that finger, and then fractures that bone right by the ring finger area.

Marc DiGiacomo (50:43):

And then, 54, 054. What are we looking at?

Lisa Gavin (50:48):

This is the exit aspect of that wound that we saw the entrance to on the back of the hand. It kind of exits out the underside and partly in the webbing between those fingers.

Marc DiGiacomo (50:59):

Now, you mentioned that during the surgery, UMC would've recovered one bullet, and that autopsy, another bullet was recovered?

Lisa Gavin (51:11):

That's correct.

Marc DiGiacomo (51:14):

As it relates to the autopsy, showing you State's Exhibit Number 55, what are we looking at here?

Lisa Gavin (51:24):

This is the projectile that was recovered during the autopsy. This was the one underneath the sternal notch to which I referred earlier.

Marc DiGiacomo (51:33):

Just so the jury understands these when they hit the back room, that's the same bullet. It's just taken from the opposite side?

Lisa Gavin (51:40):

Yes. We take multiple angles of those projectiles, photos of multiple angles.

Michael Sanft (51:47):

Your Honor, just for the record, what exhibit number is this one?

Judge Carli Kierny (51:49):

Mr. DiGiacomo?

Marc DiGiacomo (51:49):

56.

Judge Carli Kierny (51:51):

Okay.

Marc DiGiacomo (51:56):

Doctor, in addition to not only the photographs, were there other records identifying Mr. Shakur within the coroner's office records?

Lisa Gavin (52:08):

We have both some medical records and some photographs, as well as the autopsy report, the investigation report, and the toxicology report as well.

Marc DiGiacomo (52:20):

Did you also have an affidavit from Mr. Shakur's mother indicating that's her son and he's dead?

Lisa Gavin (52:27):

Yes.

Marc DiGiacomo (52:28):

Were there also postmortem fingerprints taken to confirm that information?

Lisa Gavin (52:33):

Yes.

Marc DiGiacomo (52:35):

After reviewing all of those records, do you have an opinion as to the cause of death of Mr. Shakur?

Lisa Gavin (52:43):

Yes.

Marc DiGiacomo (52:44):

What is that?

Lisa Gavin (52:44):

He died of gunshot wounds of chest and abdomen.

Marc DiGiacomo (52:49):

Do you have an opinion as to the manner of death?

Lisa Gavin (52:51):

Yes.

Marc DiGiacomo (52:52):

What is that?

Lisa Gavin (52:53):

Homicide.

Marc DiGiacomo (52:54):

When a medical examiner uses the term homicide, what does that mean?

Lisa Gavin (52:59):

The simplest form is death at the hands of another.

Marc DiGiacomo (53:03):

Thank you. I pass the witness.

Judge Carli Kierny (53:07):

Cross-examination, Mr. Sanft.

Michael Sanft (53:08):

Yes, Your Honor. Thank you.

(53:08)
Dr. Gavin, good morning.

Lisa Gavin (53:11):

Good morning.

Michael Sanft (53:12):

How are you doing?

Lisa Gavin (53:12):

Good. How are you?

Michael Sanft (53:14):

Good. Thank you. Just a couple questions. Your testimony here today revolves really around your view of the record that was laid out 30 years ago?

Lisa Gavin (53:23):

Yes, that's correct.

Michael Sanft (53:25):

Fair to say, of course, that keeping records would be very important in your line of work?

Lisa Gavin (53:29):

Yes.

Michael Sanft (53:29):

In the event that in the future, something that you do while you're on vacation somewhere in The Bahamas could be testified to by another doctor?

Lisa Gavin (53:37):

That's correct.

Michael Sanft (53:38):

Now, with regards to the records that you saw here, and is it Doctor...

Lisa Gavin (53:44):

Jordan.

Michael Sanft (53:44):

Jordan. Was there anything missing in your review of those records in terms of record keeping or anything like that?

Lisa Gavin (53:52):

No, but we only took a few photos at the time of autopsy. At that time, they used Polaroids or they used film and cameras. So, we had few photos of the body itself. Consequently, the crime scene analyst photos were helpful for being able to come to determination in addition to the reports.

Michael Sanft (54:13):

Right. The way we're able to explain it to the jury today is that you reviewed the record as well as any photographs that were taken at the time of the autopsy?

Lisa Gavin (54:24):

That's correct.

Michael Sanft (54:25):

Okay. Once again, going back again to my original question though, was there anything at all in review of Dr. Jordan's records or record keeping that would've indicated to you something that should have been done differently with regard to Dr. Jordan's work?

Lisa Gavin (54:40):

No, nothing that I could see in my review.

Michael Sanft (54:42):

Okay. Fair enough to say though there, you're not really there to critique his work as much as it is to relay what you read in the record to a jury like the people that we have here today?

Lisa Gavin (54:52):

That's fair.

Michael Sanft (54:54):

Once again, a critical review of someone's record is a little bit different compared to just reading what was done and then relaying that to a jury?

Lisa Gavin (55:02):

Yes.

Michael Sanft (55:03):

Okay. What is the difference?

Lisa Gavin (55:05):

I think the scrutiny that you can utilize in those kind of details may be something that becomes relevant for a particular case.

Michael Sanft (55:15):

Right. For instance, if there was some issue, some dispute over whether or not he was given adequate medical treatment, that would be something for another day, for another topic, and another type of review, right?

Lisa Gavin (55:28):

That would be for somebody that actually does treatment of bodies. I'm a forensic pathologist, so I'm a medical examiner, so I review people after they've died. That would be treatment related to whomever does that type of treatment.

Michael Sanft (55:42):

Now, would you have been able to do this type of review if Dr. Jordan had not kept an adequate record of his efforts?

Lisa Gavin (55:50):

It depends on what you have available for review.

Michael Sanft (55:53):

Say, for instance, there's no record at all. He doesn't do a record, he does some work, but you don't have anything other than maybe the pictures in this case. Would that be enough of a review for you?

Lisa Gavin (56:05):

Photographs can be very helpful in terms of determining what happened to the body. And then in terms of where the locations of injuries are, based on my knowledge of anatomy in the body, I can definitely generate opinions based on that.

Michael Sanft (56:18):

Sure. But with regards to, say, his work in general, outside of the fact that you could point out location of where there's entry and exit wounds, for instance, from a bullet, outside of that, would you be able to tell this jury exactly what Dr. Jordan had done with regards to his autopsy?

Lisa Gavin (56:36):

What he did for his exact procedures? No.

Michael Sanft (56:39):

Okay. In the event that you don't even have that, say, for instance, you're coming in here today and the question is, well, did Tupac Shakur die of bullet wounds? Would that be something that you could just tell a jury like this without even looking at a record or photograph?

Lisa Gavin (56:54):

We would need some kind of record in order for me to be able to generate an opinion or some kind of photographs for me to be able to generate an opinion.

Michael Sanft (57:01):

Fair to say then, once again, that in your line of work, record keeping, record writing is critical to maintain the integrity of what you do as a coroner?

Lisa Gavin (57:11):

Yes.

Michael Sanft (57:12):

Okay. No further questions, Your Honor. Thank you.

Judge Carli Kierny (57:14):

Any redirect, Mr. DiGiacomo?

Marc DiGiacomo (57:20):

Ma'am, Mr. Sanft suggested, and I just want to make it clear, you're not regurgitating Dr. Jordan's opinions. You've formulated your own opinions as to cause and manner of death?

Lisa Gavin (57:30):

That is correct.

Marc DiGiacomo (57:32):

Thank you. Nothing further.

Michael Sanft (57:37):

One final question based upon Mr. DiGiacomo's. Fair to say though, in order for you to do that, you have to rely on Dr. Jordan's documentation of what he did?

Lisa Gavin (57:42):

I relied on his documentation as well as the other documentation that I talked about, which was medical records as well as photographs.

Michael Sanft (57:51):

Thank you. No further questions, Your Honor.

Judge Carli Kierny (57:54):

Ladies and gentlemen of the jury, any questions for this witness? We have one more that we're waiting for.

(58:01)
May I have the parties approach? All right. Dr. Gavin, we have a few questions from our jurors. Were there any wounds to the head that you or Dr. Jordan observed or noted?

Lisa Gavin (59:03):

No, there were not.

Judge Carli Kierny (59:05):

And then, were all the bullets found of the same caliber?

Lisa Gavin (59:08):

I don't know what the caliber of the other bullet was, the one recovered at surgery.

Judge Carli Kierny (59:14):

Okay. State, any follow up based on those questions?

Marc DiGiacomo (59:17):

Do you even know what the caliber of the bullet was that was covered at autopsy?

Lisa Gavin (59:21):

No, I don't know this caliber.

Marc DiGiacomo (59:23):

Is that something that is not in your realm of determination?

Lisa Gavin (59:26):

That's correct.

Marc DiGiacomo (59:27):

Thank you.

Judge Carli Kierny (59:29):

Mr. Sanft?

Michael Sanft (59:30):

Doctor, I'm assuming you're probably going to say I don't know, but are you aware that if any metropolitan police officer or expert came forward to take a look at those fragments that we're looking at now or any other fragments that were recovered from the body?

Lisa Gavin (59:44):

No, I don't know.

Michael Sanft (59:45):

You don't know that?

Lisa Gavin (59:45):

I don't know whether or not somebody did that.

Michael Sanft (59:47):

All right. Thank you. No further questions.

Judge Carli Kierny (59:49):

Okay. Thank you for being with us, Dr. Gavin. You are excused.

Lisa Gavin (59:51):

Thank you.

Judge Carli Kierny (59:52):

You're welcome.

(59:52)
Next witness.

Marc DiGiacomo (59:58):

Judge, before we call the next witness, I have in my hand State's Proposed Exhibit Number 59, which is certified copy of Marion "Suge" Knight's medical records from UMC that night.

Judge Carli Kierny (01:00:08):

Any objection to the admission of those records, Mr. Sanft?

Michael Sanft (01:00:10):

No, Your Honor.

Judge Carli Kierny (01:00:11):

All right. Those will be admitted.

Marc DiGiacomo (01:00:14):

I apologize. I don't know his name, but he is the custodian of records for MGM surveillance.

Judge Carli Kierny (01:00:16):

Okay.

Speaker 5 (01:00:17):

Yeah. Don't worry, that's why I put those.

Speaker 4 (01:00:46):

You do solemnly swear the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

Michael Ingram (01:00:50):

I do.

Speaker 4 (01:00:52):

You may be seated.

Judge Carli Kierny (01:00:56):

May I please have you state and spell your first and last name for the record?

Michael Ingram (01:00:59):

Michael Ingram. M-I-C-H-A-E-L I-N-G-R-A-M.

Judge Carli Kierny (01:01:06):

Thank you, Mr. Ingram.

(01:01:08)
Mr. DiGiacomo, whenever you're ready.

Marc DiGiacomo (01:01:09):

Sir, how are you employed?

Michael Ingram (01:01:11):

I work as an investigator for MGM Resorts.

Marc DiGiacomo (01:01:15):

What area at MGM Resorts do you have a certain job responsibility?

Michael Ingram (01:01:20):

I have responsibility over surveillance and security surveillance and investigations.

Marc DiGiacomo (01:01:29):

Were you requested to come here to authenticate some video that was collected well back in 1996 from the MGM?

Michael Ingram (01:01:38):

Yes, I was.

Marc DiGiacomo (01:01:39):

Have you had a chance to see any of that surveillance?

Michael Ingram (01:01:41):

Yes, I have.

Marc DiGiacomo (01:01:43):

Okay. Did MGM keep a copy as well?

Michael Ingram (01:01:44):

Yes, they have.

Marc DiGiacomo (01:01:45):

Okay. You reviewed that?

Michael Ingram (01:01:47):

Yes.

Marc DiGiacomo (01:01:48):

Judge, I have in my hand State's Proposed Exhibit Number 115, which is that video. I would offer it.

Judge Carli Kierny (01:01:53):

Any objection?

Michael Sanft (01:01:53):

No objection, Your Honor.

Judge Carli Kierny (01:01:53):

Okay. That'll be admitted.

Marc DiGiacomo (01:01:59):

I have three different camera views [inaudible 01:02:09]. Three different files, I'll call it, that we're going to talk about. But back in 1996, can you describe the type of surveillance system we're looking at? What medium was it originally reported on?

Michael Ingram (01:02:22):

At that time, it was recorded on VHS.

Marc DiGiacomo (01:02:25):

Did MGM reuse tapes every so often?

Michael Ingram (01:02:28):

Yes.

Marc DiGiacomo (01:02:31):

When you reused tape, did you lose quality each time you kind of reused it over and over again?

Michael Ingram (01:02:36):

Yes, the quality deteriorated.

Marc DiGiacomo (01:02:40):

Unlike today that's digital, some of these views that we're going to watch, it's going to be pretty hard to facially identify anybody. Is that correct?

Michael Ingram (01:02:50):

That's correct.

Marc DiGiacomo (01:02:52):

I want to start with [inaudible 01:02:55] actually. I can just mark next in order.

Speaker 6 (01:03:19):

I need to switch it over.

Marc DiGiacomo (01:03:21):

I know. I just remember if it's the top or the bottom. There's two blues of this one.

Speaker 6 (01:03:32):

[inaudible 01:03:29]. It doesn't work that way the way you're wired now.

Marc DiGiacomo (01:03:38):

All right. I'm going to show you the State's Proposed Exhibit Number 144. Do you recognize what that is?

Michael Ingram (01:03:45):

Yes, that's the MGM Grand.

Marc DiGiacomo (01:03:47):

Is that currently the way the MGM Grand looks?

Michael Ingram (01:03:52):

The general layout of the casino or the hotel, yes. The names have changed and stuff, but the property is the same.

Marc DiGiacomo (01:04:03):

We don't know if this is from 1996 or if it's from 2002, 2010, when in the last 30 years, but generally the layout's been the same?

Michael Ingram (01:04:14):

Correct.

Marc DiGiacomo (01:04:16):

I'll put this up for the ladies and gentlemen of the jury.

Michael Sanft (01:04:20):

Your Honor, if I could have-

Marc DiGiacomo (01:04:21):

Oh, I'll move to admit 144.

Michael Sanft (01:04:23):

Before we move to admit, can I just ask a couple more questions of this witness with regard to this privilege?

Judge Carli Kierny (01:04:26):

You'd like to voir dire on this issue?

Michael Sanft (01:04:26):

Yes.

Judge Carli Kierny (01:04:26):

You may.

Michael Sanft (01:04:31):

Sir, with regards to the photograph that's been marked as Proposed State Exhibit 144, can you tell me if you can read the locations that are on that particular map?

Michael Ingram (01:04:46):

I can read most of them. There's one that's a little fuzzy to me.

Michael Sanft (01:04:57):

Sure. In terms of your review of the surveillance video from the MGM, fair to say that what we are about to see would indicate where the camera location was, including the name of the area that would correlate with what you have up there on the map?

Michael Ingram (01:05:12):

As a general rule, yes.

Michael Sanft (01:05:14):

Okay. Thank you. Well, I have no further questions.

Judge Carli Kierny (01:05:16):

Any objection then to the admission of it?

Michael Sanft (01:05:16):

No objection.

Judge Carli Kierny (01:05:18):

It'll be admitted.

(01:05:19)
State, you may proceed.

Marc DiGiacomo (01:05:25):

Thank you. All right.

(01:05:26)
Two areas on this I want to talk to you about before we show the video. Maybe more than that. Generally speaking, events like the Tyson-Seldon fight, where would that have occurred at?

Michael Ingram (01:05:45):

The MGM Grand Garden, which is located at the top of the screen.

Marc DiGiacomo (01:05:50):

Up here. Okay. We have an elevator view that we're going to see. Where is that located on this?

Michael Ingram (01:06:01):

In the middle of the screen, there's three small boxes. Yes, those are the elevator core for the MGM Grand.

Marc DiGiacomo (01:06:14):

And then, if there's a camera that's going to say food court that's looking down a long hallway, which hallway are we looking at?

Michael Ingram (01:06:25):

The white box. Yeah, you're going to be following that basically to the Grand Garden Arena.

Marc DiGiacomo (01:06:33):

When you come out of this box, you can either come down here or across the casino, essentially?

Michael Ingram (01:06:39):

Correct.

Marc DiGiacomo (01:06:45):

Now, I'm going to start with... If we can go back to me. I'll pause it here for just a second. This says food court promenade.

Michael Sanft (01:07:08):

Why don't you hold it up for the jury?

Marc DiGiacomo (01:07:12):

Do you know anywhere where we are along this white corridor? Or could it be anywhere on that white corridor?

Michael Ingram (01:07:17):

Specifically, I couldn't tell you exactly where along that corridor you are, but you're along that corridor.

Marc DiGiacomo (01:07:41):

Okay. I'm going to stop it maybe a little farther. This person right here, we're going to see in some of our other videos wearing a Dan Marino Miami Dolphins jersey. You probably know that, but for the ladies and gentlemen of the jury, that's the person that we're trying to follow.

(01:08:01)
Is that accurate? Or do you know?

Speaker 7 (01:08:00):

That's the person that we're trying to follow. Is that accurate or do you know?

Witness (01:08:04):

I do not know.

Speaker 7 (01:08:19):

Okay. Now we have another camera view of this long hallway. From this, can you tell generally where in that hallway it is or did... Once again, we're just somewhere on that white hallway.

Witness (01:08:36):

Somewhere along that white hallway.

Speaker 7 (01:08:44):

And he just flashed. So let me stop it here. On these VHS tapes, cameras would flash between different hallways?

Witness (01:09:03):

That technology was in effect during that timeframe.

Speaker 7 (01:09:08):

Multiplex back in those days?

Witness (01:09:10):

Correct.

Speaker 7 (01:09:10):

So sometimes it would jump from camera view to camera view trying to capture what we're trying to capture.

Witness (01:09:16):

Correct.

Speaker 7 (01:09:24):

We can see the 13 on this jersey right here with the gentleman walking behind him. Now I'm going to take you to 115B. I don't know why I did that. All right. We're going to use a different program so we don't watch it sideways. And I'll turn my volume off because there's no volume. Now this is that elevator core that we saw. Can we switch over to the second?

Clerk (01:10:21):

Over to you? You mean the dot cam?

Speaker 7 (01:10:22):

Yeah. So as opposed to those other views that were somewhere in here, now we're down in the middle of these four and there's a tree in the middle of these four.

Witness (01:10:36):

Correct.

Speaker 7 (01:10:36):

Is that tree still there?

Witness (01:10:38):

No.

Speaker 7 (01:10:45):

And unlike the other camera, this one is a movable camera that goes back and forth.

Witness (01:10:51):

Correct.

Clerk (01:10:52):

Go back to you?

Speaker 7 (01:10:54):

Yeah. So this one starts at 20:43 or so, and I'm going to jump forward to about 20:47. This is just people walking through that elevator area, correct?

Witness (01:11:25):

Correct.

Speaker 7 (01:15:03):

Close enough. We'll start at 20:46: 33.

(01:15:03)
Stop it just here for a second to orient everybody. So the camera, is it being operated manually by a cameraman so he can stop it on something that he's looking at?

Witness (01:15:14):

He can stop it at a location, but that movement that you saw was just the camera in rotation, just scanning the area.

Speaker 7 (01:15:22):

But if it now stops and focuses on someone, there's someone in the control room that is able to stop and go, "Hey, something's going on."

Witness (01:15:28):

Yes.

Speaker 7 (01:17:42):

Okay. The gentleman in white shirts, are they security guards and the gentleman in tan shirts, Metro Police?

Witness (01:17:48):

Yes, sir.

Speaker 7 (01:18:25):

Pause it there for a second. Once again, it appears that the victim of the beating was wearing that 13 Marino shirt.

Witness (01:18:34):

Yes, sir.

Speaker 7 (01:21:56):

I'm going to stop just about 20:55 or so. And then our final view, this may seem somewhat obvious, but I'm going to give you this when you watch the cameras. After we're done, I'm going to ask you generally where those people that we see leaving the area of the elevator after the fight, where they go. This is 115C. So is that the main casino floor outside the elevators?

Witness (01:22:28):

Correct.

Speaker 7 (01:24:43):

Those doors that they appear to be exiting, can you generally tell me where that leaks out to?

Witness (01:24:56):

The lion entrance?

Speaker 7 (01:25:00):

Is that anywhere near the valet?

Witness (01:25:02):

That's the... I'm sorry. I was confused. Out to the hotel registration area and then out to the porte-cochère.

Speaker 7 (01:25:23):

And do you know whether or not back in '96 there was a valet there or not?

Witness (01:25:27):

Yeah. No, I don't know if there was an exact valet or what it was called at the time.

Speaker 7 (01:25:30):

Thank you, sir. Judge, I pass the witness.

Judge (01:25:55):

Mr. Smith, cross-examination.

Michael Sanft (01:25:57):

Thank you, Your Honor. Sir, you are an investigator with the MGM, correct?

Witness (01:26:04):

MGM Resorts, the whole company.

Michael Sanft (01:26:05):

So it would be MGM as well as the other properties that are on the shift?

Witness (01:26:10):

Correct.

Michael Sanft (01:26:10):

Okay. And I'm assuming you're more than just yourself doing the investigations?

Witness (01:26:14):

Correct.

Michael Sanft (01:26:14):

Okay. May I have that document? May I approach, Your Honor?

Judge (01:26:17):

Yeah.

Michael Sanft (01:26:20):

I'm going to publish this again for the jury. State's Exhibit Number 44. All right. A couple questions. As the investigator or a investigator, how long have you been doing that line of work for?

Witness (01:26:39):

14 years.

Michael Sanft (01:26:41):

Did you have any previous law enforcement experience before you became an investigator for MGM?

Witness (01:26:45):

No.

Michael Sanft (01:26:47):

And then with regards to your training as an investigator for the MGM, are you trained in how to do an investigation?

Witness (01:26:54):

Yes.

Michael Sanft (01:26:54):

Okay. And that would be something that would be not necessarily law enforcement, but it would just be to protect the properties that MGM owns?

Witness (01:27:04):

Yes, sir.

Michael Sanft (01:27:04):

Okay. So with regards to the training that you have, is one of the things that you do in terms of training, learning how to write proper reports?

Witness (01:27:13):

Yes.

Michael Sanft (01:27:14):

Okay. Can you tell us why that's important?

Witness (01:27:19):

Documentation for future reference. You're timestamping an event in that moment that you are investigating it.

Michael Sanft (01:27:36):

And fair to say that with regards to report writing, it helps you later refresh your recollection if you're ever unlucky enough to be sitting in this chair facing towards these people, right?

Witness (01:27:46):

Yes, sir.

Michael Sanft (01:27:47):

Okay. In this case, you were asked to retrieve this video that was what we all have seen right now, right?

Witness (01:27:57):

Yes, sir.

Michael Sanft (01:27:58):

Did you have to write a report for that?

Witness (01:28:01):

No.

Michael Sanft (01:28:01):

Now, you had shared with us earlier that you had reviewed the videos. Anything about the review of the videos that would've required you to put it into a report?

Witness (01:28:12):

No.

Michael Sanft (01:28:13):

Okay. And you were going to... I must have cut you off. You were going to say something. Did you want to finish?

Witness (01:28:20):

I did not. You said that I provided this video?

Michael Sanft (01:28:24):

Yes.

Witness (01:28:25):

I did not provide this video.

Michael Sanft (01:28:26):

Okay. And once again, we want to make sure that we're accurate, right? So what is your role in this whole thing and what you did here?

Witness (01:28:34):

The video that we all reviewed to be able to say that it's MGM Grand's video, that's MGM Grand's location, and whatever you guys want to talk about inside of the video.

Michael Sanft (01:28:50):

Right. So in terms of you verifying it, was it just you looking at the video and saying, yes, that's the casino floor of MGM?

Witness (01:28:57):

Yes.

Michael Sanft (01:28:58):

In terms of the date and time, for instance, you're just relying on what's date stamped and timed on the actual video that you watched, right?

Witness (01:29:08):

Yes.

Michael Sanft (01:29:09):

You don't have any other way of verifying any of the time and date in this case outside of what's timestamped on the video, correct?

Witness (01:29:15):

Correct.

Michael Sanft (01:29:15):

Okay. And that's not a trick question. I just want to make sure we're clear. Yeah, you're good. But in terms of the case itself, was there an internal number that was assigned by the MGM property specifically as to this event in September of 1996?

Witness (01:29:44):

I don't know that answer.

Michael Sanft (01:29:46):

So when you were asked to review the videos, do you know if there were any reports that were written by MGM security or MGM investigators like yourself on September 7th, 1996 with regard to this event?

Witness (01:30:03):

I don't know that answer.

Michael Sanft (01:30:05):

Now, in addition to that, you were asked to look through the video. Were you ever asked to locate anyone based upon the video that you saw in this case?

Witness (01:30:17):

No.

Michael Sanft (01:30:17):

All right. And the way the surveillance worked back then, right, I'm assuming you weren't, that was 14 years ago. So that would've been, you were there in 2012.

Witness (01:30:29):

Technically, I got hired in 2010.

Michael Sanft (01:30:32):

2010. All right. So this is another, take a step back, another 14 years prior to you working there. You heard testimony that the recording system was all VHS-based?

Witness (01:30:43):

Yes.

Michael Sanft (01:30:45):

If you could describe for the jury, right, so you have a control room, I'm assuming, with all these monitors that are on there.

Witness (01:30:51):

Yes, sir.

Michael Sanft (01:30:51):

And there's multiple people that are probably looking at different quadrants or areas of the casino?

Witness (01:30:57):

They're looking at different monitors. Yes, sir.

Michael Sanft (01:31:00):

Okay. And some of them are concerned with, say, cheating on the tables and that kind of thing, right?

Witness (01:31:05):

That is a different team altogether.

Michael Sanft (01:31:09):

I see.

Witness (01:31:09):

You have your security team, then you have your gaming surveillance team.

Michael Sanft (01:31:13):

I see. So as a security team, you're just tasked with safety on the premises?

Witness (01:31:20):

Correct.

Michael Sanft (01:31:20):

Okay. And so in this case, when those cameras are going around, they're going around automatically until such time as somebody in the control room looks and says, "Oh, there's something going on right here," and then manually focuses the camera over there?

Witness (01:31:32):

Some of the cameras, yes.

Michael Sanft (01:31:33):

Okay. And even if the person in the room is not seeing it, sometimes you'll get a call from security saying, "Hey, we've got a situation over by the elevator banks." And then that would draw someone's attention to that monitor and move the camera over to that area?

Witness (01:31:47):

Yes, sir.

Michael Sanft (01:31:48):

Now, is the person that's operating the camera at that point in direct contact with the security team that is down below, like in this case, in the elevator area?

Witness (01:31:59):

Yes, sir.

Michael Sanft (01:31:59):

So they would be communicating back and forth about whatever it is that would be going on that would be helpful for everybody to know?

Witness (01:32:05):

Yes, sir.

Michael Sanft (01:32:06):

Okay. Now in this particular case, you have obviously a lot of people on the property.

Witness (01:32:16):

Yes, sir.

Michael Sanft (01:32:19):

Maybe you're too young for this, but this was fight night, right? Mike Tyson against Bruce Seldon?

Witness (01:32:25):

Yes, sir.

Michael Sanft (01:32:25):

Is that typical? Is that a typical amount of people on the MGM property?

Witness (01:32:34):

In my experience, yes. That's a typical fight night that you would have.

Michael Sanft (01:32:40):

Right. So nowadays it's UFC or some type of championship thing with somebody. I don't know. But once again, championship level sort of thing, right?

Witness (01:32:48):

Yes, sir.

Michael Sanft (01:32:49):

Not an everyday-

Witness (01:32:49):

Not an everyday thing.

Michael Sanft (01:32:51):

All right. And obviously there's a ton of people that are there. We see at some point the group that attacked the individual run.

Witness (01:33:02):

Yes, sir.

Michael Sanft (01:33:02):

And they run out of the area. And I want to make sure the jury understands. So going back here again here to State's Exhibit number 144, the area where the attack happens is right here. Is that right?

Witness (01:33:13):

Yes, sir.

Michael Sanft (01:33:13):

And this is right next to it. It just says elevator core, right?

Witness (01:33:18):

Yes, sir.

Michael Sanft (01:33:18):

Now, we talked a little bit about where they exited, and you had mentioned somewhere, but I just want to make sure I'm clear as to where that would've been. Can you tell the jury where they exited?

Witness (01:33:30):

From what I observed, it-

Michael Sanft (01:33:34):

Sir, just to let you know, you could actually take that mouse that's right there and just move around.

Witness (01:33:37):

Yeah.

Speaker 7 (01:33:37):

When he's on the dock. Yeah.

Judge (01:33:38):

He changed it.

Speaker 7 (01:33:38):

I got him point it out.

Judge (01:33:38):

Usually they can, but...

Michael Sanft (01:33:45):

All right. Just go ahead and just describe it and I'll just point it out.

Witness (01:33:47):

He appears to have traveled initially after the altercation. He appears to travel north up into the casino area around that area. And then from the description, it looks like he comes back south and then turns to the-

Clerk (01:34:10):

Approach that screen and point.

Michael Sanft (01:34:17):

Oh, thank you, Madam Clerk. Yes, please. Could you just-

Clerk (01:34:19):

Just talk louder while you're over there.

Judge (01:34:22):

He can get up and just point it out on that big screen if you want.

Michael Sanft (01:34:24):

Sorry about that [inaudible 01:34:25].

Witness (01:34:25):

The altercation occurs in the elevator door. It appears that he travels up through this location on the casino floor and then turns here and then comes back down. And it appears that he goes... I would have to watch it again. I'm a little confused on the exact route. There's only two routes. He either went out the porte-cochère or went out the line entrance, but I'd have to watch it one more time to be able to confirm that.

Michael Sanft (01:35:08):

If we could ask the state to be so kind as to replay that particular video back for the witness.

Speaker 7 (01:35:14):

She needs to put it back on me.

Michael Sanft (01:35:17):

Thank you, Madam Clerk. And once again, this would be 115C as in Charlie.

(01:35:23)
Did that help?

Witness (01:38:00):

Yes, it did.

Michael Sanft (01:38:01):

Okay. Let's show this to the jury then. Put this back up if you want to go on.

Witness (01:38:02):

Yes, sir.

Michael Sanft (01:38:02):

[inaudible 01:38:02] for a second. Showing you again State's Exhibit 44. Can you explain to the jury the path that was taken?

Witness (01:38:16):

Initially it starts in the elevator core. They exit the elevator core, they enter the casino floor, they come down, they pass the cage, they pass the Emerald City and then they're out the line entrance.

Michael Sanft (01:38:35):

All right. And for the record, the line entrance is on the corner of Las Vegas Boulevard and Tropicana?

Witness (01:38:41):

Correct.

Michael Sanft (01:38:42):

Thank you. Now with regards to how we're able to determine this, obviously we're looking at this particular map here and there's names of certain parts on here. Did that help you in terms of seeing where the camera locations were?

Witness (01:38:59):

Yes.

Michael Sanft (01:38:59):

As well as just looking and seeing that there was a casino cage and you were able to determine just based upon that where everything was?

Witness (01:39:07):

Correct.

Michael Sanft (01:39:07):

Okay. Now looking at the map again as well, can you point out for us the number of cafes that's located on the property? Would reading the actual thing help you?

Witness (01:39:36):

Yes, I think it would have. You want the number of cafes, sir?

Michael Sanft (01:39:42):

Yeah, just tell me how many cafes are on the map.

Witness (01:39:44):

One... Three.

Michael Sanft (01:40:19):

All right. Thank you. I'm sorry, may I approach?

Judge (01:40:19):

Oh, of course. You may move freely.

Michael Sanft (01:40:25):

Thank you. Showing you again for the jury, 144. If you can just get up and point to the map in terms of where the cafes are on property in 1996 for us, please.

Witness (01:40:42):

We have the Coyote Cafe, the studio coffee shop, and I believe this is also a gourmet coffee stand.

Michael Sanft (01:41:04):

Okay. Thank you. I appreciate that. Now, in terms of the number of people moving through the casino, obviously very excited in terms of who they think is going through the casino. Would that have been something that would've been unnoticed by anyone?

Witness (01:41:22):

I'm sorry, I don't understand the question.

Michael Sanft (01:41:24):

Seems like a weird question, right? But the idea behind it is that there are so many people moving through that casino. Is MGM built in such a way where you wouldn't notice that, the noise or the bustle or anything like that?

Witness (01:41:36):

Yes. No, you wouldn't notice it.

Michael Sanft (01:41:39):

And in terms of the number of people that are going through there at that particular time, you have camera angles, right? And they're showing us where these people are going, right?

Witness (01:41:48):

Yes.

Michael Sanft (01:41:48):

So outside of the casino, going back down here to the bottom of 144, were there any camera angles out here in the line entrance to help us see where the individuals left and what direction they went to?

Michael Sanft (01:42:00):

Left in what direction they went to.

Michael Ingram (01:42:05):

Not that I'm aware of.

Michael Sanft (01:42:07):

And fair enough that there's actually cameras that are outside the property as well to protect the MGM property, right?

Michael Ingram (01:42:14):

Generally, yes.

Michael Sanft (01:42:15):

Yeah.

Michael Ingram (01:42:15):

I don't know what that was at this time.

Michael Sanft (01:42:18):

Sure. And I'm not trying to pin you down, but the idea behind it would be even now, for instance, there would be surveillance cameras to help protect the property.

Michael Ingram (01:42:24):

Correct.

Michael Sanft (01:42:25):

Now, directing your attention over here to ... You had mentioned this before, what is this called here? I don't-

Michael Ingram (01:42:31):

The porte-cochère.

Michael Sanft (01:42:33):

Okay. What is that?

Michael Ingram (01:42:36):

It's a drop-off, pickup, a taxi line, limo service. It's basically everything for the guests arriving to the property.

Michael Sanft (01:42:52):

Arriving and leaving at the same time?

Michael Ingram (01:42:53):

Yes.

Michael Sanft (01:42:54):

Okay. And fair enough. Once again, there should have been or would have been cameras as far as you would believe in the hotel registration area as well as this porte chere?

Michael Ingram (01:43:02):

Porte-cochere. Yes, sir.

Michael Sanft (01:43:07):

Thank you. Cochere. There would have been cameras there, at least now there are.

Michael Ingram (01:43:11):

Yes, there are.

Michael Sanft (01:43:20):

Okay.

(01:43:20)
Now, do you know what MGM's policy is with regards to events that occur on property where police officers request video surveillance to be captured?

Michael Ingram (01:43:34):

Yes, I know the policy.

Michael Sanft (01:43:35):

Okay. What is the policy?

Michael Ingram (01:43:42):

The policy when police request video is they submit what we call an admin subpoena with the date, time, and information that they're requesting. And then a member of either security surveillance or gaming surveillance will put that video onto a portable drive of some sort and provide it to the police.

Michael Sanft (01:44:13):

Right. And with regards to that video surveillance, is it the entire property?

Michael Ingram (01:44:20):

No.

Michael Sanft (01:44:20):

Okay. What typically is requested of the police officers and what's typically protected or is saved by MGM?

Michael Ingram (01:44:34):

Situations dictate, but whatever they're initially requesting, if they're looking for a physical altercation, that's what they're going to get is the physical altercation. We don't provide a 24-hour movement of the persons. It depends on what they're requesting.

Michael Sanft (01:45:00):

Right. So in this particular guard, you have an individual dressed in a Dan Marino jersey that, at some point, leaves the elevator area. Recall that?

Michael Ingram (01:45:11):

Yes.

Michael Sanft (01:45:12):

Now, do you know if there was ever a request to follow that individual through the casino and maybe off the casino premises just because he had been involved in an altercation with some other people?

Michael Ingram (01:45:24):

I'm not aware of any request.

Michael Sanft (01:45:38):

Your Honor, I have no further questions. Thank you, sir. I appreciate it.

Judge Carli Kierny (01:45:41):

Okay. Redirect, Mr. DiGiacomo.

Marc DiGiacomo (01:45:50):

Just briefly.

(01:45:50)
You mentioned one, you didn't know if this was 1996 or not, correct?

Michael Ingram (01:45:54):

Correct.

Marc DiGiacomo (01:45:55):

You also said you weren't sure whether or not there was a report written by security, correct?

Michael Ingram (01:46:01):

Correct.

Marc DiGiacomo (01:46:03):

Let me show you.

(01:46:04)
Does that document generally look familiar to you?

Michael Ingram (01:46:13):

Yes, it does.

Marc DiGiacomo (01:46:15):

Okay. And that indicates the accuracy of the times, generally speaking, on the video that we have?

Michael Ingram (01:46:21):

Yes, sir.

Marc DiGiacomo (01:46:21):

And I want to read that description to yourself.

Michael Ingram (01:46:21):

Yeah.

Marc DiGiacomo (01:47:22):

[inaudible 01:47:21]. And there's more.

Michael Ingram (01:47:23):

Yes, sir.

Marc DiGiacomo (01:47:24):

Based upon reading that, are you comfortable that the Coyote Cafe was present in 1996?

Michael Ingram (01:47:35):

Yes.

Marc DiGiacomo (01:47:36):

And the report, does it indicate that Orlando Anderson was trying to, or sorry, this person in the 13 was attempting to push past security into this cafe when he was attacked?

Michael Ingram (01:47:51):

Yes, sir.

Marc DiGiacomo (01:47:52):

Nothing further.

Judge Carli Kierny (01:47:53):

Any recross based on that, Mr. Sanft?

Michael Sanft (01:47:55):

And I'm sorry, sir, I've forgotten your last name.

Michael Ingram (01:47:59):

Ingram.

Michael Sanft (01:48:00):

Ingram. Mr. Ingram, the report that you just read, did you author that report?

Michael Ingram (01:48:04):

No.

Michael Sanft (01:48:05):

Now, in terms of the report, fair to say the report is basically reflecting what's found on the videos that's been provided by the state?

Michael Ingram (01:48:15):

I'm sorry, I lost track.

Michael Sanft (01:48:18):

The videos that we watched earlier, is that what's in the report?

Michael Ingram (01:48:22):

Yes.

Michael Sanft (01:48:23):

So in essence, the jury can see the report for them or see the videos for themselves to determine what was happening in terms of actions and what people were doing, right?

Michael Ingram (01:48:35):

I don't know if that's completely accurate. There are things that are in report that are written by eyewitness that you can't see on video.

Michael Sanft (01:48:46):

Sure. Now the report itself, do you know who wrote it?

Michael Ingram (01:48:49):

I do not.

Michael Sanft (01:48:50):

Do you know if that person had the same training and experience that you have here today talking to this jury?

Michael Ingram (01:48:54):

I do not.

Michael Sanft (01:48:56):

And in terms of the report itself, is it a standard report that would have been drafted back in those days?

Michael Ingram (01:49:03):

Yes, sir.

Michael Sanft (01:49:04):

All right. And there would have been somebody who would have supervised that report, I would assume, and reviewed it?

Michael Ingram (01:49:09):

Yes, sir.

Michael Sanft (01:49:10):

Do you know who it is in this document?

Michael Ingram (01:49:12):

Who? The supervisor?

Michael Sanft (01:49:13):

The supervisor is.

Michael Ingram (01:49:15):

I don't know who the manager at the time was.

Michael Sanft (01:49:17):

All right. Once again, not you. You were 12.

Michael Ingram (01:49:20):

Yeah.

Michael Sanft (01:49:21):

Right? Okay.

Michael Ingram (01:49:22):

Yep, yep, yep.

Michael Sanft (01:49:22):

I have no further questions. Thank you.

Marc DiGiacomo (01:49:24):

Just briefly. Mr. Sanft said that only what was seen on the video is in this report, but there's actually a description of what Mr. Anderson, or sorry, what the person in number 13 was doing before we could see it in video. If you read the first.

Michael Ingram (01:49:37):

Yes.

(01:49:54)
Yes, sir.

Marc DiGiacomo (01:49:55):

This is a document that appears to be authored by somebody who was present and confronting Mr. Anderson from security as he was trying to get into the Coyote Cafe when he was attacked. And then we see on video the remnants of that attack, but not the beginning of it, correct?

Michael Sanft (01:50:14):

Your Honor, I'm sorry. I'm just going to object to that question.

Marc DiGiacomo (01:50:18):

Well, he opened the door with that question by saying-

Judge Carli Kierny (01:50:23):

Leading. What's your response on leading?

Marc DiGiacomo (01:50:24):

Oh, as to leading? Okay. Read the first four lines of the report. I'll rephrase my question.

Judge Carli Kierny (01:50:29):

Okay. So it's sustained. You may rephrase.

Marc DiGiacomo (01:50:31):

Read the beginning of the report.

Michael Ingram (01:50:33):

On Sunday, August 7th, 1996, at approximately 8:50 p.m., this officer was in the elevator core when I noticed a BMA wearing a sports jersey force his way past the officers.

Michael Sanft (01:50:47):

Your Honor, at this particular point, I'm going to object as this is hearsay, and there's no exception to this particular statement being brought in.

Judge Carli Kierny (01:50:58):

Okay. Your response on that one.

Marc DiGiacomo (01:50:58):

Two things. One, he opened the door by claiming this report only says it's that. Two, it's a report generated at the time by the person who witnessed it, and it is a record of the MGM from MGM in 1996, all of which would qualify for admissibility.

Michael Sanft (01:51:15):

Your Honor, may we approach?

Judge Carli Kierny (01:52:22):

Sure. All right. Overruled. The statement is not being offered for its truth. Instead, it's being offered to rebut the idea that the only thing that the report contains is viewable on the video. And the jury is to consider it for such.

Marc DiGiacomo (01:52:38):

If you could just, I guess, start over. Start at the beginning there and stop when at the point you get to this person in the jersey getting attacked.

Michael Ingram (01:52:48):

On Sunday, August 7th at 1996, at approximately 8:50 p.m., this officer was in the elevator core when I noticed a BMA wearing a sports jersey force his way past the officer's Chelsea. ... I can't read the first name. Muniz Roberts at the north key checkpoint by Coyote Cafe. The unidentified BMA was questioned by myself and officer" ... Your screen went black.

Marc DiGiacomo (01:53:27):

Oh, sorry. I love technology.

Michael Sanft (01:53:39):

Your Honor, may we approach again while Mr. DiGiacomo's working on technology?

Judge Carli Kierny (01:53:45):

With Mr. [inaudible 01:53:45]? Okay.

Michael Sanft (01:53:45):

Yes.

Marc DiGiacomo (01:54:12):

Go ahead. I think you were at officer whose name you couldn't quite figure out.

Michael Ingram (01:54:18):

The unidentified BMA was questioned by myself and Officer Gamba on the side of Coyote Cafe. The BMA was very uncooperative on answering our questions. While questioning the BMA, he continually kept looking over his shoulder towards the north key checkpoint. It was seconds thereafter when I noticed a large group of BMAs force their way through the north key checkpoint.

(01:54:51)
The large group of BMAs, approximately 20, were running right in our directions. As they got close to the BMA that was being questioned, started to run south towards the elevator core. Around five or six BMAs from the group caught up with the single BMA, grabbed him, punched him, and knocked him to the ...

Marc DiGiacomo (01:55:25):

That's probably far enough.

Michael Ingram (01:55:25):

Okay.

Marc DiGiacomo (01:55:25):

Thank you, sir. I have no more questions.

Judge Carli Kierny (01:55:26):

Okay. Mr. Sanft, anything else based on that? I guess that'd be re-recross.

Michael Sanft (01:55:34):

No, Your Honor. But with regards to my discussions with the state, I'm going to move for the admission of that particular page that was read into the record [inaudible 01:55:44].

Judge Carli Kierny (01:55:44):

Any objection by the state?

Marc DiGiacomo (01:55:46):

I don't. There's a second page. Do you want to read it all first and then make a decision? Is it the first page or both pages?

Michael Sanft (01:55:50):

Can I have the second page?

Judge Carli Kierny (01:55:53):

At least page one will be admitted. Page two is still up in the air. But would that be next in line for the state or do you want it as defense exhibit, Mr. Sanft?

Michael Sanft (01:56:04):

This will be defense exhibit B, Your Honor.

Judge Carli Kierny (01:56:06):

Okay. So that'll be admitted as defense exhibit B. We'll hold tight to see if you want one or two pages. How many pages?

Marc DiGiacomo (01:56:14):

Potentially two, but right now ...

Judge Carli Kierny (01:56:15):

Okay.

Marc DiGiacomo (01:56:16):

Yeah.

Judge Carli Kierny (01:56:17):

Let my clerk know.

Michael Sanft (01:56:19):

Yes, ma'am. Thank you.

Judge Carli Kierny (01:56:20):

So nothing further?

Michael Sanft (01:56:21):

Nothing further, Your Honor.

Judge Carli Kierny (01:56:22):

Any questions from the jury for Mr. Ingram? We do have at least one.

(01:56:25)
Okay. Can I have the parties approach?

(01:56:30)
All right. A question from one of our jurors. Do you know where the person or officer who wrote the report at MGM from the security team witnessed the person in the jersey by Coyote Cafe?

Michael Ingram (01:58:19):

Can you restate that for me one more time?

Judge Carli Kierny (01:58:22):

I can try. Or I can read it again.

Michael Ingram (01:58:24):

Yes, ma'am.

Judge Carli Kierny (01:58:25):

Where is the officer or person who wrote the report at MGM from the security team witnessing the person in the jersey by Coyote Cafe?

Michael Ingram (01:58:35):

Oh, on the map? It's located ... The entrance ... The specific entrance, whether it's ...

Marc DiGiacomo (01:58:45):

You think maybe you should stand up and do it on the big ones?

Michael Ingram (01:58:47):

Yes.

Marc DiGiacomo (01:58:47):

[inaudible 01:58:47] understand that.

Michael Ingram (01:58:50):

So from what I could read, the entrance into the cafe is located here [inaudible 01:58:57] to the Coyote Cafe. So this would be where the initial stop and talk by the security personnel would have occurred at.

Judge Carli Kierny (01:59:12):

And do you know where the person who wrote the report was seeing that person in the jersey from?

Michael Ingram (01:59:20):

From that specific location. So he or she, I'm not sure the exact person, but the security describes that they're at the position and someone tries to push past, in which case they approach and stop and talk at the entrance of the cafe itself.

Judge Carli Kierny (01:59:43):

Okay. And then as to the second part of that question, I'm not going to ask because that's not something that he would know why that decision was made. State, did you want any follow up based on that question?

Marc DiGiacomo (01:59:54):

You didn't recognize the name of the author of that particular report, correct?

Michael Ingram (01:59:59):

Correct.

Marc DiGiacomo (01:59:59):

And you have no idea what happened to that person in the last 30 years in their lives, whether they're alive, dead, locatable, anything like that?

Michael Ingram (02:00:07):

No knowledge.

Marc DiGiacomo (02:00:08):

Thank you.

Judge Carli Kierny (02:00:09):

Mr. Sanft?

Michael Sanft (02:00:09):

Yes, Your Honor. Just a couple more quick points. So I want to be sure I'm clear. Did the MGM, during that time period, have those booths set up where you couldn't go to the elevators unless you had a room key or something? Is that what we're talking about in terms of a checkpoint?

Michael Ingram (02:00:24):

The checkpoint is ... It's not a physical location as much as it's a security position where they would check room keys to get into an area.

Michael Sanft (02:00:37):

So if the report is saying someone was trying to push through, they're trying to go past that area into the elevator area?

(02:00:47)
I mean, where are they going?

Michael Ingram (02:00:49):

That's the direction that he travels. The security report states he tries to get into the cafe. And then when he's approached by the large group of males, he runs towards that checkpoint. So he's trying to get out or through the elevator core down into or wherever he decided he's trying to go. But that's the checkpoint. That little ... Looks like a telephone next ... Correct. That's where he's trying to get.

Michael Sanft (02:01:26):

All right. But the report's weird, right? Because it's not saying that he's trying to go into the Coyote Cafe. He's actually trying to go through a checkpoint or an area. I think that's what you read, right?

Michael Ingram (02:01:38):

I would have to reread it again, but I believe he tried to get into Coyote Cafe first.

Michael Sanft (02:01:44):

Okay. So he's going ... There's a ton of people. They're all leaving the fight. And for some reason, him going into the Coyote Cafe causes security to go after him?

Michael Ingram (02:01:54):

If it's closed or if it's blocked for a private party. I'm not exactly sure honestly why they would do it.

Michael Sanft (02:02:01):

I see. But outside of that, your idea as to why the Coyote Cafe would not be open to this particular individual in the Marino jersey would have been because it's closed for a private function or closed completely?

Michael Ingram (02:02:15):

Correct.

Michael Sanft (02:02:16):

Okay. No further questions, Your Honor.

Judge Carli Kierny (02:02:18):

All right. Thank you. Mr. Ingram, you are excused at this time.

Marc DiGiacomo (02:02:21):

Sorry, Judge. Can I have one follow up to that?

Judge Carli Kierny (02:02:22):

Oh, okay.

Marc DiGiacomo (02:02:24):

Or the cafe is overcrowded and they're stopping people from going in.

Michael Ingram (02:02:28):

Correct.

Marc DiGiacomo (02:02:28):

Thank you.

Judge Carli Kierny (02:02:28):

Okay. Now you're free to go.

Michael Ingram (02:02:29):

Thank you, ma'am.

Judge Carli Kierny (02:02:32):

Ladies and gentlemen of the jury, at this time, we're going to take a 10-minute restroom break. During the recess, you are admonished not to talk or converse amongst yourselves or with anyone else on any subject connected to the trial or read, watch, listen to any report of or commentary on the trial of any person connected to this case by any meaning of information, including without limitation, newspaper, television, the internet, and radio, or form or express any opinion on any subject connected with the trial until the case is submitted to you.

(02:02:55)
I'll see you guys back here at 11:15. Please rise for the jury. Jury has exited the room, anything we need to address outside the presence?

Michael Sanft (02:03:33):

Well, I'll work with the state with regards to the last proposed defense exhibit.

Judge Carli Kierny (02:03:37):

Okay, perfect.

Michael Sanft (02:03:38):

Thank you.

Judge Carli Kierny (02:03:39):

And then let my clerk know what pages you want admitted or give it to her, actually.

Michael Sanft (02:03:42):

Yes, ma'am.

Judge Carli Kierny (02:03:42):

You're going to have to print that out, I guess. We'll be in recess. Okay. Back on record in State versus Davis C377407. Anything we need to address before bringing the jury back in?

Marc DiGiacomo (02:04:52):

Not from the state.

Michael Sanft (02:04:53):

No, Your Honor.

Judge Carli Kierny (02:04:55):

Let's bring them in. Please rise.

Speaker 8 (02:04:57):

Rise to the jury.

Judge Carli Kierny (02:05:41):

Do the parties stipulate to the presence of the jury?

Michael Sanft (02:05:43):

Yes, Your Honor.

Marc DiGiacomo (02:05:43):

Yes, Your Honor.

Judge Carli Kierny (02:05:49):

You may all be seated.

(02:05:49)
State, you may call your next witness.

Marc DiGiacomo (02:05:50):

Kenneth Rios.

Speaker 8 (02:06:28):

Good morning, sir.

Kenneth Rios (02:06:28):

Good morning.

Speaker 8 (02:06:29):

Do you solemnly swear or affirm the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

Kenneth Rios (02:06:34):

Yes, I do.

Speaker 8 (02:06:38):

Thank you. You may be seated. And sir, if you please state your full name and then spell it for the record.

Kenneth Rios (02:06:41):

Kenneth Rios. K-E-N-N-E-T-H R-I-O-S.

Judge Carli Kierny (02:06:48):

Thank you, Mr. Rios. Mr. DiGiacomo, you may proceed whenever you're ready.

Marc DiGiacomo (02:06:50):

Thank you. Sir, how did you use to be employed?

Kenneth Rios (02:06:53):

I was employed as a Las Vegas ... I retired as a Las Vegas sergeant for Las Vegas Metro Police.

Marc DiGiacomo (02:07:00):

And how long were you with Metro?

Kenneth Rios (02:07:02):

28 years.

Marc DiGiacomo (02:07:04):

And when did you start?

Kenneth Rios (02:07:06):

April 17th, 1990.

Marc DiGiacomo (02:07:08):

I'm going to direct your attention to September 7th of 1996 at about 9:00 p.m.-ish in that area. Where were you working?

Kenneth Rios (02:07:22):

I was working as uniform patrol at the MGM hotel.

Marc DiGiacomo (02:07:25):

At that time, did you learn of a situation that occurred in the elevator section of the MGM?

Kenneth Rios (02:07:33):

Yes, I did.

Marc DiGiacomo (02:07:34):

And did you respond over to that location?

Kenneth Rios (02:07:37):

Yes, I did.

Marc DiGiacomo (02:07:38):

And did you have contact with an individual wearing a San Marino number 13 jersey?

Kenneth Rios (02:07:45):

Yes, I did.

Marc DiGiacomo (02:07:46):

I'm going to play a little video for you. [inaudible 02:07:49].

Speaker 9 (02:07:48):

Yes.

Marc DiGiacomo (02:07:57):

And this is 115B. And I got to play it with the other program. I don't know why.

(02:08:13)
I'm going to back up just a little bit here. When you come in.

(02:08:42)
Started right about here. You let us know when you see yourself.

Kenneth Rios (02:08:48):

I see myself.

Marc DiGiacomo (02:08:50):

All right. And which of the three officers we have on scene there are you?

Kenneth Rios (02:08:57):

One with the dark hair. My back ... Well, it was dark back then. My back is towards the camera facing the gentleman that has the Marino jersey on.

Marc DiGiacomo (02:09:10):

Eventually, we watched this video. You have a conversation with this individual, correct?

Kenneth Rios (02:09:14):

Yes, I did.

Marc DiGiacomo (02:09:15):

And at that time, did you ask him to identify himself?

Kenneth Rios (02:09:18):

Yes, I did.

Marc DiGiacomo (02:09:19):

How did he identify himself?

Kenneth Rios (02:09:21):

He identified himself through a California driver's license, which security had in their possession and gave to me.

Marc DiGiacomo (02:09:28):

Back then, this is just the fight call and he's the victim, correct?

Kenneth Rios (02:09:33):

We thought he was a victim, yes.

Marc DiGiacomo (02:09:36):

And so did you talk to him about whether or not he wished to press charges or be involved? Describe that for us.

Kenneth Rios (02:09:48):

Yes. I asked him first if he needed medical assistance, and he refused. He said he was fine. I then asked him what happened, and he told me basically that a couple of guys that he didn't know jumped him. And once again, I asked him if he needed medical, he said no. I asked if he wanted to file a report, and he said no.

Marc DiGiacomo (02:10:10):

At that point, was he released and free to go on his way?

Kenneth Rios (02:10:14):

Yes, he was.

Marc DiGiacomo (02:10:17):

Okay. Later on that evening, did you learn about a shooting involving Tupac Shakur?

Kenneth Rios (02:10:23):

Yes, I did.

Marc DiGiacomo (02:10:24):

And then were you asked to then draft a report as to what your interaction was with Mr. Anderson?

Kenneth Rios (02:10:30):

Yes, I was.

Marc DiGiacomo (02:10:33):

And at that time, what name did you remember for Mr. Anderson?

Kenneth Rios (02:10:38):

It was Orlando. I remember his first name.

Marc DiGiacomo (02:10:43):

Is it anything unusual that when a victim gets attacked and doesn't want to press charges or write a report for you not to have written a report that night?

Kenneth Rios (02:10:56):

No, it's not. Basically, if you don't have a victim, you don't have a crime, as we put it, which isn't necessarily true. You always have a crime. But if you don't have a victim, the chances of prosecution, you won't get any information in there, so we don't take a report if the victim refuses.

Marc DiGiacomo (02:11:17):

It's only afterwards the incident that occurs a couple hours later, you then go back from memory and write down what you recall from this incident?

Kenneth Rios (02:11:25):

Yes, I did.

Marc DiGiacomo (02:11:26):

And you were able to remember his first name as Orlando?

Kenneth Rios (02:11:29):

Yes.

Marc DiGiacomo (02:11:30):

Nothing further.

Judge Carli Kierny (02:11:33):

Cross, Mr. Sanft.

Michael Sanft (02:11:36):

Mr. Rios.

Kenneth Rios (02:11:37):

Yes, sir.

Michael Sanft (02:11:40):

Did you review anything in your preparation for your testimony here today?

Kenneth Rios (02:11:43):

Yes, I did.

Michael Sanft (02:11:44):

What did you review?

Kenneth Rios (02:11:45):

I reviewed my officer's report. I reviewed my memory. I reviewed also the last statement that I gave, I believe, was to the grand jury a few years ago.

Michael Sanft (02:11:59):

Okay. And I would assume that prior to your testimony of the grand jury, you reviewed your officer's report back then even?

Kenneth Rios (02:12:07):

Yes. Yes, I did.

Michael Sanft (02:12:08):

Prior to testifying in front of the grand jury?

Kenneth Rios (02:12:11):

Yes, sir.

Michael Sanft (02:12:11):

Okay. Make sure we're clear here, you wrote that report, that's in the normal course of your duties as a police officer?

Kenneth Rios (02:12:21):

Yes, sir.

Michael Sanft (02:12:23):

No exception to, in terms of you conducting your business as a police officer, that you don't ever write a report?

Kenneth Rios (02:12:29):

No, there's some instances where I may not write a report.

Michael Sanft (02:12:31):

Sure. Can you tell us what those instances are?

Kenneth Rios (02:12:33):

Not offhand because it's been so long. You don't write a report for everything that you do. Everything's recorded in some way through the computer or through dispatch, I'm sure. But to sit down and write a formalized report on all my actions, no.

Michael Sanft (02:12:50):

So in terms of all your actions, are you saying, for instance, if you get up out of your cubicle and you go into your sergeant's office to talk about fantasy football ... Oh, no, that wouldn't have been back then. Talk about the game between the Bears and the Chargers. We're not talking about that kind of documentation, right?

Kenneth Rios (02:13:05):

Right. I would never talk about the Bears, but yes.

Michael Sanft (02:13:08):

Okay.

(02:13:10)
There we go. And in terms of the way, though, you would handle, for instance, if you're doing an investigation or, in this case, you're part of an incident that occurs, a report would be drafted for something like this?

Kenneth Rios (02:13:24):

Yes and no. It would just depend. It would depend. Excuse me. It would depend on some factors. In this case, there was no victim. He refused any kind of help, but it was worth noting because of his involvement.

Michael Sanft (02:13:45):

Yeah. And so the state had asked you a question specifically as to when you wrote your report. You wrote it after you got off of this particular shift. Is that when you wrote your report?

Kenneth Rios (02:13:55):

I don't recall when I wrote it, but I'm sure that my officer's report would reflect that time, but I know I didn't write it immediately after.

Michael Sanft (02:14:03):

All right. And in terms of your knowledge that Tupac Shakur had just been shot, your testimony to the jury is that you had understood at that point that potentially a person by the name of Orlando may have been something to do with that particular case?

Kenneth Rios (02:14:19):

I don't recall if that was the reason why I wrote the report, if that's what you're asking.

Michael Sanft (02:14:23):

Yeah, because I'm a little curious. I mean, there's a shooting of Tupac Shakur. Is it because you heard that there's a shooting about Tupac Shakur that you go, "Wait a minute, there was an incident that occurred with Tupac on property." Is that how we get to this point?

Kenneth Rios (02:14:39):

Back then, I don't recall if that was the process that I went through to make the report. I don't believe so. I believe that there was some other officers that probably told me and suggested that I write a report because of his possible involvement.

Michael Sanft (02:14:56):

Right. So news goes out throughout the valley, Tupac has been shot, and then you're advised, "Hey, there was something happening or Tupac, just capture whatever it is that you remember," right?

Kenneth Rios (02:15:07):

I don't recall that happening that way, but for most intense purposes.

Michael Sanft (02:15:12):

Right. Now, in terms of your report and you writing it, you're still on property when you hear that this incident had occurred with Tupac Shakur.

Kenneth Rios (02:15:26):

I don't recall where I was at the time.

Michael Sanft (02:15:29):

Okay. Would you have ever called back to the MD and say, "Hey, capture more video of this particular incident and the guy with a Marino jersey the night of the shooting to help them with whatever investigation could be out there?" Did you do that?

Kenneth Rios (02:15:45):

Not that I recall, no.

Michael Sanft (02:15:47):

Do you know if anyone else among the three officers that were there or any other officers would have done something like that?

Kenneth Rios (02:15:54):

I have no idea.

Michael Sanft (02:15:55):

Okay. Maybe they're all Bears fans, and that's the reason why they didn't do that.

Kenneth Rios (02:15:58):

It could be.

Michael Sanft (02:15:59):

Yep. Let me ask you this, though. In terms of your-

Michael Sanft (02:16:00):

Let me ask you this though. In terms of this particular night, extra officers show up as overtime. They work overtime. Is that what this is?

Kenneth Rios (02:16:10):

Yes, sir.

Michael Sanft (02:16:11):

All right. And they're doing it for a special event, right?

Kenneth Rios (02:16:15):

Yes, sir.

Michael Sanft (02:16:15):

And in this case, this special event was the Tyson fight?

Kenneth Rios (02:16:18):

Yes, sir.

Michael Sanft (02:16:18):

All right. In terms of the amount of people in Las Vegas, I would imagine there would've been a lot.

Kenneth Rios (02:16:26):

A lot of people?

Michael Sanft (02:16:27):

Yes.

Kenneth Rios (02:16:28):

Yes, sir.

Michael Sanft (02:16:29):

We see video showing obviously a lot of people at the MGM.

Kenneth Rios (02:16:32):

Yes, sir.

Michael Sanft (02:16:32):

And would it just be the MGM where the fight was taking place or would that be throughout The Strip?

Kenneth Rios (02:16:37):

No, there'd be officers on other properties.

Michael Sanft (02:16:40):

Yeah. And once again, these officers are on there because of the anticipated flow of people coming into Las Vegas for this special event?

Kenneth Rios (02:16:47):

Yes, sir.

Michael Sanft (02:16:56):

Sir, I have no further questions for you. Thank you.

Kenneth Rios (02:16:57):

Thank you, sir.

Michael Sanft (02:16:58):

Thank you.

Judge Carli Kierny (02:16:59):

Anything further, Mr. DiGiacomo?

Marc DiGiacomo (02:17:00):

No, Judge.

Judge Carli Kierny (02:17:02):

Ladies and gentlemen of the jury, any questions for this witness? We have at least one. All right. A question from one of our jurors. After an incident like that, is it customary to not follow the people who did the assault? Is it common for everyone to stay with who you though was the victim?

Kenneth Rios (02:17:54):

My position at that time, yes, it would be to stay with the victim because we had already radioed two other officers that were on scene. And as well as the MGM security had radioed to their officers up front. So it would've been my responsibility to stay with the victim to make sure that he wasn't in dire need of medical assistance or still wanted to file a report.

Judge Carli Kierny (02:18:21):

Okay. Any follow up based on that, Mr. DiGiacomo?

Marc DiGiacomo (02:18:23):

No.

Judge Carli Kierny (02:18:24):

Mr. Sanft?

Michael Sanft (02:18:25):

No, Your Honor.

Judge Carli Kierny (02:18:26):

Okay, perfect. With that, you are free to go, Mr. Rios.

Kenneth Rios (02:18:30):

Thank you.

Judge Carli Kierny (02:18:33):

All right. State, who is your next witness?

Marc DiGiacomo (02:18:36):

William Heidmeyer.

Judge Carli Kierny (02:18:36):

William Heidmeyer.

Marc DiGiacomo (02:18:36):

William.

Clerk (02:19:12):

Good morning. Do you solemnly swear or affirm the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

William Heidmeyer (02:19:18):

I do.

Clerk (02:19:18):

Thank you. You may have a seat.

William Heidmeyer (02:19:19):

Thank you.

Clerk (02:19:21):

And sir, if you please state your full name and then spell it for the record.

William Heidmeyer (02:19:24):

It's William Heidmeyer. William, W-I-L-L-I-A-M, and Heidmeyer, H-E-I-D-M-E-Y-E-R.

Judge Carli Kierny (02:19:32):

Thank you, sir. Whenever you're ready, State, you may proceed.

Marc DiGiacomo (02:19:35):

Thank you. Sir, back in 1996, were you working here in Las Vegas?

William Heidmeyer (02:19:41):

Yes. I was a security officer at the Maxim Hotel and Casino.

Marc DiGiacomo (02:19:45):

And the Maxim these days is now the Westin on the corner of Koval and Flamingo?

William Heidmeyer (02:19:49):

Correct.

Marc DiGiacomo (02:19:50):

And it's on the northwest corner?

William Heidmeyer (02:19:53):

Yes. Northwest corner.

Marc DiGiacomo (02:19:57):

Well, actually, sometime prior to 11:17 PM, were you engaged in an investigation with some Metro officers?

William Heidmeyer (02:20:07):

Yes. I had two Metro officers with me and we were looking for stolen vehicles. There was five or six Dodge Caravans that were stolen out of our parking garage that night.

Marc DiGiacomo (02:20:19):

And where were you located when something unusual did happen?

William Heidmeyer (02:20:23):

Well, I was on the ramp of the third floor of the parking garage on the southeast side of the property.

Marc DiGiacomo (02:20:30):

And while you were there, describe what you hear.

William Heidmeyer (02:20:37):

Well, the two officers, another security officer and I were standing around one Dodge Caravan, and we just suddenly heard a lot of gunfire. And we ran to the barrier wall that was overlooking Koval Boulevard, not Koval, Flamingo Boulevard. And that's when I witnessed what I saw.

Marc DiGiacomo (02:21:01):

So you hear a bunch of shots. Do you have any idea how many you heard?

William Heidmeyer (02:21:06):

It sounded like a lot.

Marc DiGiacomo (02:21:08):

One volley, two volley?

William Heidmeyer (02:21:09):

Three volleys.

Marc DiGiacomo (02:21:10):

Three volleys you heard.

William Heidmeyer (02:21:11):

Yes.

Marc DiGiacomo (02:21:13):

And when you say a lot, I mean, to some people... Can you put any sort of number on it?

William Heidmeyer (02:21:17):

I had three to four, maybe even five each volley. It was a series of pops.

Marc DiGiacomo (02:21:25):

Somewhere between 9 and 15 shots in a series?

William Heidmeyer (02:21:27):

Something like that.

Marc DiGiacomo (02:21:30):

You said after the shots fired, you guys ran to the retaining wall.

William Heidmeyer (02:21:36):

Yes.

Marc DiGiacomo (02:21:36):

I assume you ducked for cover at first.

William Heidmeyer (02:21:39):

No, because I was armed, so I was leaning over the retaining wall to see what I could see.

Marc DiGiacomo (02:21:46):

And when you look over the wall, what do you see?

William Heidmeyer (02:21:49):

I see a line of vehicles in the left straight lane on Flamingo heading east. And there's several vehicles. There was a white Dodge Stratus at the front, a black BMW behind it, another dark car, and I believe another car. And then there was a white Chevy Suburban behind that and several more cars.

Marc DiGiacomo (02:22:14):

Do you see anybody outside of those vehicles?

William Heidmeyer (02:22:16):

Yeah, there were a number of people standing outside of the vehicles in the traffic lanes.

Marc DiGiacomo (02:22:20):

And do you see any of them armed?

William Heidmeyer (02:22:23):

One gentleman was armed. One Black male adult, very young, well-dressed. He was wearing a very bright white three-quarter sleeve shirt, black pants, and a black dress vest.

Marc DiGiacomo (02:22:36):

And at the time that you see him, is he firing his weapon?

William Heidmeyer (02:22:40):

No, he's not, but he does have the weapon in his hand. It was an automatic weapon, automatic pistol.

Marc DiGiacomo (02:22:45):

Semi-automatic pistol?

William Heidmeyer (02:22:46):

Yes.

Marc DiGiacomo (02:22:47):

And is he holding it down? Is he pointing it in a direction?

William Heidmeyer (02:22:50):

He wasn't pointing it in any direction. It was kind of just off to his side.

Marc DiGiacomo (02:22:55):

What do you see this caravan of cars do?

William Heidmeyer (02:22:59):

Well, I looked back because the Metro officers jumped in their cars to pursue. And then when I turned around, everyone was back in their cars again, and they made a U-turn heading west on Flamingo towards Las Vegas Boulevard.

Marc DiGiacomo (02:23:16):

All of the cars in the caravan?

William Heidmeyer (02:23:17):

Yes.

Marc DiGiacomo (02:23:18):

And so you see them make a U-turn at Koval and head back towards Las Vegas Boulevard?

William Heidmeyer (02:23:25):

Correct.

Marc DiGiacomo (02:23:25):

And those vehicles, you saw the two Metro officers you were with jump in their vehicle to give chase to that caravan?

William Heidmeyer (02:23:34):

Correct.

Marc DiGiacomo (02:23:36):

At the time that you're out there and you see somebody with a gun, you've just heard shots fired, is it the conclusion you originally drew that that person was your suspect?

William Heidmeyer (02:23:50):

Yes. Yeah, that's what I deduced at the time.

Marc DiGiacomo (02:23:54):

And based upon the officers following that caravan, that's a reasonable assumption that they deduced that as well?

William Heidmeyer (02:24:01):

Right. They asked me what direction they were going. They rolled down their windows and were asking me what direction everybody went. And so I pointed to make a right and head towards Las Vegas Boulevard.

Marc DiGiacomo (02:24:13):

And those officers then went after the caravan?

William Heidmeyer (02:24:15):

Correct.

Michael Sanft (02:24:16):

Objection, as to speculation.

Judge Carli Kierny (02:24:18):

What's your response?

Marc DiGiacomo (02:24:19):

Well, he watched them do it.

Judge Carli Kierny (02:24:20):

Okay.

Marc DiGiacomo (02:24:22):

Didn't he testify that? Did you watch the officer-

Judge Carli Kierny (02:24:24):

Lay some more foundation.

Marc DiGiacomo (02:24:25):

Did you watch the officers go after that caravan?

William Heidmeyer (02:24:28):

Yes.

Marc DiGiacomo (02:24:29):

Okay. Thank you, sir. I pass the witness.

Judge Carli Kierny (02:24:32):

Okay. Any questions, Mr. Sanft?

Michael Sanft (02:24:36):

Yes, Your Honor. Mr. Heidmeyer, I'm going to show you what's been marked and admitted as State's Exhibit number-

Marc DiGiacomo (02:24:44):

1?

Michael Sanft (02:24:45):

1? No. [inaudible 02:24:48].

Marc DiGiacomo (02:24:57):

You want 1 or you want 2?

Michael Sanft (02:24:57):

I need both. Thank you.

Marc DiGiacomo (02:24:58):

[inaudible 02:24:58]. More modern. You were right.

Michael Sanft (02:25:00):

All right. I'll show you State's Exhibit number 1 here. You recognize this photograph?

William Heidmeyer (02:25:07):

Yes.

Michael Sanft (02:25:08):

Okay. Just to get to the point, this is Las Vegas?

William Heidmeyer (02:25:13):

Yes.

Michael Sanft (02:25:13):

All right. And I'm just more concerned right now about the actual streets themselves. Can you just show us... Actually, you know what? Can we have... If you could step down out of the witness chair and just go to that screen, I'm going to have you point out for the jury where everything's at, okay?

William Heidmeyer (02:25:31):

Okay.

Michael Sanft (02:25:31):

All right. Can you point and show us where the Maxim Hotel is?

William Heidmeyer (02:25:36):

The Maxim Hotel, this is Koval and that's Flamingo, would be right about here.

Michael Sanft (02:25:42):

Let me help you out.

William Heidmeyer (02:25:44):

Yeah, right about here.

Michael Sanft (02:25:46):

Okay. And just for the record, it looks like you're pointing in this area right here?

William Heidmeyer (02:25:51):

Well, this would be the hotel and this would be where the parking garage was, and it was parking in front of the parking garage as well.

Michael Sanft (02:25:57):

All right. And just for the record, I'm pointing to the north part of... This would be Flamingo that I'm pointing at. Is that correct?

William Heidmeyer (02:26:03):

Correct.

Michael Sanft (02:26:04):

And that's on the north side of Flamingo in between... What's the main streets that are in between where the property sits?

William Heidmeyer (02:26:12):

It sits on Koval and Flamingo. The entrance to the parking garage was over here.

Michael Sanft (02:26:16):

All right. And so that area is where the Maxim Hotel was located?

William Heidmeyer (02:26:21):

Correct. Adjacent to the parking garage.

Michael Sanft (02:26:23):

Right. And the parking garage, once again, for my edification, is where exactly? If you could just point that out for us.

William Heidmeyer (02:26:29):

Right here.

Michael Sanft (02:26:29):

All right. So that would be on the north side of the property?

William Heidmeyer (02:26:32):

Yes.

Michael Sanft (02:26:32):

So would that be behind where the hotel is?

William Heidmeyer (02:26:37):

No, no. It's beside the hotel.

Michael Sanft (02:26:39):

Beside the hotel. Okay. And that's where you were located with the two police officers?

William Heidmeyer (02:26:43):

Correct.

Michael Sanft (02:26:43):

Now, you were investigating, at that particular time, stolen vehicles out of that garage.

William Heidmeyer (02:26:48):

Yes.

Michael Sanft (02:26:49):

Did you write a report on your own with regards to what you were doing that night with the stolen vehicles and-

William Heidmeyer (02:26:56):

Actually, no. I turned that report over to my other co-officers at the security because I was tied up with this incident.

Michael Sanft (02:27:03):

Okay. I'm going to zoom in a little bit better for you here, sir, if I could. Going back again. That's hopefully more helpful. All right. So when you said that you looked over and you saw, can you explain for us again sort of where the vehicles were that you saw?

William Heidmeyer (02:27:21):

Well, the vehicles were on Flamingo heading east and they were in... You have a left turn lane, two forward lanes, and a right turn lane. And the vehicles were in the farthest left center lane.

Michael Sanft (02:27:36):

Farthest left center lane?

William Heidmeyer (02:27:38):

Correct.

Michael Sanft (02:27:39):

Meaning that they were on [inaudible 02:27:41] going forward?

William Heidmeyer (02:27:41):

Correct.

Michael Sanft (02:27:42):

They're not making that left?

William Heidmeyer (02:27:43):

No, but they ended up making a U-turn.

Michael Sanft (02:27:45):

Sure. And once again, for edification, this is 30 years ago, right? So you've got three lanes going directly east.

William Heidmeyer (02:27:52):

Mm-hmm.

Michael Sanft (02:27:53):

Is that a yes?

William Heidmeyer (02:27:53):

Yes. I'm sorry.

Michael Sanft (02:27:55):

Is it two lanes that are actually turn lanes to turn onto Koval or is it just one?

William Heidmeyer (02:27:59):

Actually, I believe it was two lanes. So it would be from the facing east, it would've been the third lane that they were in. There's two turn lanes, two straight lanes, and then a right turn lane.

Michael Sanft (02:28:13):

All right. And then with regards to the vehicles themselves, your testimony was that there was a white van of some sort or maybe vehicle in front of the black BMW?

William Heidmeyer (02:28:21):

Yeah, it was a white Dodge Stratus.

Michael Sanft (02:28:23):

I see. Is that a van? No, that's a car.

William Heidmeyer (02:28:27):

It's a two-door sedan.

Michael Sanft (02:28:28):

Okay. And then behind it is the BMW?

William Heidmeyer (02:28:32):

Yes.

Michael Sanft (02:28:32):

And then behind it are multiple cars leading back?

William Heidmeyer (02:28:35):

Yes.

Michael Sanft (02:28:36):

And your testimony was that you had identified a, is it a Lexus behind it?

William Heidmeyer (02:28:40):

I think it was a Lexus. I believe so.

Michael Sanft (02:28:42):

And then another vehicle, and then a white Chevy, and then it just kept going all the way down?

William Heidmeyer (02:28:46):

Correct.

Michael Sanft (02:28:46):

So even though we're identifying these vehicles, you don't know how many vehicles were in the procession or the-

William Heidmeyer (02:28:52):

It was several. I didn't count them at the time, but it was a good 10 vehicles.

Michael Sanft (02:28:56):

Okay. And all those vehicles are now making a U-turn and heading back towards Las Vegas Boulevard?

William Heidmeyer (02:29:03):

Correct.

Michael Sanft (02:29:04):

You don't see the actual shots being, someone actually pointing a gun at something and shooting something?

William Heidmeyer (02:29:08):

No, I did not.

Michael Sanft (02:29:09):

You just heard it?

William Heidmeyer (02:29:09):

Yes.

Michael Sanft (02:29:10):

The individual that you had identified as the person with a gun, did you see that individual shoot his weapon?

William Heidmeyer (02:29:18):

No.

Michael Sanft (02:29:19):

All right. But you saw him dressed up in a relatively nice looking sort of presentation, black pants?

William Heidmeyer (02:29:25):

Yes. He was well-dressed.

Michael Sanft (02:29:26):

Okay. Vest and a white shirt. Okay. I have no further questions. Thank you so much, sir. I appreciate it. [inaudible 02:29:36]. Yeah.

Judge Carli Kierny (02:29:37):

Sit down.

Michael Sanft (02:29:38):

Yeah, sorry. Thank you.

William Heidmeyer (02:29:40):

Thank you.

Judge Carli Kierny (02:29:42):

No worries. State, anything further?

Marc DiGiacomo (02:29:44):

No, Your Honor.

Judge Carli Kierny (02:29:45):

Ladies and gentlemen of the jury, any questions for this witness? Seeing none, thank you so much for being with us, Mr. Heidmeyer. You are free to go.

William Heidmeyer (02:29:55):

All right. Thank you very much.

Judge Carli Kierny (02:29:55):

You're welcome. State, you have one more, right? Before lunch?

Marc DiGiacomo (02:29:56):

Yes, Judge.

Judge Carli Kierny (02:29:57):

Okay. Who's that going to be?

Marc DiGiacomo (02:29:58):

Dean O'Kelley.

Clerk (02:30:33):

Good morning. Do you solemnly swear or affirm the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

Dean O'Kelley (02:30:38):

I do.

Clerk (02:30:41):

You may have a seat. And if you please, state your full name and then spell it for the record.

Dean O'Kelley (02:30:44):

It's Dean O'Kelley. And it's D-E-A-N O, apostrophe, K-E-L-L-E-Y.

Judge Carli Kierny (02:30:54):

Thank you, Mr. O'Kelley. You may proceed, Mr. DiGiacomo.

Dean O'Kelley (02:30:54):

Okay.

Marc DiGiacomo (02:30:54):

Sir, how are you currently employed?

Dean O'Kelley (02:30:55):

I'm a deputy marshal in District Court with Judge Erika Mendoza.

Marc DiGiacomo (02:31:00):

Prior to become a deputy marshal, well, I guess you've had multiple hats. At some point, were you a Metro police officer?

Dean O'Kelley (02:31:09):

Yes, I was for 20 plus years.

Marc DiGiacomo (02:31:12):

And approximately what year did you start?

Dean O'Kelley (02:31:15):

September of 1991.

Marc DiGiacomo (02:31:16):

And then when did you retire as a Metro officer?

Dean O'Kelley (02:31:22):

July 12th of 2012.

Marc DiGiacomo (02:31:26):

And after July 12th of 2012, did you do something else with Metro?

Dean O'Kelley (02:31:33):

I did for about eight, almost eight and a half years. I was a cold case homicide investigator.

Marc DiGiacomo (02:31:40):

Now, in the... Well, let me ask you this, when did you first go to homicide?

Dean O'Kelley (02:31:46):

In 2003, on July.

Marc DiGiacomo (02:31:52):

So on September 7th of 1996, what was your assignment?

Dean O'Kelley (02:31:56):

I was a detective in the gang unit on one of the enforcement teams.

Marc DiGiacomo (02:32:00):

What does that mean you did for Metro? What's an enforcement team?

Dean O'Kelley (02:32:06):

So the enforcement teams are dressed in greens and we usually have five or six detectives together. And we would patrol known gang areas and come in contact with gatherings that involved gang members. And then after enforcement, I did two years of investigation where I investigated gang related crimes.

Marc DiGiacomo (02:32:32):

Before I get to your actions on this particular evening, I want to ask you a little bit about how the process of report writing has changed at Metro over the years. You have handled your own cases since the early 2000s, but you also were a cold case investigator, which I assume that means you also have experience with years and years and years before you ever even became a police officer.

Dean O'Kelley (02:33:04):

Certainly.

Marc DiGiacomo (02:33:05):

Was there a particular way that cases were documented up until the early to mid 2000s?

Dean O'Kelley (02:33:16):

I mean, I think there's been some changes over time just because of the digital age. When I first went to homicide, we were still using typewriters that had the little spinning ball on there and actually typing in triplicate, those types of things. Keeping our notes handwritten in our notebook. And then it kind of changed over time. Everything went digital and we started keeping things on the computer.

Marc DiGiacomo (02:33:38):

And so when we're talking '96, there was multiple reports written by officers as they did things because there wasn't the same computerized systems we have today.

Dean O'Kelley (02:33:50):

That's correct.

Marc DiGiacomo (02:33:52):

Modern day, is there something called a main case report or a main officer's report related to homicides?

Dean O'Kelley (02:34:00):

Yes, there is.

Marc DiGiacomo (02:34:00):

Explain that to ladies and gentlemen.

Dean O'Kelley (02:34:04):

So what we normally do, and it kind of depends on the detective themselves. I mean, you probably worked with people that have Post-its all over their desk and it's a total wreck and you have no idea what you're looking at, but they know where everything is and they know how it's organized. We had detectives that were like that. Me personally, I would keep everything on what's called a case management form. So from the very beginning, from the very start of when we got a call and we're keeping notes in a notebook, all that information go into a case management form. So I wouldn't be initially concerned with an officer's report getting started at any point because I was using that management form each and every time we did something investigatively. If we took a phone call from a witness, then I would document that on that form.

(02:34:52)
And at some point, especially if you had somebody that was in custody, you would transfer all that information over into an organized officer's report, which would then have the title at the top.

It would have the date and time and location of when the incident occurred, who's involved, who are the suspects, who are the victims, who are the witnesses. And it would be in a chronological order and an investigation. But initially, everything's kept just basically in the management form. Eventually, you want to get to the point where you put together all that information into an officer's report. And there will come a point in time where the individual detective would make the decision that the officer's report's final. Right? You would get it signed off. It'd be signed off by your sergeant. It'd go into the case file. And then from that point, you would just basically be filing addendums.

(02:35:48)
As new information came in, you might write that information down on that management form and then do an additional officer's report. That's definitely something that I saw when I went to cold case. Some of the cases that were 20 years old, every single step that that detective did was a completely separate officer's report. So you'd get 15 officer's report in the case file. It definitely made a lot more sense to finally get to one point where we had just one officer's report covering the case.

Marc DiGiacomo (02:36:21):

And in your experience, is it unusual for an officer's report to be the very last thing that's generated by the detective assigned to the particular case?

Dean O'Kelley (02:36:35):

No, that's not unusual at all.

Marc DiGiacomo (02:36:38):

I want to direct your attention back to September of 1997. And I'm going to put up really two aerials for you first of all, but I'm going to start with State's Exhibit number 1. Can we go back to me? That appears to be an aerial of Las Vegas Valley?

Dean O'Kelley (02:37:06):

Yes.

Marc DiGiacomo (02:37:06):

Okay. And it's clearly more modern than 1996 because you can see T-Mobile over here and some other things. Is that correct?

Dean O'Kelley (02:37:17):

Quite a bit different today. Yes, that's true.

Marc DiGiacomo (02:37:20):

And then I'm going to go back and show State's Exhibit number 2. This is a much earlier rendition of the Las Vegas Valley because T-Mobile's not there. Is that accurate?

Dean O'Kelley (02:37:39):

That's correct.

Marc DiGiacomo (02:37:39):

Okay. And identified on State's Exhibit number 2 is where the... Oh, I can't move. Oh, I can move the mouse away. Where it says Monte Carlo, that's generally where the Park MGM is today?

Dean O'Kelley (02:37:55):

That's correct.

Marc DiGiacomo (02:37:57):

And at the time, back in 1996, there was a club called the 662 Club on Flamingo. Is that correct?

Dean O'Kelley (02:38:04):

Yes. Very familiar with it.

Marc DiGiacomo (02:38:05):

And is that referenced in State's Exhibit number 2 as well?

Dean O'Kelley (02:38:09):

It is.

Marc DiGiacomo (02:38:10):

And is that generally in the location where it's at?

Dean O'Kelley (02:38:12):

Correct.

Marc DiGiacomo (02:38:15):

So now, I want to jump back to one. At about 11:17 PM on September 7th of 1996, where were you?

Dean O'Kelley (02:38:29):

We were conducting enforcement activity kind of northeast of the location of Koval and Flamingo.

Marc DiGiacomo (02:38:36):

And did something catch your attention?

Dean O'Kelley (02:38:40):

Yes. As we were out with a couple, two, three gang members, we heard over the radio an officer rather excited, certainly under a stressful situation, reporting shots being fired and requesting a code red on the radio. We weren't very far away, so we cut the guys loose that we were with, got in our vehicles, and with lights and siren, we went over to respond to the area of the Maxim Hotel.

Marc DiGiacomo (02:39:11):

When an officer calls out a code red, what does that mean? What is he trying to do?

Dean O'Kelley (02:39:16):

The code red is so that no other radio traffic is coming across except for what those officers are going through. So it's trying to keep the radio traffic to a minimum. So we didn't even announce that we were en route. It's not important for dispatch or really anybody else to know that we were on our way because we're waiting for updates from that officer or from the officers involved. So we stay off the radio. It's a sacred thing. You don't break the code red unless you really have to get on the radio.

Marc DiGiacomo (02:39:52):

And where do you respond to?

Dean O'Kelley (02:39:55):

We responded to the intersection of Koval and Flamingo right there at the Maxim Hotel. Now, it's called the Westin. But we went into the parking lot on the south side of the Maxim and where we saw a patrol unit.

Marc DiGiacomo (02:40:14):

At some point, do you walk out onto Flamingo? Well, let me ask you this. When you first arrived, is there traffic still driving eastbound on Flamingo?

Dean O'Kelley (02:40:25):

Yes. I mean, nothing's changed so far as traffic at that point because whatever had happened was several minutes before that. So now, people are still just driving by. We got to the parking lot. My sergeant, Sergeant Cindy West, had inquired as to where the shots had come from. And we were able to look out into the street there on Flamingo, just west of Koval. And I saw in the headlights just little glimpse of light and recognized that I spent plenty of time on a firing range and I know what brass looks like on the ground. So we were able to determine where several cartridge cases were located in the street west of Koval on Flamingo.

Marc DiGiacomo (02:41:18):

I'm going to approach and show you State's proposed Exhibit 34 to 41. As you look through those, I'm going to grab something from the clerk. Do you recognize those?

Dean O'Kelley (02:41:54):

I do.

Marc DiGiacomo (02:41:55):

And how do you recognize those?

Dean O'Kelley (02:41:58):

When we spotted the cartridge cases in the street, at the time, my enforcement vehicle was in a Chevy van and we had a whole bunch of cones. So as we located the cartridge cases there on the roadway, we took a bunch of cones out of my vehicle and actually placed them... In the photographs, you'll see it a little bit different, but we placed the cones on top of or over the cartridge cases. So the cones protected where they were located because you could even see there was at least, I know one for sure, maybe more that had already been run over by traffic. So it was a little bit mangled. So we protected the crime scene. And we also popped a couple of flares on the north side of the number three travel lane where the cartridge cases are located.

Marc DiGiacomo (02:42:47):

And this fairly, State's Exhibits 34 through 41, fairly and accurately represent that situation?

Dean O'Kelley (02:42:56):

Yes, it is.

Marc DiGiacomo (02:42:57):

Move to admit.

Michael Sanft (02:42:58):

No objection, Your Honor.

Judge Carli Kierny (02:42:59):

So admitted.

Marc DiGiacomo (02:43:01):

So I'm going to put up 34. And can you just describe for us what we're looking at?

Dean O'Kelley (02:43:10):

So you can see the cartridge cases are kind of straddling the two lanes.

Marc DiGiacomo (02:43:16):

Can I stop you for a second, Mr. O'Kelley?

Dean O'Kelley (02:43:17):

Yes.

Marc DiGiacomo (02:43:18):

There's a mouse sitting right there. Don't click it, just... It'll freeze up the whole system, but you can use it as a pointer.

Dean O'Kelley (02:43:25):

Exactly. So these two cones that we set up here were more or less to protect where the cartridge cases were located. These other cones are covering the actual cartridge cases in the roadway. The one that's closest to us in this picture is a bullet fragment. It was the furthest away from Koval. And then the other cones are all spent cartridge cases. Winchester, Smith & Wesson, 40-caliber cartridge cases.

Marc DiGiacomo (02:43:55):

Do you know a person by the name of Dan Ford?

Dean O'Kelley (02:44:00):

Yes, I do.

Marc DiGiacomo (02:44:01):

How do you know Dan?

Dean O'Kelley (02:44:03):

Dan Ford is a senior crime scene analyst that I worked with quite a bit. We started on the department right around the same time and ran into him several times on cases that I worked with in the gang unit investigations. We also utilized him on the RICO task force that I was on for a couple years. And then he had responded countless homicide investigations during my career.

Marc DiGiacomo (02:44:27):

Eventually, does Mr. Ford leave the crime scene that was at Harmon and Las Vegas Boulevard and come and is he the person that takes these pictures and winds up collecting these items?

Dean O'Kelley (02:44:40):

Yes, he is. Fortunately, Dan was already dispatched to the area of the Maxim for the patrol units that had called out on the radio, the shots that were fired. They were taking a report for damaged vehicles that were there and Dan had already been dispatched to that. So he wasn't far away when the shots rang out and he was requested to come to that scene.

Marc DiGiacomo (02:45:02):

Sitting there in front of you is State's proposed Exhibit 129. Looking at State's proposed Exhibit number 129, do you recognize what that item is?

Dean O'Kelley (02:45:23):

Yes, I do. I've seen and reviewed the handwritten evidence inventory that was authored by Dan Ford. I can see that that's his handwriting. It's also his initials and P number that are on the package for the Winchester cartridge cases.

Marc DiGiacomo (02:45:40):

And then there's a red seal on the back of here. That would've been placed on by Mr. Ford, correct?

Dean O'Kelley (02:45:52):

The red seal is not. It is marked up here at the top for his P number. This doesn't look... I don't know. Oh, that he wrote the date on that. So 9/7 of '96. So he initialed in the top corner and then put the date down in the bottom corner. Yes.

Marc DiGiacomo (02:46:09):

And all these blue seals are the times that the forensic lab has opened this package in order to look at these items and potentially do some testing?

Dean O'Kelley (02:46:17):

That's correct. But I do remember from the evidence inventory that Dan had indicated that these cartridge cases were checked for fingerprints at the time with negative results.

Marc DiGiacomo (02:46:31):

So I'm going to have... Well, I guess I'll move to admit 129, Judge.

Michael Sanft (02:46:35):

No objection, Your Honor.

Judge Carli Kierny (02:46:35):

Okay. So admitted.

Marc DiGiacomo (02:46:39):

I'm going to have you cut this, not alone a seal, if there's a place left to do it.

Dean O'Kelley (02:46:41):

Is there a place?

Marc DiGiacomo (02:46:45):

I think if you cut right along there, you can pull those items out.

Dean O'Kelley (02:46:48):

Yeah, down here at the bottom, I can. I don't think we have to go too far.

Marc DiGiacomo (02:46:59):

Let's do that. Let me just pull those items out. And these, well, they will eventually be marked 129, A, B, C, D, E, F, G, A through G, but I'm going to show you this one, which has a 14 on the top of it. And you said you remember at least one of them was mangled.

Dean O'Kelley (02:47:46):

Mm-hmm. This one's flattened on the opening. Opposite of the head stamp, it's flattened. So it's been run over.

Marc DiGiacomo (02:47:54):

And there appears to be at least one more of these that has some damage to them. Several of them have damage to them. Is that correct?

Dean O'Kelley (02:48:04):

They're definitely misshapen. A couple of them are. This is actually the closest that I've seen them because when we came out, we just put the cones right over the top of them and didn't mess with them at all. So I'm able to now look at even the primary impacts, which is significant.

Marc DiGiacomo (02:48:22):

Why is that significant?

Dean O'Kelley (02:48:23):

Because a Glock pistol has a rectangular opening for the firing pin and it's vertically oriented on the front of the bolt face for a Glock pistol. And you can tell by looking at the primary impact that that's roughly the shape of the impact on the primer.

Marc DiGiacomo (02:48:43):

So that suggests to you that the weapon was a Glock 40?

Dean O'Kelley (02:48:46):

That's correct.

Marc DiGiacomo (02:48:49):

Now, Detective, or I guess it's Mr. O'Kelley now.

Dean O'Kelley (02:48:53):

Detective Retired, I don't know. Deputy Marshal.

Marc DiGiacomo (02:48:58):

Yeah, Deputy Marshal. There you go. While you're at the scene, are you getting updates on the radio as to potential suspect vehicles that you should be looking for?

Dean O'Kelley (02:49:13):

Periodically. Again, that code red is in effect for quite a while, so there's not a lot of radio traffic that was going on. The call came in initiating the code red at 11:17. We were short distance away and we went code, well, we ran code. So we did lights and siren. It didn't take us very long to get there. I know that Sergeant West waited until there was a complete lull in the radio traffic and announced that we were en route and arrived at the same time. And I believe that was at 11:26. We had been there before that. So we were there before 11:20. We were already there at the scene. So at about a little bit past...

Dean O'Kelley (02:50:00):

So at about a little bit past 11:30, we got an update on the description, rough description of a light-colored Cadillac. I know at some point on the CAD report it said late '90s. It had to be late '80s, right? This is '96. And there was also some indication that it was in good condition, which would say that it was an older vehicle than late '90s, right. So we were looking for a light colored, possibly white Cadillac with two Black male occupants. And there was a report that it was northbound on Audrie, which now Audrie Lane is the link, right? It's the link lane. So it's on the west side of the Maxim going north. There was some report that possibly that's where the suspect vehicle had gone.

Mr. DiGiacomo (02:50:56):

So the initial report says light-colored Cadillac, last seen northbound on Audrie.

Dean O'Kelley (02:51:01):

Right with two Black males at that point.

Mr. DiGiacomo (02:51:03):

Do you wind up getting updates throughout the evening as to the vehicle you're looking for?

Dean O'Kelley (02:51:11):

We did. I'd say it was about an hour or so, about quarter to 1:00 maybe right around that time that we got an update that we were looking for that same white Cadillac in good condition, but potentially occupied now by four Black males and it was southbound on Koval. That made a little bit more sense to us, especially that we were out on the eastbound lanes of Koval right just short of the intersection and that the Cadillac had to have been to the south of the BMW, and it made more sense that they would've made a right turn. So that definitely clicked when we were told they were southbound on Koval.

Mr. DiGiacomo (02:52:01):

Does there come a point in time when you do what's known as an ATL or attempt to locate that particular vehicle?

Dean O'Kelley (02:52:10):

Yes. Thankfully because Dan Ford was not too far away. We were able to get relieved from our protection of the crime scene where the cartridge cases were located. And I think we cleared exactly an hour after the initial Code Red was called, and that was the first thing that we did was make every... We went south on Koval. We checked areas that we frequented in the gang unit looking for potentially really any light-colored Cadillac. You know the kind of the yellowish lights that we have in town, the street lights that they use for low, so it's not too much light in town. Those can kind of throw you off on color. So we were looking for any light-colored Cadillac.

Mr. DiGiacomo (02:53:00):

We'll put back up state's exhibit one. During all this time period that you and your partner ATL-ed for this white Cadillac, did you ever drive into the parking lot of the carriage house?

Dean O'Kelley (02:53:14):

No. I can say that in my 35 years, I've never been in the carriage house.

Mr. DiGiacomo (02:53:20):

Thank you. I pass the witness.

The Judge (02:53:23):

Okay. Cross-examination, Mr. Sanft.

Michael Sanft (02:53:27):

I'm sorry, sir, what's your last name again?

Dean O'Kelley (02:53:30):

O'Kelley. O apostrophe K-E-L-L-E-Y.

Michael Sanft (02:53:32):

Mr. O'Kelley, thank you for being here today. Your testimony obviously, I would imagine before you were here, you probably reviewed your reports, whatever it is you wrote during that time period.

Dean O'Kelley (02:53:45):

I didn't write any, certainly. Even after I went to homicide, I wasn't involved in the investigation for this case. I did review the CAD report, the computer-aided dispatch report, noting those times. I don't have that great a memory, so I'm going to have to tell you that. And that handwritten evidence inventory by Dan Ford. I have both copies right here in my notebook.

Michael Sanft (02:54:10):

I see. So at the time you retired, you retired as a homicide detective?

Dean O'Kelley (02:54:14):

I did.

Michael Sanft (02:54:15):

And then at that point you came back to work in the cold case unit as an investigator?

Dean O'Kelley (02:54:21):

I did, yes.

Michael Sanft (02:54:22):

All right. Now a couple things. First of all, when you retired as a detective with homicide, were there any outstanding reports that you had not drafted when you left?

Dean O'Kelley (02:54:33):

I can tell you that as, and people love me, so they got a limousine and we had a big party, so as there was a limousine out in front of headquarters at 400 Martin Luther King, I was typing the last officer's report that I needed to personally finish. I was leaving a partner behind whose name is also Dean. So he was able to tie up any of the cases that we had at that point. But I would say there were, but the ones that I knew I needed to get done before I left, I got done.

Michael Sanft (02:55:13):

And the reason why you prioritized those ones is because I would imagine they're still open investigations and you're handing it off to the next person to continue with your work.

Dean O'Kelley (02:55:22):

That's correct. It makes it easier for them if it's tied up as best we can.

Michael Sanft (02:55:26):

Right. Did you take any of those cases with you when you went over to the cold case unit?

Dean O'Kelley (02:55:33):

When I came back to cold case, that was the original reason that I even agreed to do cold case homicide investigation was because of personally had investigated. One in particular. So as soon as I came back to cold case homicide, the very first thing I did was go and pull Jamie Sheldon's case and bring it over to my desk. That's the first case that went there, and was able to work. I was honored to be able to work on cases like that and others that I had been a part of when I was a detective, yes.

Michael Sanft (02:56:15):

So in terms of... Just explain to the jury what a cold case is. Can you explain that?

Dean O'Kelley (02:56:21):

Certainly. So a cold case is officially cold when the detectives who are originally assigned to it are no longer there, whether they transferred out or they retired. If there isn't an original detective assigned to the case, it's considered cold, right? No one's assigned to it. Those cases can be handed off to other detectives that are still in the unit.

(02:56:47)
I remember when Marty Wildman left the department, he came over to me personally and said, "Hey, I'm handing Teresa Ensana to you. Can you take this case on and continue to follow it up?" It's considered cold because he's gone, right? As soon as he left, it's officially a cold case. But if there's a detective who was originally assigned to the case, it's their case until they're done. You're not going to go stepping on toes and just pulling cases and start working on other people's stuff unless they asked you to do it.

Michael Sanft (02:57:20):

And with regards to the cold case unit, I'm assuming there's probably two detectives who are the official detectives for the unit. Then you have investigators, retired homicide detectives that help with the investigation?

Dean O'Kelley (02:57:32):

That's correct. Initially when Sergeant Hefner, sergeant in homicide, but then came back with me at the same time. So the two of us came back and we were on our own. We had a sergeant that was assigned to us that basically they were a signature block. We could pull any case that we wanted and work on those. The department saw, thankfully, a lot to do with the work that we were getting accomplished where we solved 20, 25- year-old cases. And the department's able to go to the media and say, "Look, we're not giving up after all these years. We're going to continue to follow these cases and solve them."

(02:58:10)
Because of that success level, then the department dedicated two full-time detectives that were still in homicide to the cold case unit. And then we had, I want to say three, four more cold case investigators that were assigned to us. So I think we had a total of five or six at one point, plus the two detectives and a dedicated sergeant to the cold case unit.

Michael Sanft (02:58:39):

So in terms of your work in the cold case as an investigator, you're not a detective, right?

Dean O'Kelley (02:58:46):

No.

Michael Sanft (02:58:47):

So there is a difference in terms of your responsibilities versus the responsibilities of a detective?

Dean O'Kelley (02:58:52):

Correct.

Michael Sanft (02:58:53):

Because the detective would be the law enforcement officer.

Dean O'Kelley (02:58:55):

Certainly.

Michael Sanft (02:58:56):

And you are a person helping the law enforcement officer.

Dean O'Kelley (02:58:59):

Essentially, I mean, we can still steer the investigation where we want it to go. We're doing interviews, we're doing those things, but say authoring a search warrant. So we run into a situation where we need a search warrant done. It may get written by one of us, but it's going to be sworn to as an affidavit by a detective on the department who's a sworn police officer.

Michael Sanft (02:59:22):

Have you ever drafted a report, I don't know, eight years after you started an investigation?

Dean O'Kelley (02:59:30):

Well, because a cold case, yes, certainly.

Michael Sanft (02:59:33):

But just as a police officer or a detective, have you ever waited, say, years to draft an actual report on something?

Dean O'Kelley (02:59:40):

I don't know what would be my record-breaking delay in authoring a report, but I'd say if you're dealing with a case where there's nobody in custody, like you haven't arrested anybody, I mean, I'm probably pushing two years before I finally said, and even reluctantly said, "I'm going to close this officer's report. It's signed off because we've run out of investigative leads. We're to that point. There's really nothing else coming in. And now that's officially done."

(03:00:15)
Then there could be maybe somebody calling up or we could have somebody that gets in a jam where they're now looking at serious time, this has happened to us in cold case, where now that person says, "Hey, I have information on a murder." So now it's completely open. Now the case is back up and running, and there would be a new officer's report started at that point in time to complete that investigation. I know where the gun is. I know who did the shooting. And now we've got a solved case after 15, 20 years.

Michael Sanft (03:00:49):

Now have you ever delayed writing an officer's report after going to the grand jury presenting evidence on that same case?

Dean O'Kelley (03:00:58):

Yeah, I would say that I've gone to grand jury before officer's reports are done. I would say that I've gone to grand jury before I've started an officer's report. Again, because for me personally, and for a lot of the guys that I work with, I'm not completely OCD, but I mean, certainly there's things that I need to get done or I'm not going to be able to sleep, that kind of thing, or I'm not going to be able to sleep, that kind of thing. You may feel that way. But I always get the case management form started and maintained up to date. It's going to be up to date. If you make a phone call to me, I'm going to document a date, time, phone call.

(03:01:39)
That may not go into the alternate officer's report because it's superfluous information, didn't mean anything, but I'm going to keep that record in the CMF. I might not even start the officer's report for months, and grand jury may have already happened. I feel now some pressure to get that done because somebody... If I'm going to grand jury, more than likely we have somebody in custody. And I want the district attorney's office to have the benefit of a completed officer's report, although it's not necessary.

Michael Sanft (03:02:11):

Right. And so if you had submitted it to the grand jury or done your grand jury, you're telling us at some point you could delay finalizing your officer's report?

Dean O'Kelley (03:02:21):

Yes.

Michael Sanft (03:02:22):

Okay. Now would you delay that officer's report until after you retire?

Dean O'Kelley (03:02:30):

Well, because I still have a partner that hasn't retired, I can have confidence in doing that. We definitely did have that happen. I recall specifically a double murder that was not. The officer's report wasn't done when I left because I knew Detective Raetz was going to be continuing on with it.

Michael Sanft (03:02:53):

Right. So you knew that the other detective would still be the detective handling the case through because you are now retired.

Dean O'Kelley (03:02:59):

No question.

Michael Sanft (03:02:59):

But what if you didn't have that detective there that you're a partner? Would you have delayed after you retired to draft your officer's report?

Dean O'Kelley (03:03:07):

I would not.

Michael Sanft (03:03:09):

How about-

Dean O'Kelley (03:03:09):

I wouldn't be able to do it, right? I mean, I just know that I wouldn't be able to do it. That's why when the limo's out in front of headquarters, I'm typing an officer's report. I literally left the... I got the officer's report done and then went downstairs. I was done, I was retired.

Michael Sanft (03:03:26):

Now can you explain to us, I'm sorry for interrupting, but can you explain for us a little bit about why reports are so important to you in your line of work as a homicide detective?

Dean O'Kelley (03:03:38):

Reports document everything, right? I mean, you need to document your observations. You need to document evidence. And for us in homicide or even in the gang unit before that, we did that with officer's reports. Officers' reports don't become evidence. Officer's reports are so anybody picking up that case file can walk through the investigation from beginning to the last part of an officer's report is conclusion. So it may be a conclusion as to what you believe happened and you don't have somebody in custody. It can be a completed officer's report where the case isn't solved. It's still open. At that point when you're doing the conclusion, it's more or less your opinion, this is what we believe based on everything else that precedes it in the officer's report.

Michael Sanft (03:04:32):

Okay. And that would of course help you later if you ever were called to testify in front of a jury to recall what happened.

Dean O'Kelley (03:04:39):

Oh, absolutely. That's the go-to document for somebody who's preparing for trial is that officer's report. I mean, it can be lengthy. I've written officer's reports that are 70 pages long.

Michael Sanft (03:04:53):

And with regard to those reports and being 70 pages long, fair to say that details are super important when doing this kind of investigation?

Dean O'Kelley (03:05:02):

They are.

Michael Sanft (03:05:03):

And that would be helpful for you to remember details in the future, right, to write a good report?

Dean O'Kelley (03:05:08):

Right. The more extensive and the more detailed your report, the better off you're going to be, the more prepared you're going to be. But in addition to that, you could be documenting things that you observed or that you knew at the time you were doing an investigation that you don't realize were important. So I could document something in a crime scene that seems like it's innocuous, something that just doesn't seem like it's that important. And then later on when maybe a suspect's in custody or the investigation's further, then you find out, oh, that one item that you made a note of now becomes important because the suspect touched it or that was the murder weapon that was cleaned up and stuck over there and nobody realized it.

Michael Sanft (03:05:58):

Now let's shift gears a little bit here. So you're no longer a detective, you're now working with a cold case. Have you taken on any cold cases that weren't yours to begin with?

Dean O'Kelley (03:06:09):

Certainly.

Michael Sanft (03:06:10):

And what is typically the standard operating procedure when you are starting your investigation as a cold case investigator?

Dean O'Kelley (03:06:17):

So you're pulling the case file, right? And it can be extensive depending on the murder, depending on the case that you're looking at, can be rather extensive. Some of the cases that we were pulling had pouches in them with VHS tapes. There were separate boxes that had VHS tapes in them. You probably may not even know what a VHS tape. And we had cassette tapes, right, actual physical cassette tapes. So we had to maintain a VHS player in homicide to be able to review those things. So we had some of the archaic methods to review evidence. We would go through the entire case file and that would give us a starting point.

(03:07:04)
As you might imagine, what we're looking for in cold case, because the advances in technology is do we have any trace evidence that wasn't analyzed? Do we have any fingerprints that weren't analyzed? Do we have any DNA that maybe this precedes DNA? We looked at some cases that were before I was born. It's my 65th lap around the sun. We were looking at cases before I was even on this planet. So you go through the entire thing and you try and make these heads or tails of where the detective took that investigation at that point.

(03:07:38)
Sometimes that could be difficult, especially if you're dealing with one of those post-it people. You're dealing with one of the ones that were writing notes on cocktail napkins and stuff and keeping them in the case file. We'd pull little notes that were like, I have no clue how this relates to the investigation at all, don't know if they talked to this person, didn't talk to this person. Was this a witness? Was this a secondary victim? We didn't know. So we'd have to try and track those down. And some of the cases were so old that people that we were dealing with, they're deceased.

Michael Sanft (03:08:11):

Did you have any success with what you did on the cold case unit?

Dean O'Kelley (03:08:14):

Oh, certainly, yeah. We had closed quite a few.

Michael Sanft (03:08:18):

So when you say closed, meaning that you were able to find out basically the information you needed, the suspect or whatever the case was?

Dean O'Kelley (03:08:25):

Yes, absolutely. All the way through to an arrest and prosecution and conviction, yes.

Michael Sanft (03:08:30):

And with regards to the success you had on the cold case, did any of those cases not involve some type of technological thing like either a trace, DNA, or fingerprints?

Dean O'Kelley (03:08:46):

I'd say there was... None come to my mind that we didn't have something that was redone and reviewed and then came to a conclusion or pointed to a specific person that we were then able to go and interview. We had a couple, we have one. We had one where we flew to Toledo and we got a confession on a murder that happened here in Las Vegas because that person was already doing life without there for another murder that he had committed. I don't recall that we had any physical evidence in there that we needed. He confessed to it basically. What do I have to lose? I'm already doing life without.

Michael Sanft (03:09:33):

So he basically was in custody ready for a murder in another state and basically confessed and said, "Hey, I'm confessing to this murder in Nevada."

Dean O'Kelley (03:09:41):

Correct.

Michael Sanft (03:09:42):

So it wasn't like you found, you know...

Dean O'Kelley (03:09:45):

We did. I mean, you look at some of these case files and they're definitely pointing towards a specific person. Every indication is that this is who you're dealing with, and that you couldn't get it across the finish line. And like Jamie Sheldon, I brought up earlier, I know who did that murder, but it's whether or not there's enough to get across the finish line with that piece of evidence that's going to be where the district attorneys are willing to take that case to trial and you're waiting for that one more thing. So it just stays there waiting for that one more piece of evidence to come in.

(03:10:25)
And that happened with some of the cold cases where it's like, hey, we knew who this person was. I remember one specifically where we had a guy where we knew in the gang unit who we were looking for. And then I got to homicide and then looked up case files and saw that that person had never been charged. I'm like, how did he never get charged? We knew who it was. And we were able to then put enough together to arrest him and get a conviction.

Michael Sanft (03:10:51):

And the arrest was because of either DNA or fingerprints or something along those lines?

Dean O'Kelley (03:10:57):

That one, no. We had video surveillance that existed at the time on a VHS tape from a 7-Eleven back when they were ordering over him every seven days. And so it was grainy and you're trying to get a clear enough picture, but we were able to. And we had physical evidence at the time that existed at the time connecting him to other cases, and we were able to get a conviction on that particular case with nothing new.

Michael Sanft (03:11:23):

Okay. So I just want to make sure I'm clear. So that was video surveillance with some other physical evidence that helped you solve that particular-

Dean O'Kelley (03:11:30):

Those cases, yes.

Michael Sanft (03:11:31):

Okay. All right. And then in terms of your work, the night of what happened here, and if I could just ask [inaudible 03:11:45]. Does this help a little bit here about just zooming into where this thing happened?

Dean O'Kelley (03:12:06):

Right. The red triangle or the red rectangle there is where the cartridge cases are located near the intersection. I think the closest piece of evidence was 60 feet away from Koval. And they were out in the travel lane, probably 14, 15 feet away from the south curb.

Michael Sanft (03:12:28):

Okay. So my question's to you's very specific. You mentioned a little bit ago about what potentially would be a white Cadillac traveling north on Audrie or Aubrey? You could step out, Dean, if you want, and just actually point with the... You can just point at the screen from over there so the jury can see.

Dean O'Kelley (03:12:49):

So this is Koval. This is now the west end, right? Used to be the maximum. And this is the Audrie Lane going north. And then down in here is Audrie Street that cuts over. It actually cuts south and then goes all the way over the boulevard. But the initial report was that we had this light color Cadillac occupied by two BMAs that went north on Audrie. So they would have to, with the entourage that everybody had U-turned and gone this direction, they would have to have followed and then turned right to go up on Audrie. There's really no way for you to get from eastbound Flamingo at Koval to Northbound Audrie without making a U-turn.

Michael Sanft (03:13:35):

Okay. And just if you could stay there for a second. The other part here is that I'm just pointing again with my pen and that would be the area of where you found and located the bullets, the cartridge cases?

Dean O'Kelley (03:13:45):

Cartridge cases, yeah. In the eastbound lane, I think the number three travel lane primarily kind of straddled in the lane there a little bit right here before you get to Koval.

Michael Sanft (03:13:56):

Now, if you can describe for us the street. So on that street right there, and I'm just pointing to the part of Flamingo that's, I guess, west of Koval and then between Audrie and Koval, this area here. Is there a concrete divider that's in that area?

Dean O'Kelley (03:14:16):

No, there was not a concrete divider, no. And I think now it's like those yellow plastic cones that are every two feet now separating it when you come up because on eastbound Flamingo, there's two left turn lanes to go north on Koval, three travel lanes, and then a right turn lane to go south on Koval.

Michael Sanft (03:14:39):

So for instance, if cars are going to make a U-turn and turn around and follow, like say for instance, the black BMW, right? The other cars could just basically just make a left-hand turn and go right back. They don't have to go in procession around and keep going. Fair?

Dean O'Kelley (03:14:53):

Yeah. Well, now they would be hitting all those yellow cones. So I don't know. I don't think back then. I think he could probably just right there. It's a violation of the law.

Michael Sanft (03:15:07):

It is.

Dean O'Kelley (03:15:07):

Yes, you could certainly make a U-turn.

Michael Sanft (03:15:10):

Because my understanding is those cones that you're talking about would be actually on Koval to prevent people. I guess it's like to stop traffic from merging or having too much lanes or traffic in that area. Do you recall that?

Dean O'Kelley (03:15:22):

I know all the yellow cones, because I took a fellow marshal to the airport yesterday and the lady in the box actually took me north on Coval to pass that intersection. So I was able to see all the yellow plastic. They're permanent cones that are there on roadway now dividing the north or east and westbound trail.

Michael Sanft (03:15:42):

Right. But at the time, your recollection back in 1996, you don't know if there were cones up at that point?

Dean O'Kelley (03:15:47):

No, there wasn't. I know there wasn't. And it wasn't a Jersey wall, so I think the [inaudible 03:15:52] could just make the turn. There might've been a curb, there might've been a cement curb, but I don't see that in the photo, and I don't have an independent recollection of it.

Michael Sanft (03:16:01):

Gotcha. So those cars are, if we're trying to envision the BMW getting shot at and at some point it's making a U-turn. There's some discussion about rims on the vehicle being messed up because of...

Dean O'Kelley (03:16:15):

It's possible.

Michael Sanft (03:16:16):

And then as it's going down, the other cars would've just either just turned around and immediate led to it.

Dean O'Kelley (03:16:22):

I know because we never went to Harmon and the Boulevard and never saw the entourage, the other vehicles that had gone down.

Michael Sanft (03:16:29):

Your Honor, I have no further questions. Thank you.

The Judge (03:16:32):

Anything further, Mr. DiGiacomo?

Mr. DiGiacomo (03:16:38):

Briefly. I don't know if you retired on a Friday, but if you knew when you retired on Friday that on Monday you were going to be right back there as a cold case investigator, you wouldn't feel, or would you have felt the need to finish that Friday before you got in the limousine?

Dean O'Kelley (03:16:56):

I think I would've been okay to let it go. Yeah, that'd have been all right and skip that part.

Mr. DiGiacomo (03:17:01):

Yeah. Let me ask you this. Had there been at least one case, a case with you and I, in fact, where there was never an officer's report that was able to be completed?

Dean O'Kelley (03:17:13):

No. Debbie Flores Narvaez.

Mr. DiGiacomo (03:17:16):

Is there any requirement that there be an officer's report created?

Dean O'Kelley (03:17:22):

No. Again, officer's report's not evidence. It's just kind of a guideline to go through the case file itself. There was in the case that we're talking about a case management form that went all the way through the investigation. So it really wasn't necessary to put it on a trial and get a successful conviction.

Mr. DiGiacomo (03:17:42):

You mentioned as well that old case files, you've looked at, you said case files from before you were even born.

Dean O'Kelley (03:17:51):

Yes.

Mr. DiGiacomo (03:17:54):

You don't know if all of the reports that were ever generated were in that file or not in that file when you get the case, correct?

Dean O'Kelley (03:18:03):

I could say that there were some case files that we pulled that were... They weren't even in three ring binders anymore. They were in accordion files and there were definitely things missing over time. The frustrating part of cold cases, going to pull evidence and seeing that it had long been destroyed wasn't even available anymore, which shouldn't happen, but it sometimes does. And so you're trying to piece together the case even without some pieces of evidence that you think is crucial.

Mr. DiGiacomo (03:18:36):

So despite not having maybe everything that the original detectives have, you don't just give up. You still try and solve the crime?

Dean O'Kelley (03:18:43):

Exactly. Well, you go redo it, right? I mean, if there's indication... Again, if you got a cocktail napkin with a name and a date of birth on there, but you don't know how that was involved, then if that person's still around, you go interview them. In cold case, we ended up doing a bunch of traveling to where we would go do those interviews and sit down with people. I mean, being a witness to or being involved or even connecting remotely to a violent incident like that or a murder, that's called a significant emotional event. You're going to remember very specific details. I'm sure in your own life you've had that where something really significant hits you, you can remember what you were wearing, you can remember the smell, you can remember where people are standing. So we were able to just go back and redo that interview and then put that into the case file even though it was missing.

Mr. DiGiacomo (03:19:38):

And you sort of said this, but in a lot of those case files, law enforcement knows what they believe to be the story. They just don't have the witnesses to present in a courtroom to establish the crime beyond a reasonable doubt.

Dean O'Kelley (03:19:56):

Oh, no question. I would say, especially, and during my two years in investigation in the gang unit, also the two years on the RICO task force that we were involved in, we were dealing with gang-related crimes. And there were many cases where we had something happen with we knew 50 people around. There were 50 people there and you start talking to witnesses and everybody has the same statement. I heard shots, I ran, and the police stopped me for no reason. So you don't get that level of cooperation because people are afraid. People maybe think because they think gangs might be involved, they don't want to say anything. They keep it to themselves, and they live with the fact that they didn't help.

(03:20:46)
But then with cold case, we were able to come back to some of these older cases where now that young gang member that might have had 7% body fat back then and was in his prime and was scary is now an older toothless bulldog that's resting in the shade. So people were not afraid to now come forward and say, "Yeah, I was there. I saw it. I know exactly who did it, and I can prove it." So we were able to solve some cases like that, which was good.

Mr. DiGiacomo (03:21:18):

And you even mentioned a situation where you read through the file, you're like, I know who did it. You flew to Toledo and he confessed.

Dean O'Kelley (03:21:29):

Correct.

Mr. DiGiacomo (03:21:30):

And that can happen in cold cases as well.

Dean O'Kelley (03:21:33):

Yes, it does, thankfully.

Mr. DiGiacomo (03:21:35):

Nothing further.

The Judge (03:21:36):

Mr. DiGiacomo, are you moving to admit Exhibits 129A through G?

Mr. DiGiacomo (03:21:40):

I was. I was going to have her mark them first before I offer them.

The Judge (03:21:44):

Okay. Was there an objection to the admission of them?

Mr. DiGiacomo (03:21:46):

No, Your Honor.

The Judge (03:21:46):

Okay. They will be admitted and you may mark them. Jessica. And Mr. Sanft, further questions? Okay.

Michael Sanft (03:21:55):

Sorry, I thought I was done with it before.

Dean O'Kelley (03:21:57):

No worries.

Michael Sanft (03:21:58):

So with regards to this incident, I want to make sure I'm clear here. You thought you had a suspect. What did you do? Send him a letter and say you need to confess to this crime? I mean, how did that work out with the thing that happened in Toledo?

Dean O'Kelley (03:22:13):

Oh, in Toledo?

Michael Sanft (03:22:14):

Yeah.

Dean O'Kelley (03:22:14):

We had put together enough of the case to know with every bit of confidence that it was him, even to the point where we were able to author an arrest warrant for him. And then we were in contact with the correctional facility that he was in custody and let them know that we wanted to come out. They actually approached him to let him know that detectives from Las Vegas want to come out and speak with you. And he agreed, right? And he's sitting in custody for serving life for actually killing two people, a child and the child's father. And so I think probably just for entertainment value alone, he agreed to talk to us and we were able to come out there, sit down with him. They pulled him out of his cell obviously and away from the rest of the inmates. And we talked to him for a couple hours before lunch, and then we broke for lunch, and then after lunch he told us he did.

Michael Sanft (03:23:16):

So you put together information here in Las Vegas, that was all corroborated, right? I mean, you had information, you had evidence that you were putting together, right?

Dean O'Kelley (03:23:24):

Correct.

Michael Sanft (03:23:24):

And all that evidence pointed towards this particular person.

Dean O'Kelley (03:23:27):

It did.

Michael Sanft (03:23:28):

And then at some point you said, "We just don't have enough. We would want to hear from this guy himself." And that's when you went out to Toledo to confront him on it?

Dean O'Kelley (03:23:36):

I think that we would've been able to get a conviction without him telling us that he did it, but why not? I mean, if we went there and he said, "[inaudible 03:23:50], I'm not going to tell you. You flew all the way out here, and now I'm not going to tell you that I did it." I mean, we still would've gone forward, but it certainly bolsters the case to have him say, "Yes, I did it."

Dean O'Kelley (03:24:00):

... the case to have him say, "Yes, I did it, and this is what I did before and after," which is what he was able to do.

Michael Sanft (03:24:07):

Right. So in the case you were developing, you had corroborating evidence here in Las Vegas? Yes. And this was just the final cherry on top to actually hear him say the words that, "Yeah, I did it." Agreed. Now, the corroborating evidence you had here though was your investigation, I would assume that it had some physical evidence, witnesses, that kind of thing to it?

Dean O'Kelley (03:24:28):

It did.

Michael Sanft (03:24:29):

Okay. And your testimony here right now is literally you don't necessarily even need his confession. You could have just done it without.

Dean O'Kelley (03:24:38):

Yes.

Michael Sanft (03:24:40):

Now, in addition to that, obviously if you didn't have those things, you suspected somebody, but you don't have DNA, you don't have fingerprints, you don't have an eyewitness, you don't have surveillance video, you don't have anything at all that would tie that person to whatever the crime you believe has occurred, that would mean at that particular point you don't have it, right?

Dean O'Kelley (03:25:03):

I would agree with that.

Michael Sanft (03:25:04):

Now, in addition to that, your testimony here is, and I want to make sure I'm clear, you were a gang person before, and those field interview cards would be helpful if you were looking into a potential crime where someone is accused of the crime, like look at those field interview cards, right?

Dean O'Kelley (03:25:22):

Field interview cards are very valuable. I worked bike patrol for the gang unit and we filled out probably more FI cards, field interview cards, than a lot of the gang detectives did. They got me voluntold to test for gangs. And so yeah, field interview cards are very, very valuable piece of information because you're contacting somebody in a non-threatening, non-arrest, non-custodial environment, and they're telling you, they're giving you information that you're able to document.

Michael Sanft (03:25:53):

And if you could explain to the jury a little bit what a field interview card is.

Dean O'Kelley (03:25:58):

So I was talking about that stop that we were on before the code red was called. So we were talking to some gang members that were gathered out in a neighborhood that we were familiar with, with gang members that we were familiar with. And so each time they're contacted, we would do a field interview card, little small three by five card. This is a rights card, but just like this, it's white. And it has all of their pertinent information, name, date of birth, height, weight, eye color, all those things, where you're contacting them. And there's a narrative portion on the back. And mostly gang members in that type of environment would say, "Yeah, hey, I'm 18th Street. I'm like," whatever, "for life. I'm 18th Street for life." So you document that. That's 18th Street for life because that's maintained in what you've heard, the gang file for a period of time until that person says, "No, I don't affiliate with them. I'm not doing that anymore. I'm away from it." And then if that stays consistent for a certain amount of time, then that person's no longer in the gang file.

Michael Sanft (03:27:10):

Is it every time that that person comes in contact with law enforcement that a new card is generated because it's a physical thing?

Dean O'Kelley (03:27:17):

A new card is... Well, I always did it. It documented my stop. It documented my activity. It documented our work. Plus it starts the time clock every time. So every time that person admits, every time that person's in the company of other known gang members, and then it starts that time clock so that they stay in the gang file until that time expires. So you want the clock to continue to start over.

Michael Sanft (03:27:48):

Okay. And just one last question, and I hate hammering the heck out of this report stuff, but in terms of the example that was given to you by the state, they said, "Well, if you retire and then you go into cold case, you can continue on with the investigation if it's a cold case," right?

Dean O'Kelley (03:28:05):

I would. Yeah, definitely.

Michael Sanft (03:28:08):

How about the district attorney's office? You're an investigator with district attorney's office. Does the district attorney's office have a cold case team?

Dean O'Kelley (03:28:17):

We didn't have anybody assigned to us. At the time... Because I left in '23, January of '23. At the time, we didn't have anybody that was catching our cold cases specifically, so I couldn't tell you one way or the other.

Michael Sanft (03:28:30):

Right. So you are testifying that Metro has a cold case unit to which if you are a detective with homicide and you want to take a case with you, you could have done that, right?

Dean O'Kelley (03:28:38):

Certainly.

Michael Sanft (03:28:38):

But with regards to taking your case as a homicide detective and now working for the district attorney's office, that's not how that typically works, right?

Dean O'Kelley (03:28:49):

I wouldn't know how they function with it because I know we would put a case file together and we submit that case that gets approved by the DA's office and that the district attorney may recognize certain things that need to be cleaned up or need to be followed up on that maybe wouldn't come back to the detective in homicide. Because keep in mind, if we're working a big case, we're still catching new cases. You don't catch a big case and then all of a sudden, time out. I get to do this, work this case. You're still catching new cases. We worked one weekend in 2003 where we had six murders in one weekend. So you're up going into the weekend and up on rotation coming out of the weekend because everybody, all the teams caught a case.

Michael Sanft (03:29:36):

And so just for the jury so they understand. Metro is the police department, they do investigations.

Dean O'Kelley (03:29:42):

Correct.

Michael Sanft (03:29:44):

Once you're done with investigation, you develop a suspect, you then submit that request to the DA's office and the district attorney's office for prosecution.

Dean O'Kelley (03:29:52):

Correct.

Michael Sanft (03:29:53):

The district attorney's office, on the other hand, do not have investigators that initiate cases to be charged, right?

Dean O'Kelley (03:30:01):

I don't know how the DA's investigators run their... I know I had contact with them multiple times over the years because now we've involved the DA's office in what we've produced because we seek the truth. DA's office seeks justice. But I know there may be some incidental things that come up that an investigator will handle rather than taking it back to the homicide detective for follow up.

Michael Sanft (03:30:29):

In your experience throughout law enforcement, even up to currently, have you ever seen an investigator or the Clark County District Attorney's Office be the primary officer on a case?

Dean O'Kelley (03:30:42):

No.

Michael Sanft (03:30:43):

No further questions. Thank you, Your Honor.

Judge Carli Kierny (03:30:44):

Anything further, Mr. DiGiacomo?

Marc DiGiacomo (03:30:44):

No.

Judge Carli Kierny (03:31:44):

Any questions from the jury? We do have at least one. Can I have the parties approach? Looks like we only have one. All right. Question from our jurors. There are eight cones, but only seven glass bottles in evidence. Was there another bullet not accounted for in the envelopes or were there only seven cases located on scene?

Dean O'Kelley (03:31:59):

Good question. So the cone that was closest in the picture at the... If you remember, I said that was a bullet fragment. So underneath that cone was just a piece of a bullet, mostly just the lead. And so the bullet fragment plus the seven cases.

Judge Carli Kierny (03:32:17):

Any follow-up questions based on that, Mr. DiGiacomo?

Marc DiGiacomo (03:32:19):

Yes. Detective, you opened the seven casings, correct?

Dean O'Kelley (03:32:23):

Yes.

Marc DiGiacomo (03:32:24):

All right. I'm showing you what's been marked as State's Proposed Exhibit number 130. These appear to be all the bullets and fragments that were collected by Dan Ford.

Dean O'Kelley (03:32:35):

That's correct. They were also listed on the evidence inventory that I've seen a copy of. I recognize the handwriting and initial and P number for Dan Ford.

Marc DiGiacomo (03:32:45):

Thank you. Once again, there's also a blue stripe on here. I'm not going to open this one. There's also a blue stripe on here indicating that they were forensically tested as well.

Dean O'Kelley (03:32:58):

Yes.

Marc DiGiacomo (03:33:04):

Judge, I'll move to admit 130.

Judge Carli Kierny (03:33:05):

Any objection?

Michael Sanft (03:33:06):

No objection, Your Honor.

Judge Carli Kierny (03:33:08):

Okay. Any other questions that you have?

Marc DiGiacomo (03:33:13):

None.

Judge Carli Kierny (03:33:14):

Mr. Sanft, questions on this question section?

Michael Sanft (03:33:17):

No, Your Honor.

Judge Carli Kierny (03:33:18):

Okay, perfect. All right. You are free to go.

Dean O'Kelley (03:33:20):

Thank you, Your Honor.

Judge Carli Kierny (03:33:24):

Ladies and gentlemen of the jury, at this time, we are going to take our lunch break. During this recess, you are admonished not to talk or converse amongst yourselves or with anyone else on any subject connected to the trial or read, watch, or listen to any report of or commentary on the trial of any person connected with this case by [inaudible 03:33:38] of information, including without limitation, newspaper, television, the internet, and radio, or form or express any opinion on any subject connected with the trial until the case is submitted to you. We'll be in recess until 1:45. Please rise for the jury. So 1:45, guys. All right. Jury has exited. Anything we need to address outside the presence?

Marc DiGiacomo (03:34:28):

No, Your Honor.

Binu Palal (03:34:28):

Not from the state, Judge.

Judge Carli Kierny (03:34:29):

We'll be in recess. Thanks, guys. We're back on record in State versus Davis, which is C377407. Is there anything we need to address outside the presence before we bring the jury back in?

Marc DiGiacomo (03:36:17):

No, Your Honor.

Binu Palal (03:36:17):

No, Your Honor.

Judge Carli Kierny (03:36:18):

Okay. Sounds good. Let's bring the jury in. Please rise for the jury, guys.

Marc DiGiacomo (03:36:30):

Okay. The funny thing is, if you stand up, I think one of these screens [inaudible 03:36:35]

Judge Carli Kierny (03:36:32):

Do the parties stipulate to the presence of the jury?

Marc DiGiacomo (03:36:32):

Yes, Your Honor.

Binu Palal (03:36:32):

Yes, Your Honor.

Judge Carli Kierny (03:38:42):

You may be seated. All right. Welcome back from lunch, ladies and gentlemen. We're still in the state's case in chief. State, who's your next witness?

Binu Palal (03:38:48):

James McDonald.

Judge Carli Kierny (03:38:52):

McDonald or McConnell? McDonald. You do solemnly swear the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

James McDonald (03:39:50):

Yes.

Judge Carli Kierny (03:39:51):

You say be seated. May I please have you state and spell your first and last name for the record?

James McDonald (03:40:03):

James McDonald. J-A-M-E-S M-C-D-O-N-A-L-D.

Judge Carli Kierny (03:40:08):

Thank you, Mr. McDonald. Mr. Palal, whenever you're ready.

Binu Palal (03:40:11):

Thank you, Your Honor. Mr. McDonald, it's fair to say that you're here because of a court order. Is that right?

James McDonald (03:40:16):

Correct.

Binu Palal (03:40:17):

That you didn't volunteer to come or anything like that?

James McDonald (03:40:19):

Not at all.

Binu Palal (03:40:22):

Okay. But you were instructed by a court that you had to attend?

James McDonald (03:40:27):

Yes.

Binu Palal (03:40:28):

Okay. I want to ask you about September 7th, 1996. Were you at Club 662?

James McDonald (03:40:34):

Yes.

Binu Palal (03:40:35):

What was Club 662?

James McDonald (03:40:37):

It was a club that Suge bought and we operated it. When he opened, I was head of security through the neighborhood. Just a place to go and hang out.

Binu Palal (03:40:52):

Did the number 662 mean anything?

James McDonald (03:40:57):

Well, to the new guys, that was part of our neighborhood, 662. MOB.

Binu Palal (03:41:03):

Okay. MOB. And when you say MOB, there used to be before Apple iPhones and those types of things. When you had to have to have landlines and you pressed numbers.

James McDonald (03:41:17):

662, yeah.

Binu Palal (03:41:18):

662. There would be letters under those numbers and M and O would be under six. Is that right?

James McDonald (03:41:24):

Correct. Correct.

Binu Palal (03:41:24):

And B would be under two?

James McDonald (03:41:25):

Yes.

Binu Palal (03:41:25):

So 662 would be MOB?

James McDonald (03:41:25):

Yes.

Binu Palal (03:41:34):

Okay. When you talk about Suge, are you talking about Suge Knight?

James McDonald (03:41:36):

Yes, sir.

Binu Palal (03:41:37):

How do you know Suge?

James McDonald (03:41:39):

He lived in my neighborhood.

Binu Palal (03:41:42):

And is that in Compton?

James McDonald (03:41:43):

Yes.

Binu Palal (03:41:43):

Okay. When you were at Club 662, you said you were head of security.

James McDonald (03:41:50):

Yes.

Binu Palal (03:41:51):

Was somebody by the name of Reggie Wright Jr. there with you?

James McDonald (03:41:56):

Not at that time.

Binu Palal (03:41:56):

No?

James McDonald (03:41:57):

No.

Binu Palal (03:41:58):

When was he with you?

James McDonald (03:42:00):

I got out of prison in 1988. Suge came and got me in 1988, like four days from coming home. Started another company, Burn Hill Records. Then Death Row Records came. Soon as Death Row was launched, Reggie came a few months after that.

Binu Palal (03:42:25):

Okay. So we're talking about the start of Death Row Records. Reggie wasn't part of Death Row Records initially, but you were?

James McDonald (03:42:33):

Yes.

Binu Palal (03:42:33):

And then Suge Knight, was he the boss of Death Row Records?

James McDonald (03:42:39):

Yes.

Binu Palal (03:42:42):

Okay. Was Suge from the same neighborhood?

James McDonald (03:42:43):

From the MOB?

Binu Palal (03:42:44):

Yeah.

James McDonald (03:42:47):

I wouldn't say Suge was... He was guilty by association.

Binu Palal (03:42:52):

Okay.

James McDonald (03:42:53):

He wasn't from the neighborhood. He lived in the neighborhood. We looked at him as somebody from the neighborhood. When he started Death Row and started to recruit us, then yes, he from the hood.

Binu Palal (03:43:13):

So I guess there's a difference between living on a certain street versus being from the hood.

James McDonald (03:43:21):

Yes.

Binu Palal (03:43:22):

And how would you describe that difference?

James McDonald (03:43:26):

I look at it, you have three different type of friends in the neighborhood. You got gang members, you got gang bangers, and you got men that just guilty by association from living in that area.

Binu Palal (03:43:42):

Okay. And can you tell me what the difference between a gang member and a gang banger is?

James McDonald (03:43:47):

A gang member hangs out. A gang banger handles his business, put in work, do what the gang do.

Binu Palal (03:43:59):

And what was your role with Death Row?

James McDonald (03:44:05):

I was the guy that if something happened, Suge would have you take care of that. Like Snoop Dogg trial, there was issues up there. I was sent up there to make sure those problems didn't happen again.

Binu Palal (03:44:24):

And are those problems, and I'm not asking you to get into specifics, but are those problems meaning issues with other people who might be gang-banging or might be trying to threaten folks, that type of thing?

James McDonald (03:44:36):

Correct. Yes.

Binu Palal (03:44:37):

And you were somebody that Suge relied on to be able to protect his roster of music artists and other things like that?

James McDonald (03:44:46):

Correct.

Binu Palal (03:44:48):

And after you were asked to help out with Snoop, did Snoop have any other problems?

James McDonald (03:44:54):

No. He didn't have one issue at court.

Binu Palal (03:44:57):

Now, I'm going to ask you fast forward a little bit to... Were you familiar with the South Side Compton Crips?

James McDonald (03:45:06):

Yes.

Binu Palal (03:45:08):

Would you say they were somebody you were in alliance with or a rivalry with?

James McDonald (03:45:11):

Rival.

Binu Palal (03:45:11):

Okay. And would sometimes that rivalry get violent?

James McDonald (03:45:19):

Anytime you're dealing with the gang life, it's going to be violent at any given time.

Binu Palal (03:45:26):

Are you familiar with somebody who went by the name of Tupac Shakur?

James McDonald (03:45:31):

Yes.

Binu Palal (03:45:31):

How are you familiar with Tupac?

James McDonald (03:45:33):

He was assigned to Death Row.

Binu Palal (03:45:35):

And when he was signed with Death Row, would he also hang out with you guys?

James McDonald (03:45:43):

He hung with my brother then. Yeah. Not me.

Binu Palal (03:45:46):

Who was your brother?

James McDonald (03:45:48):

Alton McDonald. Buntry [inaudible 03:45:50].

Binu Palal (03:45:50):

He went by Buntry?

James McDonald (03:45:50):

Yes.

Binu Palal (03:45:53):

Okay. Now, during this time, is it fair to say that Mr. Shakur had an issue with rappers from the East Coast?

James McDonald (03:46:03):

I think Tupac inherit the beef between Suge Knight and Puffy.

Binu Palal (03:46:08):

Okay. That was your perspective of it then?

James McDonald (03:46:10):

That's all it was. And we all fell... Some of us fell victim to it because we allowed ourselves to be a part of the BS, should I say. And that was a situation between record companies, not gangs. So technically it wasn't our business. But when you had 20 men just fresh out of prison and didn't have a way of getting the things they wanted, getting a paycheck from Suge, we did almost anything and everything to get that paycheck.

Binu Palal (03:46:53):

Now, was there another gang that was associated with Bad Boy Records, the East Coast Record Company that Puffy had?

James McDonald (03:47:01):

The only one I know of is South Side.

Binu Palal (03:47:04):

Okay. And did that escalate the tension between Mob Piru and South Side?

James McDonald (03:47:13):

At the time, there was no at war. It was peace. And when the two record companies got into it, Bad Boy went to [inaudible 03:47:24] and Suge came to us. So that intertwined everything. Yes, we had issues.

Binu Palal (03:47:36):

Do you recall any instances that you were at where those issues manifested in itself in terms of violence?

James McDonald (03:47:44):

Are you serious? Don't ask me that right here. I can say that on both sides, when each neighborhood met each other, there was a lot of tension. I'd say that.

Binu Palal (03:48:05):

Okay. Now I want to talk a little bit about September 7th, 1996. Were you in Las Vegas on September 7th of 1996?

James McDonald (03:48:19):

Yes.

Binu Palal (03:48:20):

Why were you in Las Vegas?

James McDonald (03:48:22):

To run the security at 662. We were having issues with individuals that said that they were coming for whatever reason they was coming for and to come to 662. My job was to not let that happen.

Binu Palal (03:48:41):

Similar to the kind of security you were asked to apply in the whole Snoop Dogg situation.

James McDonald (03:48:50):

It didn't have nothing to do with Snoop Dogg. Everybody came. Well, Suge and Buntry [inaudible 03:48:57], his entourage, everybody went for the fight. My job and all of my people were there to make sure nothing funny happened at 662. So we were the fall guys. So if something happened, we was the one that's going to go to jail for it, prepared to do that. So nobody else was going to come up there and disrupt it in that manner. But if anybody remembered that night, it was so many Metro and everybody there. No, neither side could have did anything. So it was calm. It was peaceful.

Binu Palal (03:49:36):

So when you say there's so much Metro there, are you talking about so much Metro at Club 662?

James McDonald (03:49:40):

It was police all over the place.

Binu Palal (03:49:43):

Okay. Now you said you were there to be on the lookout for something. What were you-

James McDonald (03:49:48):

I never said I was on the lookout for nothing.

Binu Palal (03:49:50):

I apologize. You were there in order to ensure there weren't any problems. Is that fair?

James McDonald (03:49:58):

Yeah, to make sure everything was good.

Binu Palal (03:50:00):

And because you had heard there might be some issues.

James McDonald (03:50:02):

Correct.

Binu Palal (03:50:03):

And what were the issues that you were concerned about?

James McDonald (03:50:06):

Individuals coming up there, creating an issue we was having with different sides of... With Crips, period.

Binu Palal (03:50:18):

So you were worried about Crips? Not worried, I'm sorry. You were there providing security to ensure that Crips did not initiate any violence at Club 662?

James McDonald (03:50:29):

That nothing would happen.

Binu Palal (03:50:30):

Okay.

James McDonald (03:50:31):

Period.

Binu Palal (03:50:32):

Okay. And then when you were there, was Reggie Wright Jr. with you that night at September 7th, 1996 at Club 662?

James McDonald (03:50:43):

Yes.

Binu Palal (03:50:44):

What was Reggie doing there?

James McDonald (03:50:45):

Reggie's job was to watch me and make sure I don't get in trouble. Everybody knew how I was. So Reggie, everybody else went to the fights. Reggie was there to watch me with the people that was there.

Binu Palal (03:51:01):

Okay. And I'm guessing that you were not the only person there making sure there wasn't any problems at Club 662.

James McDonald (03:51:09):

I'm positive it was 30, 40 Pirus there.

Binu Palal (03:51:13):

And again, that was to make sure that there wasn't any violence that occurred at Club 662.

James McDonald (03:51:18):

Right.

Binu Palal (03:51:22):

When at some point that night, do you learn that Tupac or Suge had been shot?

James McDonald (03:51:30):

That night, yes.

Binu Palal (03:51:32):

Can you tell me how you learned about that?

James McDonald (03:51:33):

Well, people was coming back and was explaining that Tupac and Suge just got shot. Everybody was in a roar. A lot of people started leaving, trying to get over there on Cobalt. We couldn't leave because we getting paid to do this here. It wasn't too long after people started coming back. Heron came back and went to the hospital. The majority of the people was leaving and then coming back because that night they said Tupac was going to be all right. And even Suge came back with a little bandage on his head. And we thought everything was good. People kept partying.

Binu Palal (03:52:19):

And when Suge came back, you said he had a bandage on his head, but he-

James McDonald (03:52:24):

I mean, the dude said he got shot, but he was grazed, a little scar, a little scar, but nothing penetrated.

Binu Palal (03:52:33):

Some people would describe being shot in the head even slightly-

James McDonald (03:52:42):

Well, he described it as that. I mean, he was wrong to.

Binu Palal (03:52:44):

All right. So when you find out... Well, let me ask you this. Was Reggie with you when you found out that Tupac and Suge were shot?

James McDonald (03:52:54):

Yes.

Binu Palal (03:52:54):

And did it appear to you in any way that Reggie Wright Jr. was coordinating the murder of Tupac Shakur?

James McDonald (03:53:03):

Impossible.

Binu Palal (03:53:09):

And I say this because you're aware that there have been some conspiracy theories that Reggie Wright Jr. is responsible for the murder of Tupac.

James McDonald (03:53:16):

And it's so not true. His father was implicated and his father had something to do with it. Reggie Wright used to be a police officer. And here again, I've been knowing Reggie Wright over 50 years. His daddy as a police officer patrolling my neighborhood. He done took me to jail many times when I messed up. If Reggie killed Tupac, then Death Row is over with. Tupac was the money source. Tupac was that guy at Death Row. So Reggie would've had a problem if he would've did that. And Suge, I truly believe Suge would've opened his mouth if Reggie betrayed him like that. So people say what they want to say.

Binu Palal (03:54:14):

After that night, do you stick around in Las Vegas or do you go back to Compton?

James McDonald (03:54:21):

Well, I stayed in Vegas and we left that morning because we knew we was going to have neighborhood issues and everybody left and went back to Compton.

Binu Palal (03:54:34):

Why were you thinking you might have neighborhood issues?

James McDonald (03:54:36):

Well, you asking me some... The issues that we was having was heating and Compton was on fire at the time and things were happening. And me personally, staying in Vegas wasn't worth it. That man in the hospital, it's time to go and protect your home front and be prepared for whatever happened there. You know what I'm saying? The other side was being prepared and was prepared to do things because Orlando got beat up in there and that's something you don't tolerate. So you was going to get some repercussion from that and everything else that was going on. So living this life, you got to be ready. If you not, you might as well just lay down.

Binu Palal (03:55:32):

Now, you weren't there for the beating of Orlando Anderson at the MGM, were you?

James McDonald (03:55:40):

No, I wasn't.

Binu Palal (03:55:41):

Like we talked earlier, you were at 662?

James McDonald (03:55:45):

Yeah.

Binu Palal (03:55:47):

But are you aware of why Orlando was targeted?

James McDonald (03:56:00):

I'm aware of a lot of things. Things that was going on. People ain't talked about it in 30 years. Today ain't one of them. I don't mean to be funny, but here's the thing. A lot of things happened that night. A lot of things happened weeks and weeks after that night. Me or anybody else bringing up the dead is wrong. A lot of people got hurt behind this situation in itself. Living a life and how we lived in Compton is one thing. You bring back all of the guys that made it, like me, I'm 61 years old now, to rehash and relive this situation again. I told every attorney in here that tried to get me to come here, "You better treat me as a hostile witness." And I think that's where I'm about to go now because you're asking me questions. I can't answer those questions.

Binu Palal (03:57:13):

Okay. Well, let me ask you this then. I'm not going to speak on Orlando. Let me ask you something about yourself. There was a rumor that Tupac had knocked you out one time.

James McDonald (03:57:24):

I would have killed him.

Binu Palal (03:57:25):

That would've been your response if that happened.

James McDonald (03:57:27):

Yeah. I'm being honest with you and everybody else. I said it on my podcast show. Him, Suge, and my brother, I'd have shot all three of them if he touched me.

Binu Palal (03:57:38):

Why is that?

James McDonald (03:57:39):

That's how I was living.

Binu Palal (03:57:39):

Why is that?

James McDonald (03:57:40):

That's what I was back then.

Binu Palal (03:57:41):

And so is it fair to say that your reputation and your standing in the neighborhood would require you to do something if you're going to get pumped by somebody like Tupac?

James McDonald (03:57:52):

You don't have a choice of it.

Marc DiGiacomo (03:57:53):

Objection, Your Honor. [inaudible 03:57:54]

James McDonald (03:57:53):

Or you can't be there.

Judge Carli Kierny (03:57:56):

Overruled.

Binu Palal (03:57:57):

I'm sorry. I'm sorry. We're doing some side talking.

James McDonald (03:58:00):

Oh, my bad.

Binu Palal (03:58:01):

No, that's my fault. I asked-

Binu Palal (03:58:01):

No, that's my fault. I asked that being in the life that you were, if somebody like Tupac is punking you by punching you in the face, something like that, you would have to retaliate or you would lose your place in the neighborhood.

James McDonald (03:58:17):

You would have to go back home and fight everybody that called you a punk. You would have to go. There's some rules that you roll with and some rules you just got to handle. Certain things need to be dealt with, adjusted living that life. And when I was living that life, it wasn't no if, ands, or buts. It wasn't no, oh, you get a pass. No, I would have shot him, to be honest.

Binu Palal (03:58:47):

So then you had mentioned... I'm not going to ask you to go into any specifics, but you had mentioned that after what happened here in Las Vegas, there were issues between the neighborhoods. How long did that last for? Was it like, all right, one day we're good, everything's done? Or did it last for longer than that?

James McDonald (03:59:05):

No, it was catching the air for quite a long time until I guess both sides, and he might agree, just said, "Let that shit go." Because it really wasn't our beef. This was between Suge Knight and Keffe D. And people put themselves in situations like myself. I'm guilty as everybody else. Like myself, I put myself in a situation to protect something and somebody that didn't have nothing to do with me. I did it for a paycheck. I did it also just because, I'm older now. I get it. But we did things for all the wrong reasons at that time in them days.

Michael Sanft (04:00:00):

Court's indulgence.

Binu Palal (04:00:08):

Your Honor, state will pass the witness.

Judge Carli Kierny (04:00:10):

Okay. Cross-examination, Mr. [inaudible 04:00:13].

Michael Sanft (04:00:12):

Sir, have you ever met me?

James McDonald (04:00:20):

Excuse me?

Michael Sanft (04:00:20):

Have you ever met before?

James McDonald (04:00:20):

No.

Michael Sanft (04:00:20):

Have you ever spoken to the district attorneys prior to your testimony here today?

James McDonald (04:00:24):

Once.

Michael Sanft (04:00:26):

And is that what you're referring to as the time that you told them like, "Hey, any attorney here better treat me as hostile because..."

James McDonald (04:00:34):

Yeah, I told them, I didn't have nothing to do with it.

Michael Sanft (04:00:38):

Now, a couple questions for you, sir. And this is more for clarification. So on the night of the murder, you were working as the head of security for 662?

James McDonald (04:00:49):

Yes.

Michael Sanft (04:00:50):

Explain for us a little bit about the club. Was that Suge's club or was it somebody else's club?

James McDonald (04:00:57):

Suge, to my understanding.

Michael Sanft (04:00:57):

Okay. And when you were there as head of security, were you there... Had you worked there as head of security prior to this particular night?

James McDonald (04:01:07):

We did an event there once before. Yeah, same thing.

Michael Sanft (04:01:11):

Okay. And on this particular night, was this an event, like some type of fundraiser or something for police officers or anything like that? Do you recall what the event was for?

James McDonald (04:01:23):

No, we wouldn't have been there.

Michael Sanft (04:01:24):

Okay.

James McDonald (04:01:24):

No.

Michael Sanft (04:01:26):

What was the reason for the event?

James McDonald (04:01:28):

It was Mike Tyson fight. Tyson was coming back. Tupac was supposed to perform like other people, and we was there for that.

Michael Sanft (04:01:37):

Okay. Can you describe for us how big the club is so that we can...

James McDonald (04:01:40):

30 years ago, a little bit bigger than this room.

Michael Sanft (04:01:46):

So it's relatively, it's not like a two story-

James McDonald (04:01:50):

No, it's small.

Michael Sanft (04:01:52):

All right. And in terms of the club itself, you were there and you were sharing with us that there were other people that were there.

James McDonald (04:01:59):

Yes.

Michael Sanft (04:02:01):

Law enforcement as well as, I don't know, people from your side of town.

James McDonald (04:02:06):

Oh, law enforcement was outside. The Metro would say, "Why are y'all putting words in my mouth?"

Michael Sanft (04:02:12):

Sure.

James McDonald (04:02:12):

They were outside. We were on the inside. Wasn't no law enforcement mingling with us.

Michael Sanft (04:02:22):

So as far as you know, law enforcement wasn't hired by Reggie Wright to provide additional security?

James McDonald (04:02:27):

No, this was Metro posted up all over the place.

Michael Sanft (04:02:31):

And so they were there specifically just to like what, harass or just send a warning or what?

James McDonald (04:02:37):

No, they were there... When you have events in Las Vegas, everybody know. You going to see Metro here, here, every block.

Michael Sanft (04:02:44):

Yeah.

James McDonald (04:02:44):

They was posted up, which they do all the time.

Michael Sanft (04:02:48):

But you're telling me that as head of security, you do not know or you don't believe that Reggie Wright hired the Metro officers to come in?

James McDonald (04:02:56):

I know for a fact he didn't hire the Metro Police.

Michael Sanft (04:03:01):

Okay. Do you know how many people were on the payroll that night from your security team?

James McDonald (04:03:07):

Well, y'all do paperwork different than we did. Our paperwork was getting cash money. Our paperwork was what they call under the table. We had at least 30, 40 of my homeboys there. Reggie Wright Jr. and his security, his company, the people who worked for him didn't have nothing to do with what Suge paid us for working. So that was two different entities. Reggie and Suge. The homies was there for Suge Knight. Reggie Wright hired his company to watch over Suge Knight people. So his security did the right thing. My security did what they ain't going to do. You get what I'm saying?

Michael Sanft (04:04:02):

I get it.

James McDonald (04:04:03):

The police going to walk you out of there. We going to drag you out of there. So it was a difference, but not on the same paper.

Michael Sanft (04:04:11):

Sure. And once again, the intent was to protect 662, right? To protect the club, protect the patrons that were going to go there, that kind of thing.

James McDonald (04:04:18):

Yeah.

Michael Sanft (04:04:21):

Okay. Now, in terms of your knowledge of what happened on that night, fair to say you weren't present when the shots had run out?

James McDonald (04:04:29):

No, I wasn't there.

Michael Sanft (04:04:30):

Okay. And your testimony is that you had heard from other people initially that, hey, Tupac had been shot.

James McDonald (04:04:36):

Yes.

Michael Sanft (04:04:37):

And you had thought maybe other people were maybe relieved thinking like, okay, it's not that big of a deal. He's going to be okay.

James McDonald (04:04:44):

That's what came back to 662. People that went to the scene and everybody said Tupac was talking. So everybody came back to the club saying he going to be all right. So people just went back to mingling.

Michael Sanft (04:05:02):

Right. Now in terms of that night, you go back to Compton. You live in Compton?

James McDonald (04:05:10):

Yes.

Michael Sanft (04:05:11):

You still live in Compton?

James McDonald (04:05:12):

No.

Michael Sanft (04:05:13):

At the time you live in Compton, you go back to Compton and you tell us that there was a lot of tension. Can you describe that for us when you went back in terms of what kind of tension we're talking about?

James McDonald (04:05:27):

You sure you want me to answer that?

Michael Sanft (04:05:30):

Is it going to be graphic?

James McDonald (04:05:31):

No, I got to raise the wording, but you asked me a question and what I explained to them. I don't want to send him to prison.

Michael Sanft (04:05:42):

Sure.

James McDonald (04:05:42):

Even though we don't like each other.

Michael Sanft (04:05:44):

Sure.

James McDonald (04:05:45):

I don't want to send you to prison. So that's why I'm here where I'm at and the way I am, because I changed my life. I'm raising my grandkids. I'm teaching them never to be like they papa. And here I am explaining to people what I used to be. And I'm not proud of that. I'm not proud of that at all. And you asking me questions that can hurt him. And like I told them, I'm trying to avoid to answer the questions that they might look at me and say, "Something is wrong."

Michael Sanft (04:06:26):

Well, let me put it this way. Let me help you with this.

James McDonald (04:06:28):

Thank you.

Michael Sanft (04:06:30):

So these people right here, what they want to know from you is did you see who shot Tupac?

James McDonald (04:06:36):

I told you no.

Michael Sanft (04:06:38):

Correct. So outside of that question, right? The next question I'm asking you is when you went back to Compton, was it like a Southside crib that shoots a pirate of blood and then a pirate blood shoots a south side crib? Is that the tension that we're talking about?

James McDonald (04:06:58):

Do I answer this?

Michael Sanft (04:06:59):

That's a straightforward question. That's a yes or no answer.

James McDonald (04:07:03):

Okay.

Michael Sanft (04:07:03):

Did you see that?

James McDonald (04:07:04):

When I was a part of that life. I was a part of that. No, because you asking something that's going to hurt this dude. Okay. Let me stop.

Michael Sanft (04:07:17):

And once again, I want to emphasize-

James McDonald (04:07:19):

When we got back to Compton, it was a gang war. People were getting hurt.

Michael Sanft (04:07:28):

Okay.

James McDonald (04:07:29):

People was being [inaudible 04:07:31]. People were looking for certain individuals from his neighborhood, as well they did mine. But Orlando, him, and certain other people were being salted because people wanted to kill them.

Michael Sanft (04:07:46):

Sure. Were they the only ones that they wanted to kill?

James McDonald (04:07:53):

They're not the only one up in here. No, they weren't the only one. It's this neighborhood in particular.

Michael Sanft (04:07:58):

That's right.

James McDonald (04:07:58):

But they were the main subjects of a gang war. It was in the middle, such as me.

Michael Sanft (04:08:04):

So you're telling us that people back home somehow had some type of information that said that that guy as a bunch of other people were involved in what?

James McDonald (04:08:15):

In the murder of Tupac.

Michael Sanft (04:08:17):

Okay. But my question to you, my question to you-

James McDonald (04:08:20):

I'm telling you, stop...

Michael Sanft (04:08:23):

Can you focus on me for a second, sir?

James McDonald (04:08:24):

Yeah, I will.

Michael Sanft (04:08:26):

And I apologize. I just want to make sure that we're clear for these people. In terms of that information, none of those people were there, right?

James McDonald (04:08:35):

What people are you speaking on? The people that was already in the neighborhood or the people that left Las Vegas that same night Tupac was shot to go home, bear they arms and go to somebody else's neighborhood to look with somebody. They had to pay it back.

Michael Sanft (04:08:52):

So once again, my question to you is that the information that I'm asking about is the people that back home, you're saying were eyewitnesses to this?

James McDonald (04:09:01):

How could people back home be eyewitness to something that happened in Vegas? No, that's not what I'm saying.

Michael Sanft (04:09:05):

The people that were here in Las... Listen to my question, sir. The people that were here in Las Vegas, you're telling me were eyewitnesses to what happened and went back home. Is that what you're telling me?

James McDonald (04:09:13):

I'm telling you the people that was at 662-

Michael Sanft (04:09:15):

Answer my question, sir. Yes or no? Is it a yes or no-

James McDonald (04:09:17):

I can't answer that without... What you call them? You trying to tell me to say something that you not going to understand if you let me explain to you.

Michael Sanft (04:09:25):

No, answer my question.

James McDonald (04:09:26):

I'm not answering nothing. I don't know what you're talking about.

Michael Sanft (04:09:31):

Okay. Okay. Mr. McDonald, focus for a second.

James McDonald (04:09:33):

No, I am focused. Very.

Michael Sanft (04:09:34):

Focus on this. My question to you is this. You didn't know what happened that night because you weren't there, right?

James McDonald (04:09:40):

I was at 662.

Michael Sanft (04:09:41):

Right. Do you know who was, that was there?

James McDonald (04:09:46):

I know everybody that was there.

Michael Sanft (04:09:48):

Okay. Like who?

James McDonald (04:09:53):

Talk to your lawyer, man. This dude is tricky. I'm not going to explain that. I can't answer that.

Michael Sanft (04:10:00):

Okay. Let me ask you this next question then. You are telling us that people back in Compton for some reason knew what happened here in Las Vegas.

James McDonald (04:10:10):

A phone conversation, people found out when people left Las Vegas the same night Tupac was shot, went straight back to Compton. It only takes two, three and a half hours to get home.

Michael Sanft (04:10:21):

Sure.

James McDonald (04:10:22):

Yes. It wasn't a problem for people to find out what happened. No problem at all.

Michael Sanft (04:10:29):

They got on their phones, they texted people, they let them know what happened here on the night of the shooting?

James McDonald (04:10:35):

Yeah. They had walkie-talkies. They had all kind of phones. They had ways to call people to say whatever. But when people left Las Vegas that same night after they found out and got in they cars and went home because it was a situation, Pac was shot. Retaliation is a mug. Come on, man. It was for real, for real. All of this was for real.

Michael Sanft (04:11:00):

Now the night of the shooting, did you have a walkie-talkie? A next fell thing or something like that?

James McDonald (04:11:06):

No.

Michael Sanft (04:11:07):

Did Reggie Wright?

James McDonald (04:11:11):

I don't know what he had. I don't know how much money he had in his pocket. I don't know what he had on his hair.

Michael Sanft (04:11:15):

But you were the head of securities, but you're telling us you did not have any [inaudible 04:11:18]?

James McDonald (04:11:19):

Wright Way Security has nothing to do with the gang banging security. Pa rules, whatever you want to call us. They had nothing to do with us. The phones that Suge had for certain individuals, they had the phones. Like the guy that was body-guarding for Tupac that night. Like some of the guys that was at the Tyson fight, like Suge Knight. Certain individuals had phones. Yes, they did.

Michael Sanft (04:11:49):

Okay. All right. I get what you're saying. You're not there, but you're saying other people were.

James McDonald (04:11:59):

Yes. I'm saying it was a lot of people there.

Michael Sanft (04:12:00):

A lot of people were there at the shooting that took place.

James McDonald (04:12:02):

That was in an entourage, yes.

Michael Sanft (04:12:07):

Let's see. Okay. Just one final question. You're here today, and I think the state had asked this question under a subpoena. You're ordered to be here today, right?

James McDonald (04:12:19):

Yes.

Michael Sanft (04:12:21):

In terms of that subpoena, for instance, that's the only reason why you're here is because of that subpoena?

James McDonald (04:12:26):

I don't have no other reason to be here.

Michael Sanft (04:12:28):

Yeah. In order for you to get that subpoena, you were served that subpoena back in California?

James McDonald (04:12:33):

Yes.

Michael Sanft (04:12:34):

By a police officer?

James McDonald (04:12:36):

I don't know. He wasn't in uniform.

Michael Sanft (04:12:38):

Okay. And that order required you to go to a court in California?

James McDonald (04:12:42):

I had to go to court and pick the bill.

Michael Sanft (04:12:44):

And then that court in California said you have to show up here.

James McDonald (04:12:47):

In that court, I cussed them out and told them, "You can't make me do nothing." And in that court, they told me that I would be in attempted court. Me raising my grandkids, I'm not going to put my grandkids in the car and move somewhere so y'all can't find me. So all that running and living a different life, I ain't doing it. So I agreed to come. And like I explained to everybody in here, you asked me something, I'm going to be honest about. You asked me something I don't want to talk about, you're going to have a problem. Treat me as a hostile witness. You're not going to talk to me and tell me as a grown man what I have to do up here. I'm not going to send him to prison. You are.

Michael Sanft (04:13:32):

So the accusation now is because of the fact that we're trying to ask you questions, you're blaming it on me.

James McDonald (04:13:38):

You're asking me questions. If I just answer your questions, we going to have a problem in here, a misunderstanding. And you're asking me something that wouldn't be good for him.

Michael Sanft (04:13:50):

Right. And once again, I just want to... Look, we are just trying to figure out who shot Tupac. You're telling us that you weren't there at the scene. That's all I want to know. At the end of the day, that's it, right?

James McDonald (04:14:01):

Was I in the entourage when Tupac got shot? No.

Michael Sanft (04:14:04):

Okay. Nothing else, right?

James McDonald (04:14:09):

I was at 662. I mean, that ain't hard. That doesn't mean... That's easy math.

Michael Sanft (04:14:15):

No further questions, Your Honor.

Judge Carli Kierny (04:14:17):

Anything further, State?

Binu Palal (04:14:18):

No, your Honor.

Judge Carli Kierny (04:14:20):

All right. Got one more phase and then we'll let you out of here.

James McDonald (04:14:23):

Okay.

Judge Carli Kierny (04:14:23):

Ladies and gentlemen of the jury, any questions for this witness? Seeing no hands. Oh, we do have one. Okay. Hang on one second. All right. I have a question for you from one of our jurors, if you can answer it. Did Reggie Wright Jr. instruct security to not have firearms the night of the fight?

James McDonald (04:15:17):

To be honest, I don't know if Reggie Wright told his people, or the police officers not to have guns, and I don't know why. He sure didn't tell us because we had ours. And that's the honest truth.

Judge Carli Kierny (04:15:32):

All right. Any follow up based on that statement?

Binu Palal (04:15:33):

No, Your Honor.

Judge Carli Kierny (04:15:33):

Defense?

Michael Sanft (04:15:35):

I just want to clarify what the witnesses said. You're telling us that you had guns that night?

James McDonald (04:15:39):

Yeah.

Michael Sanft (04:15:41):

I just want to know. But you had guns that night, right?

James McDonald (04:15:46):

Yes, we did.

Michael Sanft (04:15:46):

All right. Thank you.

Judge Carli Kierny (04:15:48):

All right. I know you didn't want to be here, but thank you for coming down.

James McDonald (04:15:54):

Okay. Can I say something?

(04:15:54)
I want to apologize to everybody, but I find this funny and truthfully. What you're going through, brother, is what you're going through. I didn't want to be a part of that, and I'm not a part of that. So I appreciate anything and I apologize to all the guys.

Judge Carli Kierny (04:16:09):

Okay. Thank you, Mr. McDonald. You are free to go. State's next witness.

Binu Palal (04:16:16):

Yes, Your Honor. State's calling Reggie Wright Jr.

Judge Carli Kierny (04:16:37):

All right. Jordan's investigating the burning smell. Anyone smelling that? The burning smell? Maybe. If anybody's smelling something burning, it's a burnt bagel from back there. So don't worry. We're all [inaudible 04:17:07]. Okay. Are we able to... Is this good?

Binu Palal (04:17:16):

I think he was leaving him like that to swear and then we'll turn him on.

Judge Carli Kierny (04:17:18):

Okay, perfect. Got it. All right. We'll have you swear him then. Mr. Wright.

Speaker 10 (04:17:21):

Raise your right hand.

Binu Palal (04:17:21):

Raise your right hand.

Speaker 10 (04:17:26):

You do solemnly swear the testimony you're about to give in this action shall be the truth, the whole truth, and nothing but the truth, so help you God?

Reginald Lilburn Wright Jr. (04:17:32):

Yes, ma'am.

Speaker 10 (04:17:33):

May I please have you state and spell your first and last name for the record?

Reginald Lilburn Wright Jr. (04:17:36):

Reginald Lilburn Wright Jr. R-E-G-I-N-A-L-D. Lilburn is L-I-L-B as in boy, U-R-N. Wright is W-R-I-G-H-T. And I'm a junior.

Speaker 10 (04:17:54):

Thank you, sir. Whenever you're ready, Mr. Paul, you may proceed.

Reginald Lilburn Wright Jr. (04:17:56):

Okay, great.

Michael Sanft (04:17:57):

Thank you.

Judge Carli Kierny (04:18:01):

You're good.

Binu Palal (04:18:32):

Good afternoon, sir.

Reginald Lilburn Wright Jr. (04:18:33):

Good afternoon, sir.

Binu Palal (04:18:34):

Do you mind if I call you Reggie?

Reginald Lilburn Wright Jr. (04:18:35):

Yeah, of course.

Binu Palal (04:18:36):

Okay. Sir, where'd you grow up?

Reginald Lilburn Wright Jr. (04:18:38):

I grew up in the city of Compton, California. I was born and raised there until about the age of 19.

Binu Palal (04:18:47):

And who is your father? Who's your father?

Reginald Lilburn Wright Jr. (04:18:50):

My father is Reginald Wright Sr.

Binu Palal (04:18:52):

And where did your father work?

Reginald Lilburn Wright Jr. (04:18:54):

He worked for the City of Compton Police Department.

Binu Palal (04:18:57):

And at some point, had he risen up the ranks of the Compton Police Department to become a lieutenant, is it, of gangs?

Reginald Lilburn Wright Jr. (04:19:04):

Eventually captain, but during most of his career was a lieutenant.

Binu Palal (04:19:11):

Did you ultimately become a police officer yourself?

Reginald Lilburn Wright Jr. (04:19:14):

Yes, sir.

Binu Palal (04:19:15):

When was that?

Reginald Lilburn Wright Jr. (04:19:16):

I was a civilian jailer from 1985 until 1989. And then I became a police officer from 1989 until I retired in 1996.

Binu Palal (04:19:28):

And why did you retire?

Reginald Lilburn Wright Jr. (04:19:29):

I received a medical retirement for a... I have vascular necrosis in my right ankle, but that's not why I'm like this. This is a result of COVID.

Binu Palal (04:19:40):

Okay. After you left the Compton PD or took your medical retirement, where did you next work?

Reginald Lilburn Wright Jr. (04:19:53):

Well, to be honest, my last year or two of being a police officer, I was employed as Death Row Security, head of security, and also had a private security company.

Binu Palal (04:20:07):

Now, was that something that was called moonlighting, that officers would moonlight when they were off duty?

Reginald Lilburn Wright Jr. (04:20:13):

Yes, sir.

Binu Palal (04:20:14):

Can you explain to us what moonlighting means when you're off duty?

Reginald Lilburn Wright Jr. (04:20:18):

Well, moonlighting is pretty much just working off duty on your off-duty hours, working for different companies. I worked for several companies. It wasn't just Death Row. I worked for trucking companies, doing security. Worked at nightclub, the Raiders Club that was inside of the Compton Hotel. Worked video shoots. Just extra money on the side for off duty.

Binu Palal (04:20:42):

Compton PD wasn't paying good?

Reginald Lilburn Wright Jr. (04:20:45):

I guess I was a little young and greedy.

Binu Palal (04:20:46):

Yeah. And then at some point you said one of the jobs that you had was moonlighting for Death Row. Is that right?

Reginald Lilburn Wright Jr. (04:20:55):

Yes, sir.

Binu Palal (04:20:56):

And can you tell us what Death Row is?

Reginald Lilburn Wright Jr. (04:20:58):

Death Row Records is a record company that was based out of Beverly Hills, California. Yeah.

Binu Palal (04:21:06):

And who ran Death Row Records at that time?

Reginald Lilburn Wright Jr. (04:21:09):

A gentleman that I actually grew up with in elementary school, junior high and high school, by the name of Marion Suge Knight.

Binu Palal (04:21:19):

And when you say Suge, is that what he would go by?

Reginald Lilburn Wright Jr. (04:21:21):

I called him Suge.

Binu Palal (04:21:25):

So after you retired, did you... Well, actually, let me take a step back. As part of your role as a police officer in Compton, were you familiar with the different neighborhoods and the members of different neighborhoods?

Reginald Lilburn Wright Jr. (04:21:41):

Yes, sir.

Binu Palal (04:21:42):

Was that part of your job, to know what areas were associated with what gangs?

Reginald Lilburn Wright Jr. (04:21:47):

Pretty much a job. And like I said, I started in like 1985, so got familiar while I was working the jail. It was something that was curious to me, being that my father was active with the gangs and it was something that was intriguing to me as well.

Binu Palal (04:22:01):

You said you grew up with Suge. Did you grow up in the same neighborhood that Suge grew up in?

Reginald Lilburn Wright Jr. (04:22:13):

Yes, about two blocks away.

Binu Palal (04:22:15):

Was that considered Mob Piru territory?

Reginald Lilburn Wright Jr. (04:22:17):

That's correct, sir.

Binu Palal (04:22:19):

So when you were growing up, were you familiar with the Mob Piru?

Reginald Lilburn Wright Jr. (04:22:22):

They came on eventually later. It was really a Lueders Park, Piru area. But then I guess when I was about in the seventh grade, which would've been like 1978, maybe a little later, 80, they started calling themselves the Mob Piru.

Binu Palal (04:22:43):

So they were Lueders Park, Piru before, and then they transitioned to being called Mob Piru.

Reginald Lilburn Wright Jr. (04:22:50):

Yeah. We pretty much divided it. Everything south of Rosecran was Mob and everything north was... Or other way around. North was Mob and South were Lueders area of Rosecran Avenue.

Binu Palal (04:23:09):

Were you familiar with a gang called the South Side Compton Crips?

Reginald Lilburn Wright Jr. (04:23:12):

Yes, sir.

Binu Palal (04:23:14):

How were you familiar with the South Side Compton Crips?

Reginald Lilburn Wright Jr. (04:23:16):

Well, growing up in the city of Compton, we all played sports together and heard of them when I was playing at Kelly Park baseball, Little League Baseball at Compton Northern. Then my time in '85 as a jailer, and then working the streets of Compton as a police officer from '89.

Binu Palal (04:23:40):

Were you familiar with somebody by name that went by the moniker Keffe D?

Reginald Lilburn Wright Jr. (04:23:45):

Well, heard of him. Had no personal interactions with him at that point, especially in law enforcement. Heard of him, knew of him, but I had no personal contact with Keffe at that time.

Binu Palal (04:23:58):

So he was somebody that was on your radar, even though you had never met him and heard any had personal interaction with him?

Reginald Lilburn Wright Jr. (04:24:03):

Heard of him. He was mainly known as a... Well, at one point he was known as a crack head, but then later on, he was known as a drug dealer. And I mainly was a gang guy and didn't really enforce on the level of narcotics he was working.

Binu Palal (04:24:22):

All right. So then you had mentioned that after you had left the Compton PD, you formed a company. Can you tell us about that?

Reginald Lilburn Wright Jr. (04:24:35):

Yes, sir. So in '94, initially I was using a private security company because I was in charge for security for Death Row called Code Four. But once I saw I was about to get retired, I opened up my own private company called Wright Way Protective Services. And that didn't really get started until about 1995. But in '94, I was using another private company.

Binu Palal (04:25:02):

Was your client just Death Row or did you do anything else?

Reginald Lilburn Wright Jr. (04:25:05):

I had a couple of clients like Honda of Pasadena, which was an automotive dealership, a dealership in Compton. They were repoing people cars and they needed a guard. But my biggest... 95% of my clientele was Death Row Records.

Binu Palal (04:25:25):

Now tell me about that. What were you doing, when you're saying your security or a security company that's working for Death Row Records or getting contracted by Death Row Records, what does that mean actually?

Reginald Lilburn Wright Jr. (04:25:38):

It grew over a time period. In '94, it was just mainly just special events. And then I have a couple of off-duty or retired police officers hanging with the artists in '94. '95, '96, it got a little bigger. Had security at the office, at the recording studios, driving Mr. Knight around. Two with Mr. Shakur, two with Snoop Dogg, Mr. [inaudible 04:26:10], and other artists when they went to promotional events like that. So I could pretty much have about 10 officers working a day.

Binu Palal (04:26:20):

And when you say 10 officers, were the people that you would contract with or work for you in this world, were they largely off-duty police officers?

Reginald Lilburn Wright Jr. (04:26:29):

Off-duty or reserves or retired.

Binu Palal (04:26:32):

And why is that?

Reginald Lilburn Wright Jr. (04:26:35):

Because they were able to carry guns concealed, whereas not exposed. We had exposed officers at the studio, but mainly the bodyguards carried their weapons concealed.

Binu Palal (04:26:51):

And we heard-

Reginald Lilburn Wright Jr. (04:26:52):

And for the training as well.

Binu Palal (04:26:55):

We heard from James McDonald just before you hit the stand. Was it fair to say that they were Mob Piru gang members also around Death Row records?

Reginald Lilburn Wright Jr. (04:27:06):

That's correct. Mob, Lueders, West Side, generally Pirus from the city of Compton.

Binu Palal (04:27:12):

And are these gangs that are generally associated with the Bloods? Is that right?

Reginald Lilburn Wright Jr. (04:27:18):

That's correct, sir.

Binu Palal (04:27:18):

Okay. And the Crips are... Well, let me ask you, Crips and Bloods, are they an alliance or are they typically in conflict?

Reginald Lilburn Wright Jr. (04:27:28):

Typically, in conflict. However, Death Row is a unique situation because one of their main artists prior to Mr. Shakur coming to the label was Snoop Dogg, who was a known Crip of Long Beach. And they all seemed to have a great working relationship prior to my arrival and even during my arrival.

Binu Palal (04:27:49):

All right. I want to ask you about Bad Boy Records. Are you familiar with a company called Bad Boy Records?

Reginald Lilburn Wright Jr. (04:27:58):

Yes, I am.

Binu Palal (04:27:59):

And Who, to your knowledge, was running Bad Boy Records in the mid '90s?

Reginald Lilburn Wright Jr. (04:28:05):

P. Diddy, Sean Combs, Puffy. I don't know what name he's going by today.

Binu Palal (04:28:12):

All right. So we'll go with Mr. Combs for now.

Reginald Lilburn Wright Jr. (04:28:14):

Okay.

Binu Palal (04:28:16):

So Mr. Combs was running Bad Boy Record, and then who would you say his most prominent artist at that time was?

Reginald Lilburn Wright Jr. (04:28:23):

Christopher Wallace, Biggie Smalls.

Binu Palal (04:28:25):

Okay. And then was there tension between Death Row Records and the Bad Boy Entertainment label?

Reginald Lilburn Wright Jr. (04:28:34):

At what time period?

Binu Palal (04:28:37):

Well, you tell me. At any point, did tension develop between Bad Boy Records and Death Row Records?

Reginald Lilburn Wright Jr. (04:28:43):

Initially when I was around in '94, there wasn't. However, some things happened '95 that started on tension between Death Row and Bad Boys.

Binu Palal (04:28:56):

There's a famous speech that Mr. Knight gives at the Source Awards in New York in 1995. Does that contribute to it?

Reginald Lilburn Wright Jr. (04:29:06):

Yes, sir. That was August the 6th, 1995. But yes, sir, that was when he let the world know.

Binu Palal (04:29:12):

And then there's another incident where one of Suge's associates was killed in Atlanta. Is that right?

Reginald Lilburn Wright Jr. (04:29:19):

That was in September. September 25th, I believe. Yes, sir.

Binu Palal (04:29:22):

And then is it fair to say that your perception of a security for Death Row Records was that somebody associated with Bad Boy Entertainment may have had something to do with the murder of one of Suge's friends in Atlanta?

Reginald Lilburn Wright Jr. (04:29:38):

That was always the story that was told to us. Yes, sir.

Binu Palal (04:29:43):

And so is it fair to say by 1995, the end of 1995, that there was significant tension between Bad Boy and Death Row?

Reginald Lilburn Wright Jr. (04:29:56):

Yes, sir.

Binu Palal (04:29:57):

And to the extent that it even involved violence with regards to Suge Knight's friend being killed?

Reginald Lilburn Wright Jr. (04:30:05):

Correct. That was the first time something escalated to that point. Yes, sir.

Binu Palal (04:30:10):

As security for Death Row, how did you handle this?

Reginald Lilburn Wright Jr. (04:30:16):

Well, we was always on some type of tension when it came to Bad Boys or going to the East Coast, which Suge and I continuously went to the East Coast because he had a lot of business. The main distributor was located out there. The big trade, like the magazines and stuff was out there. So I can honestly say he and I, and maybe a few of his homeboys went out there at least once a week... Once a month, I'm sorry. During that time when Mr. Shakur came home, we went down a little bit, but we were still going out there, but we didn't go as much.

Binu Palal (04:30:59):

And when you say when Mr. Shakur came home, at some point did Death Row sign Mr. Shakur to its record label?

Reginald Lilburn Wright Jr. (04:31:11):

It's debated how that happened, but-

Binu Palal (04:31:14):

I'm not asking about the how. I'm just saying, did it happen?

Reginald Lilburn Wright Jr. (04:31:16):

Yes, sir. I believe he came home October the 12th of 1995.

Binu Palal (04:31:22):

Now, as a security for Death Row, were you aware that Mr. Shakur was actually out on a bond, an appeals bond from prison from New York?

Reginald Lilburn Wright Jr. (04:31:34):

Yes, sir.

Binu Palal (04:31:34):

And I believe the allegation has something to do with sexual misconduct. Is that right?

Reginald Lilburn Wright Jr. (04:31:42):

Yeah.

Binu Palal (04:31:42):

If you don't know, if you don't know-

Reginald Lilburn Wright Jr. (04:31:43):

I mean, something like that. I wouldn't call it that, but yes.

Binu Palal (04:31:46):

Okay. Whatever it was. There was some kind of issue. Mr. Shakur is in prison in New York, and then Mr. [inaudible 04:31:54], Death Row posts an appellate bond for Mr. Shakur.

Reginald Lilburn Wright Jr. (04:31:59):

[inaudible 04:32:00] with some other companies, but yes, sir.

Binu Palal (04:32:00):

Okay. And then...

Reginald Lilburn Wright Jr. (04:32:00):

Companies, but yes, sir.

Binu Palal (04:32:00):

Okay. And then Mr. Shakur comes to... Does he move to where Death Row is, or does he stay in the New York area, or where does he go?

Reginald Lilburn Wright Jr. (04:32:11):

No, I remember... Actually, I picked him up from the airport, me and one of my security guys named Kevin Hackie. And we took him immediately. We went to Monty's restaurant and ate. Then we went to the studio, the recording studio, that night. And from that point on, we got him into a room, took him to the Peninsula Hotel where he stayed for, I believe, a month or two. Then he got a spot on Wilshire and later on in the house in Calabasas.

Binu Palal (04:32:41):

As the head of WrightWay Security, which was contracted by Death Row Records, were you responsible for Tupac Shakur's security?

Reginald Lilburn Wright Jr. (04:32:51):

Yes, sir.

Binu Palal (04:32:52):

How did you handle Tupac Shakur's security?

Reginald Lilburn Wright Jr. (04:32:56):

Well, I had two guys that were primarily always assigned to him. One guy was a guy by the name of Kevin Hackie who was with him a lot at the beginning. Later on, towards the end, a gentleman by the name of Frank Alexander was the one that worked with him as well. And then I would always have additional guys, like Al Giddens is one... And they'll fill in for him when those guys weren't available.

(04:33:23)
Originally, always had one security guard with him. After this particular song came out in about May or June, we upped it to two security officers.

Binu Palal (04:33:34):

Now you mentioned a particular song came out that changed how you handled Tupac Shakur's security. What song are you talking about?

Reginald Lilburn Wright Jr. (04:33:42):

It was a song called Hit Em Up.

Binu Palal (04:33:45):

And is it fair to say that in that song, Tupac is aggressively expressing his dislike for the members of Bad Boy Entertainment as well as other artists?

Reginald Lilburn Wright Jr. (04:34:02):

That's fair to say.

Binu Palal (04:34:03):

And as a result of that, you decided to change the security for Tupac, or increase it?

Reginald Lilburn Wright Jr. (04:34:09):

Well, I was a part of the discussion and ultimately had to approve it, but I'm sure Mr. Knight and possibly Mr. Shakur and maybe the security officer that was primarily with him, we all agreed that he probably needed another guy with him.

Binu Palal (04:34:27):

Okay. Were you aware during this time of a gang from Compton being used by Bad Boy Entertainment when they came to the West Coast?

Reginald Lilburn Wright Jr. (04:34:42):

We had heard those rumors, and we were familiar.

Binu Palal (04:34:43):

And what gang was that?

Reginald Lilburn Wright Jr. (04:34:45):

Compton South Side Crips.

Binu Palal (04:34:47):

Now, South Side Crips, that was the same gang that you had told us earlier that Mr. Davis belonged to. Is that correct?

Reginald Lilburn Wright Jr. (04:34:55):

Yes, sir.

Binu Palal (04:34:56):

And by Mr. Davis, I mean Keefe D.

Reginald Lilburn Wright Jr. (04:34:58):

That's who I believe he is, yes. Yeah.

Binu Palal (04:35:01):

And then was there ever a time where Death Row, and you and whatever other unofficial security Death Row had, had a clash with Bad Boy and the South Side Compton Crips at all?

Reginald Lilburn Wright Jr. (04:35:18):

Yes. We had it at the Soul Train Music Awards. I previously stated that Mr. Davis was with him. And I even think I might have even said that he was one of the ones close to the guy with the gun. Never said he was the one with the gun, but there's been out there on social media where a gentleman has came out and admitted that he was the one that actually had the gun in that particular incident, by the name of Steve Gutter.

Binu Palal (04:35:46):

So, do you remember... Well, I'm going to ask you what your independent recollection is. Tell us about that incident. So, we're at the Soul Train... What is it? The Soul Train Music Awards?

Reginald Lilburn Wright Jr. (04:35:56):

Soul Train Music Awards, yes.

Binu Palal (04:35:57):

And approximately what timeline are we looking at?

Reginald Lilburn Wright Jr. (04:36:03):

April, May of '95.

Binu Palal (04:36:05):

Of '95?

Reginald Lilburn Wright Jr. (04:36:08):

I'm sorry, '96.

Binu Palal (04:36:08):

Okay, of '96.

Reginald Lilburn Wright Jr. (04:36:08):

I'm sorry.

Binu Palal (04:36:09):

And you had mentioned before the song Hit Em Up. Was this before or after the song Hit Em Up, if you know?

Reginald Lilburn Wright Jr. (04:36:14):

That was before Hit Em Up.

Binu Palal (04:36:15):

Okay, it was before Hit Em Up.

Reginald Lilburn Wright Jr. (04:36:16):

Yes, sir.

Binu Palal (04:36:17):

Okay. Tell us what happened at the Soul Train Music Awards.

Reginald Lilburn Wright Jr. (04:36:22):

We pulled in. Originally, we had an entourage of about 50 people with us, but they only allowed two cars of us to get back in the back parking lot because that's where they had all the setups and the motor homes and stuff like that. So, we drove in the back. Mr. Knight, Mr. Shakur, and a few of the Outlawz were inside of a Hummer. And myself and Frank, which was Tupac's security that night, Mr. Shakur's security that night, we drove in behind them.

(04:37:01)
As we were getting out of the vehicle or getting ready to park, Mr. Shakur saw Christopher Wallace and [inaudible 04:37:11] and a group of people, a few guys that I recognized from the South Side, in that entourage. As they were, Mr. Shakur immediately became enraged and started yelling, and a confrontation between Mr. Small, Biggie, and Mr. Shakur took place, to the point where one of their guys brandished a weapon.

(04:37:40)
And then that's when I pulled my firearm towards him and begged, when he pleaded with him not to raise the gun. There was some security from the Nation of Islam there. They got in the middle of it, broke us up. The gentleman took off and ran towards the street, into the parking lot.

Binu Palal (04:38:01):

I'm sorry. Who ran towards the street?

Reginald Lilburn Wright Jr. (04:38:02):

The gentleman with the gun and a couple of the people that were with him took off and ran.

Binu Palal (04:38:08):

Now you said that South Side was providing that type of backup?

Reginald Lilburn Wright Jr. (04:38:14):

They were with them in that entourage, sir.

Binu Palal (04:38:16):

Do you recall whether Duane Davis was one of those people?

Reginald Lilburn Wright Jr. (04:38:20):

I know he was with them, but like I said, I don't believe he was the one with the gun.

Binu Palal (04:38:28):

All right. Let's fast forward to September 7th, 1996, or that weekend. When do you come to Las Vegas for that weekend?

Reginald Lilburn Wright Jr. (04:38:43):

I came out that Friday. I believe that was the 6th. The Friday was the 6th. I think the 7th is the day.

Binu Palal (04:38:49):

Yes.

Reginald Lilburn Wright Jr. (04:38:50):

Oh, okay. So, I came out that Friday. So, we had a nightclub that was in the process of being opened. And out here, I guess there's some type of cards that everyone that works around people that's having alcohol, I think they were called "TAM cards" or something like that at the time.

(04:39:06)
I had to get all my security guards to have those particular cards for that night because the attorney that was assisting us in getting the club open said, "Hey, you all got to be really on your P's. We got to have everything on point because if everything goes smoothly tonight, there's a good chance we're going to be able to get the permits transferred from the previous owners to Mr. Knight's name."

Binu Palal (04:39:31):

Okay. And so, I want to stop you there.

Reginald Lilburn Wright Jr. (04:39:34):

Okay.

Binu Palal (04:39:35):

First, you're talking about you got advice from an attorney. Do you remember who that attorney was?

Reginald Lilburn Wright Jr. (04:39:39):

Yes, sir.

Binu Palal (04:39:40):

Who was that attorney?

Reginald Lilburn Wright Jr. (04:39:41):

George Kelesis.

Binu Palal (04:39:42):

Okay. And then when you got the advice from the attorney, the attorney was generally telling you, you got to be on your P's and Q's, so to speak?

Reginald Lilburn Wright Jr. (04:39:49):

Yes.

Binu Palal (04:39:55):

When you're talking about being on your P's and Q's so that the club could be transferred to Suge Knight, was Club 662 at that time in Mr. Knight's name?

Reginald Lilburn Wright Jr. (04:40:04):

No, it was perceived that it was. People believed it even because of the name change. Excuse me. But it hadn't officially been... The paperwork hadn't officially... It never was completed. It was never done.

Binu Palal (04:40:18):

Now you talk about the name change. Explain to us a little bit about the name change.

Reginald Lilburn Wright Jr. (04:40:21):

Well, we had a sign and all of that called Club 662.

Binu Palal (04:40:25):

Explain to us what 662 means.

Reginald Lilburn Wright Jr. (04:40:27):

662 on a keyboard of your phone, it would spell out the word M-O-B, which means "Members of the Bloods."

Binu Palal (04:40:34):

Well, nobody has letter keyboards on their phones anymore.

Reginald Lilburn Wright Jr. (04:40:36):

I forgot about that.

Binu Palal (04:40:39):

And so, the club itself, the name of the club itself, rang out that it was a Blood-affiliated club.

Reginald Lilburn Wright Jr. (04:40:45):

That's correct.

Binu Palal (04:40:46):

Now, what advice did Mr. Kelesis give you regarding being on your P's and Q's for that night in order for Suge Knight to be able to obtain approval for running that club?

Reginald Lilburn Wright Jr. (04:40:58):

So, he advised... And the main thing that came out of that meeting was, he advised all of my security guards, even though that they were authorized to carry guns, being off-duty police officers and stuff, that we shouldn't have guns in our possession inside of the club on that night.

Binu Palal (04:41:20):

So, your understanding was... Or at least the advice that you got was, inside Club 662, if you're working it for WrightWay Security-

Reginald Lilburn Wright Jr. (04:41:28):

Correct.

Binu Palal (04:41:30):

... you're not carrying a gun?

Reginald Lilburn Wright Jr. (04:41:31):

Yes, sir.

Binu Palal (04:41:33):

Did you communicate that to the people working for you?

Reginald Lilburn Wright Jr. (04:41:36):

We had a meeting in Mr. Kelesis's office. He said it. Mr. Kelesis said it. My guys probably wouldn't have did anything if I didn't echo it. Today, I can't say I echoed it and agreed to it, but I'm sure I did.

Binu Palal (04:41:52):

You're saying is you don't have an independent recollection, but you think you probably did echo Mr. Kelesis's advice?

Reginald Lilburn Wright Jr. (04:41:58):

Yes, sir.

Binu Palal (04:41:59):

And when was this meeting?

Reginald Lilburn Wright Jr. (04:42:02):

That Friday after they had all came from the TAM cards meeting, because I took them all that Friday, and we went and ate at Friday's after that meeting. So, it was that Friday.

Binu Palal (04:42:19):

Okay. And then, so the process was with your folks, people working with you, was that they had to get their TAM cards or whatever temporary work cards required to do the work that you needed them to do at 662, then have a meeting with the attorney. The attorney tells them, "Hey, we're trying to get this club transferred to Suge's name. Let's keep it clean and don't carry a firearm."

Reginald Lilburn Wright Jr. (04:42:40):

That's correct.

Binu Palal (04:42:43):

Did you do anything else that night, Friday, at all relevant to the events that occurred on September 7th, 1996?

Reginald Lilburn Wright Jr. (04:42:51):

The club actually opened on Fridays and Saturdays, but for some reason, we didn't get a big attendance on Friday nights. But Saturday night, it was a different night.

Binu Palal (04:43:01):

So, you knew that that night, September 7th, 1996, was the night that Mike Tyson was fighting Bruce Seldon. Is that correct?

Reginald Lilburn Wright Jr. (04:43:11):

Yes, sir.

Binu Palal (04:43:11):

And was that part of the reason why you guys were going to have the club open because of that fight?

Reginald Lilburn Wright Jr. (04:43:16):

That was the only time the club, under Mr. Knight, the Club 662 banner, we only did that about three times. That would've been the fourth time. And so, we only opened those four times, the Friday and that Saturday. And then we did it one more time where Mr. Shakur and Snoop Dogg did a St. Ides commercial, which was just a promotional private video shoot for a commercial.

Binu Palal (04:43:47):

Now, who was in charge of the security for Club 662 that night?

Reginald Lilburn Wright Jr. (04:43:53):

Well, ultimately I am, but I had an on-site supervisor by the name of Al Giddens. He was actually who I consider in charge of the club, but ultimately, as the owner, I was.

Binu Palal (04:44:12):

And then we heard from James McDonald. He suggested that he had a role in security as well, maybe different than your role in security. Were you aware of James McDonald being there at the club?

Reginald Lilburn Wright Jr. (04:44:28):

Yeah. James was the headache for my security. They hated him. But he and I, we've been knowing each other over 52 years. So, I mean, that was like my brother. So, James used to do it as a hustle. What James would do was go outside, get guys that looked like they had a bunch of money, and bring them to the front of the line. And that drove my security crazy. But James was just out there working the door. Suge would have a bunch of his homeboys to come and be on the lookout, still Blood-related, Piru-related, to be around. But James was mainly doing a little side hustle.

Binu Palal (04:45:13):

Now, in terms of, as the person in charge, or the person contracted to be in charge of Death Row's security, were you aware that Tupac Shakur was going to come to the fight on September 7th, 1996?

Reginald Lilburn Wright Jr. (04:45:29):

Definitely the plan. That was definitely the plan. And there was a reason that I knew he had to come, but that was definitely the plan.

Binu Palal (04:45:37):

Okay. Well, tell us the reason why he had to come.

Reginald Lilburn Wright Jr. (04:45:42):

So, Mr. Kelesis, he had something worked out because that's why we had off-duty police officers. I don't know if they were off duty, they were in uniform. I don't know if they were working off duty or they were on duty. But my guys were responsible from the door inside, where the police officers were responsible for the door and the street, traffic control, and the parking lot. And so, I guess how they got that approved was...

Binu Palal (04:46:08):

Well, if you're guessing, I don't want you to guess. Were you the person responsible for whatever event control or traffic control that the Las Vegas Metropolitan Police Department did?

Reginald Lilburn Wright Jr. (04:46:21):

No, sir.

Binu Palal (04:46:22):

Were you the point of contact?

Reginald Lilburn Wright Jr. (04:46:23):

I was the point of contact for the club, yes. Yeah.

Binu Palal (04:46:28):

But you were the point of contact for the club. And then the person... Is it fair to say that the person dealing with whatever traffic control or event control or population control, whatever it was, was that the attorney, George Kelesis?

Reginald Lilburn Wright Jr. (04:46:41):

He was the one that got them there, made the call to get them there.

Binu Palal (04:46:42):

Okay. So, you weren't the one that called Metro?

Reginald Lilburn Wright Jr. (04:46:44):

No, sir.

Binu Palal (04:46:45):

So, anything that you would've said regarding that is just you trying to put the dots together, assuming what that conversation might have been?

Reginald Lilburn Wright Jr. (04:46:54):

And the only reason I say that, because I knew we promoted it as a benefit for a retired boxer. He was a retired police officer that was promoting, or had something to do with, boxing for youth or something like that.

Binu Palal (04:47:14):

So, that got added to the P's and Q's, that makes Mr. Knight look better when trying to transfer this club, "Hey, we're also holding a benefit."

Reginald Lilburn Wright Jr. (04:47:24):

That, and also Mr. Shakur was trying to work off some community service hours that he needed. I don't know how they made it happen in LA County.

Binu Palal (04:47:35):

And so, Mr. Shakur was scheduled to perform that night at Club 662, is that right?

Reginald Lilburn Wright Jr. (04:47:41):

Yes, sir.

Binu Palal (04:47:42):

And so, you're telling us that it was your understanding that Mr. Shakur performing at Club 662 at this benefit would help him accumulate hours for community service?

Reginald Lilburn Wright Jr. (04:47:53):

Yes, sir.

Binu Palal (04:47:55):

So, when was Tupac Shakur supposed to come to Las Vegas?

Reginald Lilburn Wright Jr. (04:47:59):

Well, they always came up on that Saturday. I know that they arrived about 4:00 p.m. on that Saturday, but if they were scheduled to come out earlier or not, I'm not sure.

Binu Palal (04:48:14):

And then at some point... Well, who's the security for Tupac that Saturday?

Reginald Lilburn Wright Jr. (04:48:20):

Mr. Alexander, but he was out there with me getting the cards and everything. Mr. Shakur actually rode up with, I guess, his fiancée and a few members of the Outlawz.

Binu Palal (04:48:34):

And who are the Outlawz?

Reginald Lilburn Wright Jr. (04:48:38):

The Outlawz is a group of people, actually, but it's a group of rappers that work with Mr. Shakur that he was trying to help get their careers going.

Binu Palal (04:48:48):

And was Malcolm Greenidge one of the members of the Outlawz?

Reginald Lilburn Wright Jr. (04:48:50):

Yes, sir.

Binu Palal (04:48:50):

And I think he goes by the name E.D.I. Mean?

Reginald Lilburn Wright Jr. (04:48:50):

That's correct, sir.

Binu Palal (04:48:55):

And Katari Cox, was he one of the members of the Outlawz?

Reginald Lilburn Wright Jr. (04:48:57):

Yes, sir.

Binu Palal (04:49:00):

And then Yafeu Fula... And I always get the name wrong, but Mr. Fula, was he also one of the members of the Outlawz?

Reginald Lilburn Wright Jr. (04:49:05):

He was as well.

Binu Palal (04:49:05):

Okay. And you said Mr. Alexander was the person that's supposed to be working security, or the person assigned for security for Mr. Shakur, but that he was with you. So, on Saturday, was anybody with Mr. Shakur?

Reginald Lilburn Wright Jr. (04:49:20):

No, sir.

Binu Palal (04:49:22):

And you had mentioned earlier that after the song Hit Em Up had come out, and that was probably what, three, four months before this?

Reginald Lilburn Wright Jr. (04:49:29):

Yeah.

Binu Palal (04:49:31):

You had assigned two security officers to Mr. Shakur.

Reginald Lilburn Wright Jr. (04:49:33):

That's correct.

Binu Palal (04:49:34):

So, where's the other one?

Reginald Lilburn Wright Jr. (04:49:36):

Well, that was Mr. Hackie, Kevin Hackie. He was scheduled to also be attending and riding, and that's who I actually thought was going to be with him, coming up with him, because he normally was with him. Him and Mr. Alexander, they worked out who would be with Mr. Shakur. And for some reason, he didn't show up. He's now telling me he had a late arrest, and he was stuck at the hospital all day dealing with an arrest.

Binu Palal (04:50:09):

So, the fight night arrives. Where are you? You go to the fight?

Reginald Lilburn Wright Jr. (04:50:17):

I went to the parking lot of the fight, so it was hectic to get inside, but also got a call from Mr. Giddens, Al Giddens, who was my supervisor at the club. And they were having some logistic problems, some problems there. And I elected to go and get things in order at the club.

Binu Palal (04:50:40):

So, you get to the parking lot at MGM, see it's a little crazy, and decide to head over to Club 662?

Reginald Lilburn Wright Jr. (04:50:47):

That's correct.

Binu Palal (04:50:49):

And was Club 662, it was on Flamingo? Is that right?

Reginald Lilburn Wright Jr. (04:50:54):

1700 block of Flamingo. Yes, sir. Okay.

Binu Palal (04:50:56):

Actually, can I see Exhibit Two? I'm going to publish Exhibit Two, which has already been admitted. All right. Actually, Mr. Wright, you're not in position great for any of this, but there we have. Can you see the 662 up there?

Reginald Lilburn Wright Jr. (04:51:12):

I don't have my glasses.

Binu Palal (04:51:15):

No worries.

Reginald Lilburn Wright Jr. (04:51:16):

I'm sorry.

Binu Palal (04:51:17):

I got you. Request to approach, Your Honor. Your Honor, permission to approach?

Speaker 11 (04:51:37):

Oh, yeah. I was just about to quote him clearly.

Binu Palal (04:51:39):

Thank you. You see there's a red 662 club on this map? You see it?

Reginald Lilburn Wright Jr. (04:51:49):

Yes, sir.

Binu Palal (04:51:50):

Is that accurately representing where Club 662 was?

Reginald Lilburn Wright Jr. (04:51:52):

Yes, sir.

Binu Palal (04:51:54):

So, you leave the Las Vegas Strip and head over to Club 662?

Reginald Lilburn Wright Jr. (04:51:58):

That's correct, sir.

Binu Palal (04:52:03):

Did you handle the logistical issues at Club 662?

Reginald Lilburn Wright Jr. (04:52:07):

I guess. I'm sure we got it worked out. Yes, sir.

Binu Palal (04:52:11):

And then, was Club 662, did you stay at Club 662 or did you head back to the Strip that night?

Reginald Lilburn Wright Jr. (04:52:17):

No, I stayed there the whole time until I was contacted by some other individuals.

Binu Palal (04:52:25):

Okay. So, we'll start before we get there. Was 662 super busy that night, or was it less crowded?

Reginald Lilburn Wright Jr. (04:52:34):

The clubs generally didn't start getting crowded until by 11:00 p.m. I think we were there like 8:00, 8:30. So, it eventually got there, but I wouldn't call it super, super crowded at that point.

Binu Palal (04:52:47):

And then you said you were there and then something changed. Well, we all know that on September 7th, 1996, Tupac Shakur was shot and Mr. Knight was at least grazed in the head by a bullet. Did you find out about that?

Reginald Lilburn Wright Jr. (04:53:04):

Yes, sir.

Binu Palal (04:53:05):

How did you find out about that?

Reginald Lilburn Wright Jr. (04:53:06):

Two gentlemen, Buntry, true name was Alton McDonald, and a gentleman by the name of Neckbone, well, his true name was Roger Williams. And his moniker is Neckbone, they came inside the club and came straight to me. It was like, "Reggie, Reggie, Suge and Pac got shot down the street." I thought they were messing with me because they were like, "Where Reggie at?" But I wasn't there with them.

(04:53:36)
But then Mr. Kelesis was standing near me. I guess he talked to some of the officers that were working out front, and he kind of verified to me that something happened. And then by that time, I seen about four or five other units that were working at the club. They started heading out that way.

Binu Palal (04:53:57):

Now you mentioned two people, Buntry, Alton McDonald. Does Buntry have any relation to James McDonald, the person that testified before you?

Reginald Lilburn Wright Jr. (04:54:07):

That's his little brother. Yes, sir.

Binu Palal (04:54:10):

And then you had mentioned Neckbone, Roger Williams. Were these people employed by WrightWay Security?

Reginald Lilburn Wright Jr. (04:54:17):

No, sir.

Binu Palal (04:54:18):

Were they part of MOB Piru?

Reginald Lilburn Wright Jr. (04:54:22):

Yes, sir.

Binu Palal (04:54:23):

Is it fair to say, as we talked about earlier, that Suge would have members of MOB Piru around?

Reginald Lilburn Wright Jr. (04:54:29):

Correct.

Binu Palal (04:54:29):

And while they weren't official security, would you say they provided a different form of security?

Reginald Lilburn Wright Jr. (04:54:38):

That would be fair. Yes, that's correct.

Binu Palal (04:54:42):

So, upon hearing the fact that... Well, at that time, when Suge Knight and Tupac Shakur were headed to Club 662, were you aware of their movements? Were you aware that they were headed over to the club at that point?

Reginald Lilburn Wright Jr. (04:54:56):

Not at that point. I hadn't heard anything. Frank hadn't communicated anything with me. And I just knew they eventually would get there. But no, I didn't know any movement, where they were at or when they were coming towards our way.

Binu Palal (04:55:11):

But you had said Frank hadn't told you anything. At this point, had Frank met up with Tupac?

Reginald Lilburn Wright Jr. (04:55:18):

Oh, I'm sorry. Frank was with Mr. Shakur since about 4:00 p.m. on that day, 4:00 to 5:00 p.m. on Saturday. He was with him on that day.

Binu Palal (04:55:29):

So, he didn't drive out with Mr. Shakur, but he eventually met up with Mr. Shakur?

Reginald Lilburn Wright Jr. (04:55:33):

That's correct. Him and another gentleman who initially was with him by the name of Michael Moore.

Binu Palal (04:55:38):

And was Mr. Moore also a member of security?

Reginald Lilburn Wright Jr. (04:55:42):

He worked for WrightWay as well.

Binu Palal (04:55:43):

Okay. And so, then you have Mr. Shakur, Mr. Knight headed to Club 662. To your knowledge, were there other people headed over? I guess we already heard about Neckbone and Buntry. Were there other people headed over to Club 662 with Mr. Knight and Mr. Shakur? Driving over? Was it more than one car, or were there a number of cars driving over to Club 662?

Reginald Lilburn Wright Jr. (04:56:12):

I can only speak on what I know now.

Binu Palal (04:56:14):

Okay. Well, no, back then, did you know?

Reginald Lilburn Wright Jr. (04:56:17):

I just knew who was normally with them.

Binu Palal (04:56:21):

So, after Buntry and Neckbone tell you that Mr. Shakur and Mr. Knight had been shot, and you seemed to get some confirmation from the attorney, what do you do?

Reginald Lilburn Wright Jr. (04:56:34):

Me and Mr. Kelesis, and Michael Moore, who was with Mr. Shakur earlier, his primary job was to work at the club, he and I jumped in the car with Mr. Kelesis and headed towards the scene where we were told Mr. Shakur and Mr. Knight were. However, en route, Mr. Kelesis was on the phone, and we were notified that they were headed to UMC.

Binu Palal (04:57:03):

So, did you go to UMC then?

Reginald Lilburn Wright Jr. (04:57:06):

That's correct, sir.

Binu Palal (04:57:08):

Now, taking a step back, did you see the car that Buntry and Neckbone arrived to Club 662 in?

Reginald Lilburn Wright Jr. (04:57:16):

Eventually. Yes, sir.

Binu Palal (04:57:17):

And did you notice anything notable about that car?

Reginald Lilburn Wright Jr. (04:57:20):

Yes. Mr. Buntry, he had a Toyota Supra that was black, and it had one bullet hole in the driver's side fender.

Binu Palal (04:57:30):

Now, let's go back to... You're on your way over to UMC. What happens at UMC?

Reginald Lilburn Wright Jr. (04:57:38):

Get there. Of course, Mr. Shakur was in the emergency room. I didn't get to see Mr. Knight till about three hours later. I saw him, but it was a lot of people gathering. Yes, people heard what happened from the club, they started gathering there. And people were just starting to gather in the parking lot outside of the hospital.

Binu Palal (04:58:04):

Was Mr. Knight held at UMC for a long time, or for weeks, or what happened with Mr. Knight?

Reginald Lilburn Wright Jr. (04:58:10):

No, Mr. Knight was released, I left prior. I don't know why I left. I left prior to him getting released, about 4:00 or 5:00 that morning. But I know I was back at his house, I went and got his home secured, and I know I was back at his house about 6:00 a.m. to 7:00 a.m. that morning. I was with him all that day.

Binu Palal (04:58:33):

After all this, or sometime during this, do you make contact with your father?

Reginald Lilburn Wright Jr. (04:58:38):

Yes, sir.

Binu Palal (04:58:39):

How do you do that?

Reginald Lilburn Wright Jr. (04:58:40):

By phone. I called him a couple of times throughout that night. Told him what had just happened to Suge and Mr. Shakur. It was stressful for me. Called him a few times that night.

Binu Palal (04:58:55):

How were you calling him?

Reginald Lilburn Wright Jr. (04:58:56):

By cell phone.

Binu Palal (04:58:57):

Oh, you had a cell phone at the time?

Reginald Lilburn Wright Jr. (04:58:58):

Yes, sir.

Binu Palal (04:58:59):

Okay. And was there anything that you felt you had to relay to him in order to let him know what might be happening the next day?

Reginald Lilburn Wright Jr. (04:59:09):

Well, during that night or that early morning, I was getting information from people in the parking lot and around that, hey, they got into it at the MGM with some guys from South Side Compton Crips. And so, I relayed that to him. Didn't know who the people were. Just that they got into it with some guys from South Side. And I told him, "Hey, there's going to be trouble back in Compton."

Binu Palal (04:59:37):

When did you go back to Compton? When did you go back to California?

Reginald Lilburn Wright Jr. (04:59:44):

About two weeks later.

Binu Palal (04:59:46):

So, you were in town while Mr. Shakur was at the hospital?

Reginald Lilburn Wright Jr. (04:59:49):

The whole time he was at the hospital, and that following week as well.

Binu Palal (04:59:56):

What was your role while Mr. Shakur was in the hospital?

Reginald Lilburn Wright Jr. (05:00:02):

I had two guys assigned outside his door the whole time he was fighting for his life. And they were there just to... We had problems with, I remember, a candy striper trying to sneak up and take a picture of him while he was lying there fighting for his life. And we were just trying to keep people out. Of course, Ms. Shakur, his mother, was in charge, but just mainly trying to keep people out that she didn't want in, or that got her permission to come in to see Mr. Shakur while he was fighting for his life.

Binu Palal (05:00:37):

And then you had said after Mr. Shakur had passed, you stayed in Vegas for another week?

Reginald Lilburn Wright Jr. (05:00:44):

That's correct.

Binu Palal (05:00:45):

Why is that?

Reginald Lilburn Wright Jr. (05:00:46):

Well, I'm the one that actually received his ashes, and had one of my security guys by the name of James Green fly back with the ashes and eventually deliver them to someone in the family. I believe it was his mother. But if it wasn't her, it was somebody that she authorized to receive the ashes.

Binu Palal (05:01:09):

Okay. But you weren't the person that delivered the ashes?

Reginald Lilburn Wright Jr. (05:01:11):

James Green was.

Binu Palal (05:01:12):

You received the ashes and then gave them to James?

Reginald Lilburn Wright Jr. (05:01:22):

To James. Yeah.

Binu Palal (05:01:25):

I want to ask you this just straight, did you have anything to do with the murder of Tupac?

Reginald Lilburn Wright Jr. (05:01:29):

Absolutely not.

Speaker 12 (05:01:35):

Orlando Anderson, the probation [inaudible 05:01:39].

Binu Palal (05:01:42):

As a result of the beating of Orlando Anderson at the MGM Grand, were there any legal proceedings that involved Mr. Knight?

Reginald Lilburn Wright Jr. (05:01:55):

Yes, sir.

Binu Palal (05:01:57):

Is it fair to say that Mr. Knight was on probation at the time of the beating at the MGM, right?

Reginald Lilburn Wright Jr. (05:02:03):

He was.

Binu Palal (05:02:05):

Okay. Actually, can we show 115? Actually, I don't even know that Mr. Wright can see.

Speaker 12 (05:02:15):

We can take the computer up to him. I just have to open it. It's been off the screen, though, if I take it off here. You want to do it on your computer so he can see it up close, and I'll play it for the jury. [inaudible 05:02:49].

Binu Palal (05:04:47):

I'm going to show it to you up close, Mr. Wright, while Mr. DiGiacomo shows it to the members of the jury. And Mr. DiGiacomo...

Speaker 12 (05:04:58):

You said you want to start it?

Binu Palal (05:05:00):

Yeah. For the record, this is State's Exhibit 115B at seven minutes and four seconds.

Speaker 13 (05:05:15):

Okay.

Binu Palal (05:05:15):

Actually, before we start playing, Mr. Wright, have you seen the MGM video before?

Reginald Lilburn Wright Jr. (05:05:24):

Yes, sir.

Binu Palal (05:05:26):

Fair to say you've seen it more than once?

Reginald Lilburn Wright Jr. (05:05:28):

Yes, sir.

Binu Palal (05:05:29):

Is that partly because it was part of a revocation proceeding that involved Suge Knight?

Reginald Lilburn Wright Jr. (05:05:35):

That's correct.

Binu Palal (05:05:36):

Now I'm going to show you 115B, starting at 7:04. I'm clicking, one second, not just yet. I'm clicking right now. Is this the video that you've seen before?

Reginald Lilburn Wright Jr. (05:05:54):

That's correct, sir.

Mr. Paul (05:06:00):

I'm going to pause. Starting at 7:20. 7:20. Did you recognize the folks that were hitting Mr. Anderson there?

Reginald Lilburn Wright Jr. (05:06:21):

Hitting or kicking?

Mr. Paul (05:06:22):

Hitting or kicking, yeah.

Reginald Lilburn Wright Jr. (05:06:24):

Yes, I do.

Mr. Paul (05:06:25):

Who are they?

Reginald Lilburn Wright Jr. (05:06:27):

The gentleman in the white with the black hat on was...

Mr. Paul (05:06:36):

We'll try and coordinate this again. Can you see it?

Reginald Lilburn Wright Jr. (05:06:53):

I can see it. Yes, sir.

Mr. Paul (05:06:53):

Oh, okay. Well, then can you tell us the people who are involved in this?

Reginald Lilburn Wright Jr. (05:06:56):

That gentleman right there in the white is Buntry, Elton McDonald.

Mr. Paul (05:07:10):

There appears to be somebody in a gold shirt. Who was that?

Reginald Lilburn Wright Jr. (05:07:12):

That appeared to be Mr. Shakur.

Mr. Paul (05:07:15):

There's a person in gray on gray, looks like outfit. Do you know who that is?

Reginald Lilburn Wright Jr. (05:07:35):

The one that I saw that's right in front of Mr. McDonald right now is Roger Williams. I though it was blue. I saw the blue.

Mr. Paul (05:07:43):

Okay. Maybe I'm talking about the wrong thing, you're talking about this.

Reginald Lilburn Wright Jr. (05:07:44):

Yeah.

Mr. Paul (05:07:44):

I'm going to approach, Your Honor.

Judge Carli Kierny (05:07:48):

Okay.

Mr. Paul (05:07:48):

[inaudible 05:07:53]

Reginald Lilburn Wright Jr. (05:08:10):

Well, that's Mr. Knight, and then that's Mr. Williams.

Mr. Paul (05:08:15):

So you see Mr. Williams, Mr. Knight, Mr. Shakur. Those are the people that are evident to you in this portion of the video. Is that right?

Reginald Lilburn Wright Jr. (05:08:25):

That's correct, sir.

Mr. Paul (05:08:27):

And then we have another video of everybody leaving. Can you see that?

Reginald Lilburn Wright Jr. (05:08:40):

I see it, but...

Mr. Paul (05:08:45):

That's fair. That's a different question. Okay. I'm going to show Mr. Wright 115C.

Reginald Lilburn Wright Jr. (05:09:14):

And Mr. Shakur, Mr. Knight, Buntry, Mr. Williams. I don't see Frank yet. Okay. There you go. Mr. Alexander's the one with no sleeve on his shirt. And he's leading the back now.

Mr. Paul (05:10:03):

Do you see Trayvon Lane?

Reginald Lilburn Wright Jr. (05:10:23):

I don't see Mr. Lane yet. I know he had a hat on. I've seen him before. I don't see him right now, though. Let me look again. Frank, Mr. Shakur. I'm sorry. I don't see Mr. Lane.

Mr. Paul (05:11:13):

It's all right.

Reginald Lilburn Wright Jr. (05:11:13):

I'm sorry. I'm sorry.

Mr. Paul (05:13:28):

I'm going to just ask you to focus on the people leaving now at this point.

Reginald Lilburn Wright Jr. (05:13:31):

Okay. Right there. Upper right. Yeah.

Mr. Paul (05:13:42):

So you see him leaving?

Reginald Lilburn Wright Jr. (05:13:43):

Yeah. He has the hat on. Upper right corner is Mr. Lane.

Mr. Paul (05:13:47):

So you see him leaving the scene, but you don't actually see him during the-

Reginald Lilburn Wright Jr. (05:13:49):

The altercation.

Mr. Paul (05:13:52):

No, is he actually hitting Mr.-

Reginald Lilburn Wright Jr. (05:13:53):

I didn't see him. No.

Mr. Paul (05:13:55):

Mr. Anderson.

Reginald Lilburn Wright Jr. (05:13:56):

I didn't see him do that.

Mr. Paul (05:13:57):

But he's with the group that's fleeing the beating of Mr. Anderson.

Reginald Lilburn Wright Jr. (05:14:01):

That's correct.

Mr. Paul (05:14:02):

I'm going to show you what's been marked as State Proposed Exhibit 16. Do you recognize who that person is?

Reginald Lilburn Wright Jr. (05:14:15):

That's Mr. Lane.

Mr. Paul (05:14:18):

Do you recognize the person in State's Exhibit 7? [inaudible 05:14:24] give me the wrong one. State's Exhibit 2.

Reginald Lilburn Wright Jr. (05:14:26):

Yes, I recognize him. That's Mr. Davis.

Mr. Paul (05:14:29):

Okay. I'm going to show you the person depicted in State's Exhibit number three.

Reginald Lilburn Wright Jr. (05:14:32):

Mr. Anderson.

Mr. Paul (05:14:34):

And lastly, I'm going to show you what's been marked as State's Exhibit 72. Do you recognize what's in that?

Reginald Lilburn Wright Jr. (05:14:40):

It's a Death Row chain, yes.

Mr. Paul (05:14:47):

Okay. Your Honor, I want to move these exhibits into evidence.

Mr. Stanthon (05:14:51):

No objection, Your Honor.

Judge Carli Kierny (05:14:51):

So admitted.

Mr. Paul (05:14:56):

Can you show number six? Sorry. This is marked six. I think it's 60. 060. There you go. Is that the person you identified as Trayvon Lane?

Reginald Lilburn Wright Jr. (05:15:15):

Yes. Yes, sir.

Judge Carli Kierny (05:15:23):

Mr. Paul, is this a... Could you take a... Is this a natural stopping point?

Mr. Paul (05:15:28):

Yes, we can take a break.

Judge Carli Kierny (05:15:29):

Okay. I think we need. One of our jurors needs a comfort break.

Mr. Paul (05:15:31):

Okay.

Judge Carli Kierny (05:15:32):

All right. So at this time, we're going to take a recess. During this recess, you are admonished not to talk or converse amongst yourselves or with anyone else on any subject connected to the trial or read, watch or listen report of or commentary on the trial of any person connected to this case by any mean movement information, including without limitation, newspaper, television, internet, and radio or form or express any opinion on any subject connected to the trial will be submitted to you. We'll have everyone back here at 3:40. Please rise for the jury. For the record, the jury has exited the room. We'll be in recess. Mr. Wright, did you need any water bottle or anything?

Reginald Lilburn Wright Jr. (05:16:32):

I have one. Thank you very much.

Judge Carli Kierny (05:16:32):

You've got one? Okay.

Reginald Lilburn Wright Jr. (05:16:32):

Thank you very much.

Judge Carli Kierny (05:16:32):

All right. No problem.

Mr. Stanthon (05:16:32):

And Your Honor, if you could just-

Judge Carli Kierny (05:19:16):

Back on record in State versus Davis, C377407. Anything we need to address outside the presence?

Mr. Paul (05:19:21):

Not from the state.

Judge Carli Kierny (05:19:23):

Mr. Stanton, anything we need to talk about before we bring in the jury?

Mr. Stanthon (05:19:25):

No, Your Honor.

Judge Carli Kierny (05:19:25):

Awesome. All right, let's bring them in.

Speaker 14 (05:19:39):

Stand for the jury.

Speaker 15 (05:20:00):

We're on the record and stand for the jury, please.

Judge Carli Kierny (05:20:00):

Do the parties stipulate to the presence of the jury?

Mr. Paul (05:20:01):

Yes, Your Honor.

Mr. Stanthon (05:20:01):

Yes, Your Honor.

Judge Carli Kierny (05:20:02):

You may be seated. You may proceed.

Mr. Paul (05:20:07):

Thank you, Your Honor. Mr. Wright, would it be easier to look at the monitor on the witness stand or are you able to see that better?

Reginald Lilburn Wright Jr. (05:20:16):

Pictures this size, I can see both ways.

Mr. Paul (05:20:17):

Okay. All right. So you're now looking at State's Exhibit number 60. Who is that?

Reginald Lilburn Wright Jr. (05:20:24):

That's Trayvon Lane.

Mr. Paul (05:20:28):

And can Mr. DiGiacomo, do you mind putting up 62? Showing you State's Exhibit number 62. Who is that?

Reginald Lilburn Wright Jr. (05:20:36):

That's Mr. Davis.

Mr. Paul (05:20:39):

Do you mind putting up 63? Showing you State's Exhibit 63. Who is that?

Reginald Lilburn Wright Jr. (05:20:45):

That's Mr. Anderson.

Mr. Paul (05:20:47):

Okay. And then we had talked briefly about it, so I want to just show it. Showing you State's Exhibit 72. What is that?

Reginald Lilburn Wright Jr. (05:20:57):

That's a Death Row chain medallion.

Mr. Paul (05:21:00):

And we'll touch on that in a minute, but we were talking about the beating of Orlando Anderson at the MGM. Mr. Knight was on probation at the time you had mentioned. Is that correct?

Reginald Lilburn Wright Jr. (05:21:13):

That is correct. Yes, sir.

Mr. Paul (05:21:14):

And then after you guys got back from Las Vegas back to the Southern California area, did Mr. Knight have a legal problem as a result of his alleged participation in that beating?

Reginald Lilburn Wright Jr. (05:21:28):

That's correct, sir.

Mr. Paul (05:21:29):

And can you explain that to us?

Reginald Lilburn Wright Jr. (05:21:33):

They brought him in. Initially, they brought him in, they said for 30 tests that he had did with his probation officer. But while he was still in custody, they then added the charge of... He violated his probation for assaulting Mr. Anderson.

Mr. Paul (05:21:50):

So he's on probation, he's on video, at least what appears to be participating in the beating of Mr. Anderson. And so he is charged with violating his probation.

Reginald Lilburn Wright Jr. (05:22:03):

That's correct, sir.

Mr. Paul (05:22:05):

And do you participate in any of the preparation for Mr. Knight's hearing on his probation violation?

Reginald Lilburn Wright Jr. (05:22:17):

With his attorney, Mr. Kenner. I attended several meetings. Yes.

Mr. Paul (05:22:21):

And then are you aware of a meeting with Mr. Anderson?

Reginald Lilburn Wright Jr. (05:22:25):

That's correct.

Mr. Paul (05:22:26):

Can you tell us about that?

Reginald Lilburn Wright Jr. (05:22:28):

So we met him at his attorney office, Mr. Edi Faal. It was in Seal Beach, I believe, where his office was. And we met with him. The attorneys had an agreement where I guess they were going to make a settlement or something for... And Mr. Anderson to come and testify on Mr. Knight's behalf, where I believe the settlement was of about $60,000 because some of the Death Row people had assaulted him. And some would say for him coming up and testifying on the behalf of Mr. Knight.

Mr. Paul (05:23:08):

Okay. So just to be clear, prior to Mr. Knight's revocation hearing, there was a meeting with Orlando Anderson, the person who was beaten in that video. Is that right?

Reginald Lilburn Wright Jr. (05:23:24):

That's correct.

Mr. Paul (05:23:24):

And then there was an agreement that $60,000 would change hands between Suge Knight or Death Row or some aspect of that side to Mr. Anderson. Is that correct?

Reginald Lilburn Wright Jr. (05:23:38):

That's correct. But that was made between the attorneys, Mr. Kenner, who was also present and Mr. Faal.

Mr. Paul (05:23:42):

Okay. I'm not saying that you are the person that did that. I'm just saying that-

Reginald Lilburn Wright Jr. (05:23:47):

I was at the meeting, myself and Norris Anderson, who was the general manager of the company at the time.

Mr. Paul (05:23:52):

Okay. And then at that probation hearing, is it fair to say that Mr. Anderson said that Mr. Knight was just trying to stop the fight and not participate in the fight at all?

Reginald Lilburn Wright Jr. (05:24:08):

That was his testimony, yes.

Mr. Paul (05:24:09):

Okay. And that was after he received the $60,000?

Reginald Lilburn Wright Jr. (05:24:12):

That part, I don't know.

Mr. Paul (05:24:13):

That's after the agreement for the $60,000.

Reginald Lilburn Wright Jr. (05:24:14):

It was an agreement in place, though.

Mr. Paul (05:24:19):

Okay. And then is it fair to say that the judge disregarded Mr. Anderson's testimony and revoked Mr. Knight's parole?

Mr. Stanthon (05:24:28):

Objection as to leading.

Judge Carli Kierny (05:24:32):

Sustained.

Mr. Paul (05:24:33):

Well, did the judge believe Mr. Anderson's testimony?

Reginald Lilburn Wright Jr. (05:24:36):

Well, Mr. Knight was subsequently violated for his probation and received nine years sentence.

Mr. Paul (05:24:43):

And as a result, when Mr. Knight was imprisoned for those nine years, who was running Death Row?

Reginald Lilburn Wright Jr. (05:24:52):

After about four or five minutes of his incarceration, I became the general manager of the company.

Mr. Paul (05:25:00):

Okay. We showed the Death Row, what do you call that?

Reginald Lilburn Wright Jr. (05:25:07):

A pendant.

Mr. Paul (05:25:07):

Pendant. We showed the Death Row pendant. Can you tell us about the distribution of Death Row pendants to various people that were associated with Death Row?

Reginald Lilburn Wright Jr. (05:25:16):

Mainly the artists received them. And then close associates of Mr. Knight. They were given out to different people for Christmas presents of 1995.

Mr. Paul (05:25:34):

Yes. Were you aware of whether or not Trayvon Lane had received a Death Row pendant?

Reginald Lilburn Wright Jr. (05:25:38):

He was one. Yes, sir.

Mr. Paul (05:25:39):

And is it typically wore on a chain around one's neck?

Reginald Lilburn Wright Jr. (05:25:42):

That's correct, sir.

Mr. Paul (05:25:42):

Okay. [inaudible 05:25:47] passing witness.

Judge Carli Kierny (05:25:48):

Okay. Mr. Stant, cross-examination.

Mr. Stanthon (05:25:52):

Thank you. Mr. Wright, have you and I ever met?

Reginald Lilburn Wright Jr. (05:25:53):

No, sir.

Mr. Stanthon (05:25:56):

You have a podcast, I believe, right?

Reginald Lilburn Wright Jr. (05:25:59):

A YouTube channel that I talk over.

Mr. Stanthon (05:26:05):

I'm sure you're probably anticipating the next question. In your YouTube channel, you have spoken a little bit about me, for instance, right?

Reginald Lilburn Wright Jr. (05:26:14):

That's correct. And you have spoke about me as well.

Mr. Stanthon (05:26:19):

Yeah. So in terms of your podcast or YouTube channel, and once again, I don't think it was anything derogatory. It was more like he's never tried a criminal case or I think Hollywood asked attorney. I think you had said something like that, right?

Reginald Lilburn Wright Jr. (05:26:34):

Well, you had did about 10 interviews in the last two months, so I may have said something like that.

Mr. Stanthon (05:26:39):

Now, in terms of your podcast stuff, it's very this particular point. At some point, you had actually instructed Keith that, hey, he can actually make money doing the YouTube stuff. Remember that?

Reginald Lilburn Wright Jr. (05:26:51):

It didn't go quite like that, but I did pass his number to a few YouTube channels after he and I had this discussion about doing something on my channel when I refused to pay him because I'm not giving someone I believe is Tupac killer money.

Mr. Stanthon (05:27:11):

Sure. You had a interview with a Mr. Mog. Do you remember that?

Reginald Lilburn Wright Jr. (05:27:17):

Detective Mog? Yes, sir.

Mr. Stanthon (05:27:19):

Was he a detective at the time?

Reginald Lilburn Wright Jr. (05:27:21):

He was.

Mr. Stanthon (05:27:22):

Okay. So he's a detective at the time and he sat down with you and you had a conversation with him. And you basically told him that you had advised TPD about how much you can get paid doing YouTube stuff. Do you remember that?

Reginald Lilburn Wright Jr. (05:27:37):

I don't remember that, no.

Mr. Stanthon (05:27:42):

Now, you don't remember that or you don't believe that [inaudible 05:27:43]

Reginald Lilburn Wright Jr. (05:27:44):

I remember [inaudible 05:27:44] but to say you could make $5,000 or $10,000, I didn't have any conversation like that with Detective Mogs.

Mr. Stanthon (05:27:50):

Okay. So you don't know or you don't remember? I just want to make sure we're different here.

Reginald Lilburn Wright Jr. (05:27:55):

I remember meeting with Detective Mogs. I know I am the one that started passing Mr. Davis number around to do more interviews to get him to talk. Yes.

Mr. Stanthon (05:28:08):

Okay. So when you volunteered to Detective Mog, KPD's number, you said, "I set him up with a couple of interviews."

Reginald Lilburn Wright Jr. (05:28:18):

Correct.

Mr. Stanthon (05:28:19):

"And because I promise you, if y'all ever listen, I promise him I would. We talk bad about each other, but you know, I'll hook you up. I kind of know all these YouTubers out here, and so I kind of hook people up with them. "You want to make some money? N word."" And then question was asked by Detective Mog, "So what do you get paid for your interviews?" And you respond, "Oh, I get about 2,500, 3,000 a show." You remember that?

Reginald Lilburn Wright Jr. (05:28:50):

That's accurate, so I might have said that.

Mr. Stanthon (05:28:54):

Now you also said 5,000. "I got my F. He was crying about his taxes." You were referring to Keepy in that, right? He was crying about his taxes. Keepy?

Reginald Lilburn Wright Jr. (05:29:03):

I'm not sure.

Mr. Stanthon (05:29:04):

"I got him about to go blast them next week. He's getting 3,500. So they pay you because they get views. They get paid, man. YouTube, every million views you get, you get about 6,000 to 10,000." And then-

Reginald Lilburn Wright Jr. (05:29:19):

That's the channel.

Mr. Stanthon (05:29:19):

Okay.

Reginald Lilburn Wright Jr. (05:29:19):

Not the person.

Mr. Stanthon (05:29:22):

And then once again, "I'm talking about the YouTuber. And so if you do a bunch of them and you get 100,000 and they break them up into like five or 10 minute segments and you can get a 15-second segments from me and you get 200,000 people to view it, you can make $8,000 to $10,000 off of me. And you just gave me 2,500, 3,000." Do you remember saying that to Detective Mog?

Reginald Lilburn Wright Jr. (05:29:46):

I'm sure that does sound like accurate statements. So I'm sure I did.

Mr. Stanthon (05:29:51):

And once again, it's clear to show that there's a business with YouTube, right?

Reginald Lilburn Wright Jr. (05:29:56):

That's correct, sir.

Mr. Stanthon (05:29:56):

And so when you post something online, you're posting it online with the hopes that you're going to get paid for that?

Reginald Lilburn Wright Jr. (05:30:01):

Yeah. And that didn't start until about 2021 or 2020, after COVID. Yes.

Mr. Stanthon (05:30:05):

Sure. Now with regards to your role here, you were the head of security for Suge Knight.

Reginald Lilburn Wright Jr. (05:30:14):

Correct.

Mr. Stanthon (05:30:17):

And I want to make sure I'm clear. Where did you grow up in Compton?

Reginald Lilburn Wright Jr. (05:30:21):

I mean, my address is 1628 East Pine Street, Compton, California.

Mr. Stanthon (05:30:26):

Where's that at in terms of... Because we're assuming, and you could tell this jury otherwise, that wherever you grew up or whatever your street was, you by default was part of a certain gang or cult.

Reginald Lilburn Wright Jr. (05:30:37):

I never gang bang. I always wanted to be a police officer growing up. However, guys that I grew up with, was in the sandbox with, played sports with, yeah, they were a mob pie rules affiliate.

Mr. Stanthon (05:30:52):

Okay.

Reginald Lilburn Wright Jr. (05:30:53):

Some. Some police officers, some football players. Several type of people grew up in our community.

Mr. Stanthon (05:30:59):

And at some point you get yourself out of it. You become a police officer.

Reginald Lilburn Wright Jr. (05:31:03):

I never was in it.

Mr. Stanthon (05:31:06):

Okay. All right. Thank you for correcting me. You become a police officer for about five years?

Reginald Lilburn Wright Jr. (05:31:12):

'90 to '96. Six years. Yeah.

Mr. Stanthon (05:31:14):

Six years. And you have to retire medically?

Reginald Lilburn Wright Jr. (05:31:18):

Correct.

Mr. Stanthon (05:31:19):

And you had shared with us earlier that you created the security company, you were moonlighting, sort of doing your job during the day and then doing this other side hustle at night.

Reginald Lilburn Wright Jr. (05:31:29):

That's accurate.

Mr. Stanthon (05:31:30):

And that side hustle became your full-time gig when you were no longer a police officer?

Reginald Lilburn Wright Jr. (05:31:35):

That's correct, sir.

Mr. Stanthon (05:31:36):

And so in terms of who you were, the main service you provided services for would've been Death Row Records?

Reginald Lilburn Wright Jr. (05:31:44):

95%. That's correct, sir.

Mr. Stanthon (05:31:46):

And in essence, I mean, this was your number one client, right?

Reginald Lilburn Wright Jr. (05:31:49):

I agree with you.

Mr. Stanthon (05:31:50):

Okay. And you spent a lot of time with Suge.

Reginald Lilburn Wright Jr. (05:31:56):

Eventually I grew, but yes. '94, not as much. '95, '96, yes, sir.

Mr. Stanthon (05:32:01):

Okay. And you're providing services for Suge in terms of security, right?

Reginald Lilburn Wright Jr. (05:32:08):

For Suge or his company?

Mr. Stanthon (05:32:10):

For the Death Row label.

Reginald Lilburn Wright Jr. (05:32:12):

That's correct, sir.

Mr. Stanthon (05:32:13):

And you actually had created a company specifically for the security aspect of it, right?

Reginald Lilburn Wright Jr. (05:32:19):

That's fair.

Mr. Stanthon (05:32:20):

And that's the Right-

Reginald Lilburn Wright Jr. (05:32:22):

Right Way Protective Services.

Mr. Stanthon (05:32:25):

Right Way Protective services. Okay. Now, as you're going about doing that, you had shared with us a little bit about some of the things you had done. And you shared with us that, hey, there was something that happened at one of the award ceremony. You talked about that, right?

Reginald Lilburn Wright Jr. (05:32:43):

At the Soul Train, that's correct.

Mr. Stanthon (05:32:44):

And you said that at that Soul Train incident that my client was present when some other guy flashed the gun or something like that.

Reginald Lilburn Wright Jr. (05:32:51):

That's correct.

Mr. Stanthon (05:32:53):

It wasn't-

Reginald Lilburn Wright Jr. (05:32:53):

It wasn't your client, no.

Mr. Stanthon (05:32:57):

Okay. And once again, your security, your former police officer, did you ever report that incident to police?

Reginald Lilburn Wright Jr. (05:33:03):

They ran. Actually, the police detained the subjects outside the gate or towards the gate. What happened to them, I don't know, because I was more interested in getting my clients inside the war show.

Mr. Stanthon (05:33:15):

And your father, just to correct my memory, is a lieutenant at the time with Compton? Or was he captain?

Reginald Lilburn Wright Jr. (05:33:25):

At that time, a lieutenant, sir.

Mr. Stanthon (05:33:25):

Lieutenant.

Reginald Lilburn Wright Jr. (05:33:25):

Yes, sir.

Mr. Stanthon (05:33:25):

And his role and what he was responsible for was the gangs in Compton?

Reginald Lilburn Wright Jr. (05:33:29):

That's correct, sir.

Mr. Stanthon (05:33:30):

So it would've been information he would've maybe picked up or you would've told him?

Reginald Lilburn Wright Jr. (05:33:36):

That's what people get confused about law enforcement. Compton is a city about eight to 10 miles away from... Well, that's by USC is where this incident happened. That's about 20 miles away from Compton. And so Compton PD and LAPD don't share information with each other like people think in law enforcement.

Mr. Stanthon (05:33:57):

Right. But you're talking about someone who's from Compton. You're saying that that guy or there who's from Compton was present at that particular event.

Reginald Lilburn Wright Jr. (05:34:05):

Wasn't a big thing. It was just a guy that was the guy that branders over open.

Mr. Stanthon (05:34:10):

Right. So in your mind, it's not about this idea that this is a gang sort of thing. It's just some idiot with a gun flashing the gun, right?

Reginald Lilburn Wright Jr. (05:34:17):

I agree with you.

Mr. Stanthon (05:34:18):

Okay. And so-

Reginald Lilburn Wright Jr. (05:34:20):

But they were also protecting Bad Boys Records.

Mr. Stanthon (05:34:22):

Okay. Well, we can talk about that in a second.

Reginald Lilburn Wright Jr. (05:34:26):

Okay.

Mr. Stanthon (05:34:26):

In terms of your role though in your company, at some point, you obviously are now working with Suge and there's this idea with Death Row or Death Row Records that there may be sort of tension in the air. Was there anything going on during that time period prior to September of 1996 that was happening that was telling you, "Hey, I need to make sure that Death Row Records is protected"?

Reginald Lilburn Wright Jr. (05:34:57):

You always had an element because of incidents when you go out to nightclubs, the party scene. It was always an issue, unfortunately.

Mr. Stanthon (05:35:08):

And because you're dealing with someone like Suge Knight and at that particular point, any of his other people that was working for him, like say the entertainers, you're talking Snoop, you're talking Tupac, that you would have adequate security to protect him safe from fans and that kind of stuff?

Reginald Lilburn Wright Jr. (05:35:26):

I called it my sale was to be good witnesses. Mr. Knight had just went through a situation with one of his artists, Snoop Dogg, that was on trial for murder. And they ended up beating the case, but they had got a large judgment mainly because of the qualifications or the lack of qualifications of the security officer that was acting as security officer that shot him and killed the person. And so when you have a big company like Mr. Knight had, I thought it was best and he thought it was best, or maybe his attorneys, I don't know, his label, that let's get some professional people around you.

Mr. Stanthon (05:36:07):

And so for the most part, your practice was to hire people that were either off-duty police officers or retired police officers?

Reginald Lilburn Wright Jr. (05:36:12):

That's correct, sir.

Mr. Stanthon (05:36:13):

And you did that because they were properly trained and you could trust them in terms of their judgment?

Reginald Lilburn Wright Jr. (05:36:18):

That and my sale was to be a good witness.

Mr. Stanthon (05:36:21):

Got you.

Reginald Lilburn Wright Jr. (05:36:22):

Yes, sir.

Mr. Stanthon (05:36:23):

But with regards to their roles, their roles obviously at the end of the day were to protect the people that were your clients. That would've been Death Row Records and whoever you assigned them to do.

Reginald Lilburn Wright Jr. (05:36:34):

As best you can.

Mr. Stanthon (05:36:35):

Yeah. So in terms of what happens here in Las Vegas, your testimony is you arrive here to Las Vegas and you're here on Friday.

Reginald Lilburn Wright Jr. (05:36:44):

Correct.

Mr. Stanthon (05:36:44):

And you're here to get ready for what's happening on Saturday?

Reginald Lilburn Wright Jr. (05:36:48):

Friday night, the Coke Club did open. Like I said, it wasn't majorly attended, but definitely for Saturday night, yes, sir.

Mr. Stanthon (05:36:57):

Yeah. And in fact, Tupac and Suge didn't arrive until Saturday anyways.

Reginald Lilburn Wright Jr. (05:37:03):

They didn't come over until Saturday. That's correct, sir.

Mr. Stanthon (05:37:05):

And they drove up?

Reginald Lilburn Wright Jr. (05:37:06):

They drove up. Yes, sir.

Mr. Stanthon (05:37:07):

So they drove up, you're there, you're working, and you're at 662, right?

Reginald Lilburn Wright Jr. (05:37:13):

I'm at 662. Yes, sir.

Mr. Stanthon (05:37:16):

Okay. So I'm going to show you here an image that I'm going to ask the clerk to mark as proposed defense exhibit next in order.

Judge Carli Kierny (05:37:26):

C, I think. Yes.

Mr. Stanthon (05:37:29):

C?

Judge Carli Kierny (05:37:29):

Yeah.

Mr. Stanthon (05:37:29):

May I approach, Your Honor?

Judge Carli Kierny (05:37:29):

You may.

Mr. Stanthon (05:37:36):

Do you recognize this?

Reginald Lilburn Wright Jr. (05:37:37):

That's 12662. Yes, sir.

Mr. Stanthon (05:37:42):

Okay. And with regards to... I'm sorry. And with regards to that photograph, would that been an accurate depiction of 662 around the time period that we talked about here?

Reginald Lilburn Wright Jr. (05:37:49):

I agree with you, sir. Yes, sir.

Mr. Stanthon (05:37:56):

Okay. Now, Your Honor, at this point, I move for the admission of proposed defense exhibit C.

Judge Carli Kierny (05:37:59):

Any objection, State?

Mr. Paul (05:38:00):

Nope.

Judge Carli Kierny (05:38:01):

So admitted.

Mr. Stanthon (05:38:03):

May I publish, Your Honor?

Judge Carli Kierny (05:38:04):

You may.

Mr. Stanthon (05:38:05):

I'll show this to the jury here real quick. So this is a picture of 662. Now you shared with us a little bit about what was happening on Saturday night. Attorney basically says, "Hey, we really want to get this club, I guess, passed in terms of its licensing. Maybe we do something that helps the community at least does an outreach." Is that what we're doing?

Reginald Lilburn Wright Jr. (05:38:30):

I think that was mainly to get the police officers there.

Mr. Stanthon (05:38:32):

Okay. And with regards to that particular night and so forth, you said it's something to do with boxing. This is a Barry's boxing benefit. Is that what that was?

Reginald Lilburn Wright Jr. (05:38:40):

Correct. Yes, sir.

Mr. Stanthon (05:38:42):

Okay. So this picture would've been taken pretty much at the time of when this event had gone down in September of 1996.

Reginald Lilburn Wright Jr. (05:38:51):

I believe that night or that week. Yes, sir.

Mr. Stanthon (05:38:55):

And with regards to Barry's boxing, do you know anything about what Barry's boxing is about?

Reginald Lilburn Wright Jr. (05:38:59):

Just that he was a retired police officer that was helping young kids in the area with boxing. That was about it. Or association or a foundation to raise money for youth coming up is what I remember.

Mr. Stanthon (05:39:17):

So Mob James just testified a little while ago.

Reginald Lilburn Wright Jr. (05:39:21):

Okay.

Mr. Stanthon (05:39:23):

If his representation was there was no event like that that was happening in September of 1996, would he be wrong?

Reginald Lilburn Wright Jr. (05:39:30):

Let me just say this. They don't be a know like that. We're not as transparent as maybe we should be with the homeboys.

Mr. Stanthon (05:39:43):

I mean, but obviously this is sitting on the front side of the entrance going into the facility, right?

Reginald Lilburn Wright Jr. (05:39:48):

I went in that [inaudible 05:39:49] and I ain't never noticed that.

Mr. Stanthon (05:39:51):

Well, let me ask you this though. In terms of what was happening, was Mob James the head of security that night?

Reginald Lilburn Wright Jr. (05:40:01):

Well, James' responsibility is-

Reginald Lilburn Wright Jr. (05:40:01):

So James' responsibility is he had a lot of juice with the homeboys. And they had something they call Code Red where everybody come out and support each other. And James was that person that Suge looked to. Even during the Snoop trial, when Snoop was having problems with his homeboys coming up there, messing with him and stuff, they were hired to be outside the courthouse to keep them away. And that was James' role. And James was with Suge at the beginning. And quite frankly, he might be a little upset that my guys took a lot of their roles or their responsibilities.

Mr. Stanthon (05:40:54):

Right. So on this particular night, there's actually metropolitan police officers that were. Were they hired by you to be on the outside?

Reginald Lilburn Wright Jr. (05:41:03):

Well, I would say Club 662 or under Mr. [inaudible 05:41:07] and the person that was running the club under their direction. I knew they were going to be there, but I didn't speak to anyone from the police department to say, "This is how much you all going to be getting paid. I need you to do this." I just knew they were going to be working from the door out.

Mr. Stanthon (05:41:24):

Okay. And really the concern at this particular point that you had as well as I'm assuming Mr. [inaudible 05:41:29], the attorney, is you wanted to make sure everything was going to go well for the club?

Reginald Lilburn Wright Jr. (05:41:34):

That's fair.

Mr. Stanthon (05:41:36):

In essence, and to help show with passing up this particular club, right?

Reginald Lilburn Wright Jr. (05:41:39):

That's correct, sir.

Mr. Stanthon (05:41:40):

So one of the things that had happened that you had shared with us is that Friday you meet with [inaudible 05:41:44] and you learn and you're instructed that your people are not to be carrying firearms.

Reginald Lilburn Wright Jr. (05:41:50):

Inside the nightclub.

Mr. Stanthon (05:41:52):

Right. Inside of the nightclub.

Reginald Lilburn Wright Jr. (05:41:53):

That's correct, sir.

Mr. Stanthon (05:41:54):

All the way up until the time that they get to that door, they're not supposed to be carrying-

Reginald Lilburn Wright Jr. (05:41:54):

Inside that club.

Mr. Stanthon (05:42:00):

Are you aware that the red alert people from Mob James were all carrying firearms that night?

Reginald Lilburn Wright Jr. (05:42:05):

Well, I had problems with that. My guys were strict in law enforcement. They didn't care about ... They didn't have a relationship with James and him as I did. And so they would search them. And if they got one in, who knows? But there was always issues with them about being searched. But my guys would still, they were like, "Hey, if you want us here, we searching everybody coming in this club."

Mr. Stanthon (05:42:37):

Right. So that was important for you, but Mob James says otherwise. He said, "Everyone was fine."

Reginald Lilburn Wright Jr. (05:42:42):

"If they snuck them in, no." It happens.

Mr. Stanthon (05:42:47):

Yeah. And with regards to your meeting with Mr. [inaudible 05:42:53], once again, you're there. And do you have at that particular point any ownership interest at all in Death Row Records?

Reginald Lilburn Wright Jr. (05:43:01):

None.

Mr. Stanthon (05:43:01):

So you are a separate entity. You are just the security company hired to provide security for Death Row Records.

Reginald Lilburn Wright Jr. (05:43:08):

My company right when he was making money, but I also received a salary from Death Row.

Mr. Stanthon (05:43:12):

Okay. And you're in this meeting, and once again, the meeting is to help Suge get this club approved, so he can make it happen.

Reginald Lilburn Wright Jr. (05:43:22):

That's correct, sir.

Mr. Stanthon (05:43:23):

And your job really honestly is just somebody who's providing the security to the club?

Reginald Lilburn Wright Jr. (05:43:30):

On that particular night, that ... But I'm more ... Some would say, at one point, Suge right-hand guy. But my main focus was Suge Knight entities. It wasn't just the recording orders. It wasn't just the record club. It was everything that Mr. Knight was trying to invest in at the time.

Mr. Stanthon (05:43:52):

So you're telling us that not only were you providing security, but you're also like an employee for Death Row Records?

Reginald Lilburn Wright Jr. (05:43:58):

I was both.

Mr. Stanthon (05:44:00):

Okay. Were you drawing a paycheck every two weeks as an employee?

Reginald Lilburn Wright Jr. (05:44:05):

I was, sir.

Mr. Stanthon (05:44:06):

It wasn't under the table stuff like Mob James would've been telling us?

Reginald Lilburn Wright Jr. (05:44:10):

We didn't do that. [inaudible 05:44:11] to do that.

Mr. Stanthon (05:44:12):

And with regards to Mob James being paid, you're telling me that he would've been paid the same way with employee checks and so forth from Death Row Records?

Reginald Lilburn Wright Jr. (05:44:24):

Mob James wasn't one of those employees. Like I said, he was just called on special events. I only think James made his money by guys in the line that were ballers or shot callers or whatever that he would bring to the front of the line.

Mr. Stanthon (05:44:40):

So just drawing your attention back to the, let's say around 4:00 of Saturday, that Saturday. Where were you?

Reginald Lilburn Wright Jr. (05:44:51):

At the Luxor Hotel.

Mr. Stanthon (05:44:53):

Okay. And did you ever ... What happens after 4:00 for you?

Reginald Lilburn Wright Jr. (05:44:58):

I didn't head over to the club until, well, about 7:00-7:30. Got a call from Mr. Alexander and Mr. Shakur. Mr. Shakur was very upset that night because Mr. Knight always late. And he was really ... He actually took a taxi cab, I don't know if most people know, over to the fight because he was tired of always coming to the fight late, waiting on Suge, calling me because most people call me because they know I usually can get ahold of Suge. And they used to have phones in the hotel lobbies back then. And I remember him and Mr. Alexander calling me and he told me he got on the phone because he was so upset, "We've taken the cab over there. We going over there right now. We'll meet him over there."

(05:45:53)
He had the song, the entrance for Mike Tyson to enter the ring on and he wanted to be there. And he got impatient with Mr. Knight being late.

Mr. Stanthon (05:46:05):

Now, up until this point, you had developed into the person that if you wanted to get ahold of Suge, they would call you, right?

Reginald Lilburn Wright Jr. (05:46:12):

In the streets, meaning when we out and about. He had office staff, assistance, Mr. Anderson and Mr. Tesfay Roy that were in the office. But generally, if I call Suge, he'll pick up.

Mr. Stanthon (05:46:26):

But with regards to you, usually, you would've been with Suge in order for the call to be made, right? They're calling you like, "Hey, where's Suge now?" "He's right here."

Reginald Lilburn Wright Jr. (05:46:33):

That's correct.

Mr. Stanthon (05:46:34):

So on this particular night, Tupac is upset because Suge is obviously late. He calls you.

Reginald Lilburn Wright Jr. (05:46:40):

His bodyguard Frank called, but he got on the phone. If you know anything about Mr. Shakur, he's a hands-on guy. And he eventually just said, "Hey, you can't get ahold of him, we're going ..." and they took a taxi over to the fight.

Mr. Stanthon (05:46:55):

And so you have Frank Alexander, you have Tupac and no other bodyguards protecting Tupac that night?

Reginald Lilburn Wright Jr. (05:47:05):

Yeah. Kevin Hackie was supposed to attend, but he didn't. He wasn't there and Knight didn't know that he hadn't shown up yet.

Mr. Stanthon (05:47:13):

But you are aware at that particular point, Tupac was the most famous rapper almost in the entire world, if not the entire world and you only assigned one person and another person calls in sick?

Reginald Lilburn Wright Jr. (05:47:24):

He didn't call in sick. He just didn't show up. But yeah, it wasn't unusual for Mr. Shakur to roll around with one guy and his Outlawz guys.

Mr. Stanthon (05:47:35):

But once again, you're telling us it's only Frank Alexander that's coming from your [inaudible 05:47:40], right?

Reginald Lilburn Wright Jr. (05:47:41):

That is correct.

Mr. Stanthon (05:47:41):

And you also share with us that there's other people inside of 662 who are adding down the Mob James crew, but you can't send any more people over to be there for Tupac?

Reginald Lilburn Wright Jr. (05:47:54):

If I knew there was going to be an issue that eventually happened, of course, I would've. I would've asked him to stay in the hotel if I knew what was going to happen.

Mr. Stanthon (05:48:03):

You are aware that this was fight night, this was Mike Tyson and that everyone in the world would show up to Las Vegas to be there for the fight, right? There are so many people.

Reginald Lilburn Wright Jr. (05:48:14):

Yeah.

Mr. Stanthon (05:48:15):

And in your opinion, only if you believe that Tupac was somehow going to get into a fight or something along those lines, would you have provided more than just the one person? I'm just asking for your clarification.

Reginald Lilburn Wright Jr. (05:48:27):

I would've had an army around him if I knew something like that was going to happen or suspect something like that was going to happen. But the gentleman that were with him and the ones that you seen kicking on Mr. Anderson, those were security as well.

Mr. Stanthon (05:48:44):

That was whose security?

Reginald Lilburn Wright Jr. (05:48:46):

Death Row staff.

Mr. Stanthon (05:48:48):

But once again, let me make sure I'm clear, you at this particular point only have one security guard with all these other people from, I don't know, from Death Row Records who are not security guards. They're all gangsters, Mob Piru people.

Reginald Lilburn Wright Jr. (05:49:03):

I trust more than I trust my security. Yes.

Mr. Stanthon (05:49:06):

So more than you would trust cops and off-duty cops and retired cops, you trust those Mob Piru guys?

Reginald Lilburn Wright Jr. (05:49:14):

I do personally.

Mr. Stanthon (05:49:15):

Okay. Now, in addition to that, after they go in for the fight, right? I'm assuming that Frank Alexander probably didn't have a ticket.

Reginald Lilburn Wright Jr. (05:49:31):

That was always an issue with Mr. Knight. He promised everybody that they can go to the fight. And when we get to the door, it's always an issue. But one thing about him, he will get his ... Mr. Shakur wants security in, if not both and myself, he will make sure we got in.

Mr. Stanthon (05:49:49):

Okay. So they all get in for the fight. And then for some reason, Bruce Seldon takes a phantom punch, falls to the ground in the first round within a minute and 45 seconds, right?

Reginald Lilburn Wright Jr. (05:50:02):

You call that phantom? If you say so.

Mr. Stanthon (05:50:05):

I'm just looking at the tape. All we got is some [inaudible 05:50:08]. So he falls to the ground, the fight is over. They leave the fight, right?

Reginald Lilburn Wright Jr. (05:50:15):

Hyped up. You see them?

Mr. Stanthon (05:50:17):

Yeah. And Tupac was very hyped up.

Reginald Lilburn Wright Jr. (05:50:19):

Hyped up.

Mr. Stanthon (05:50:20):

So did you get a call from Frank Alexander saying, "Hey, the fight ended early. We're on our way."

Reginald Lilburn Wright Jr. (05:50:25):

Not one. And that's normal.

Mr. Stanthon (05:50:28):

Okay. And I want to make sure we're clear about the type of communication you had. So cell phones, I'm not sure, were available to everybody. You had one.

Reginald Lilburn Wright Jr. (05:50:38):

Pretty much everybody had cell phones, but they were expensive. He called me after 7:00, right? Back then. But-

Mr. Stanthon (05:50:45):

He doesn't get it.

Reginald Lilburn Wright Jr. (05:50:51):

But I did have mixed cell phones. We had about eight to 10 of them that did dual jobs. My guys knew it better be emergency to pick up that cell phone. But the two-way walkie-talkies or the Nextels, you could use it on the call. That's how we communicated. On a picture with Buntry, you'll see one hanging out of his pocket. That's what the type of Nextel phones we had.

Mr. Stanthon (05:51:18):

And so going back again to what Frank has, Frank does have one of those radios?

Reginald Lilburn Wright Jr. (05:51:21):

Yeah, one, but later learned after we do Monday back quarterbacking or stuff that it was dead.

Mr. Stanthon (05:51:28):

So he is there. He doesn't call when you leave the fight. Now, does he call you after the situation happens with Orlando Anderson?

Reginald Lilburn Wright Jr. (05:51:39):

No, sir.

Mr. Stanthon (05:51:39):

They all rush out, right? They all go back to, I think, the Luxor.

Reginald Lilburn Wright Jr. (05:51:46):

That's correct.

Mr. Stanthon (05:51:50):

But you don't know that because no one calls you?

Reginald Lilburn Wright Jr. (05:51:51):

I haven't heard anything. Didn't know it was an issue.

Mr. Stanthon (05:51:53):

So you're still sitting over at 662, you're worried about making sure the club passes inspections and you're there and you're waiting. In the meantime, people get picked up at the Luxor and then they're transported all the way to Suge Knight's house.

Reginald Lilburn Wright Jr. (05:52:06):

I mean-

Mr. Stanthon (05:52:06):

Once again, if you don't know, you can just tell me.

Reginald Lilburn Wright Jr. (05:52:11):

Yeah. I just assume.

Mr. Stanthon (05:52:13):

You don't have to assume.

Reginald Lilburn Wright Jr. (05:52:13):

Yeah. I don't know. I don't know.

Mr. Stanthon (05:52:16):

Okay. Now at some point, they're traveling down Flamingo and the shots occur at that particular point, right? But you don't know?

Reginald Lilburn Wright Jr. (05:52:26):

Correct.

Mr. Stanthon (05:52:28):

And so you're sitting at the club and you don't know-

Reginald Lilburn Wright Jr. (05:52:31):

I wasn't sitting, but yeah.

Mr. Stanthon (05:52:33):

Oh, well, whatever. I'm sure you're working, right? So you're working and your concern is making sure the club passes and that the club passes for Suge Knight. Even though his attorney's present, all these cops are on the outside and you have the security proficiency of Mob James on the inside, right?

Reginald Lilburn Wright Jr. (05:52:48):

And about 25 to 30 of my guys.

Mr. Stanthon (05:52:51):

And so once again, yes, 20 to 30 of your guys.

Reginald Lilburn Wright Jr. (05:52:54):

Correct.

Mr. Stanthon (05:52:54):

Yeah. Retired police officers or off-duty police officers.

Reginald Lilburn Wright Jr. (05:52:57):

Correct.

Mr. Stanthon (05:52:58):

And they're all there.

Reginald Lilburn Wright Jr. (05:52:59):

Correct.

Mr. Stanthon (05:52:59):

And at some point you get notice that Tupac had been shot, right?

Reginald Lilburn Wright Jr. (05:53:05):

I got notified, correct.

Mr. Stanthon (05:53:08):

Was it through the Nextel walkie-talkie stuff?

Reginald Lilburn Wright Jr. (05:53:10):

No, sir.

Mr. Stanthon (05:53:10):

How did that happen?

Reginald Lilburn Wright Jr. (05:53:11):

Mr. Williams and Mr. McDonald ran up to me and told me.

Mr. Stanthon (05:53:18):

Okay. None of your people, but two of the people that were associated with the Death Row people?

Reginald Lilburn Wright Jr. (05:53:25):

With Death Row.

Mr. Stanthon (05:53:27):

Okay. And they're the ones who told you that, "Hey, something went down with Tupac."

Reginald Lilburn Wright Jr. (05:53:31):

Correct.

Mr. Stanthon (05:53:32):

And so at that particular point, what did you do?

Reginald Lilburn Wright Jr. (05:53:36):

Like I said, I didn't believe him at first initially, but we talking seconds now. Mr. [inaudible 05:53:41] somehow verified that, "Yeah, something's going on," and then me observing a few of the police cars that were assigned, working the parking lot or the taking off lights and sirens going towards that way made me believe that something's going on.

Mr. Stanthon (05:54:03):

Now, did Suge Knight ever appear at the club and continue partying that night?

Reginald Lilburn Wright Jr. (05:54:11):

I don't know, but I have heard James say that before, but-

Mr. Stanthon (05:54:18):

Just from your Monday night, sitting down with your people and going over what should have been done better, was there any conversation or any way that you learned that Suge Knight actually showed up to party the night of the shooting?

Reginald Lilburn Wright Jr. (05:54:29):

The party was over. The party was over. They probably was still there at the club, but it wasn't like no partying going on. Especially after people heard what happened. I can see that.

Mr. Stanthon (05:54:42):

Now, we talked a little bit about the Death Row chain. Do you recall telling Detective Mogg when he visited with you that you sold your Death Row chain because of hard times?

Reginald Lilburn Wright Jr. (05:54:54):

I had a platinum one. That's correct.

Mr. Stanthon (05:54:57):

Now, later on when you're testifying to the grand jury, you remember doing that?

Reginald Lilburn Wright Jr. (05:55:01):

I still have my gold one, if that's what you're asking.

Mr. Stanthon (05:55:04):

So when the question is asked in the beginning about your Death Row chain, you never tell Detective Mogg, for instance, that it's a platinum one, right?

Reginald Lilburn Wright Jr. (05:55:11):

I don't know.

Mr. Stanthon (05:55:11):

Let me just-

Reginald Lilburn Wright Jr. (05:55:11):

Tell me.

Mr. Stanthon (05:55:11):

Wait.

Speaker 16 (05:55:25):

The camera's on. You want to turn the camera off?

Mr. Stanthon (05:55:27):

Oh, sorry.

Speaker 17 (05:55:39):

Hold on.

Mr. Stanthon (05:55:41):

So this would be page 21, counsel of the surreptitious report or recording. So you say, the question that was asked by Detective Mogg, you were describing the chains as cheap. He said he had asked you, "Got a $300 chain?" Said, "Yeah, one of those cheap little chains because they were messing around with the same women. They got one and he got mad about it." My presumption is-

Reginald Lilburn Wright Jr. (05:56:09):

Are we talking about Keffe?

Mr. Stanthon (05:56:09):

Yes.

Reginald Lilburn Wright Jr. (05:56:09):

Yes.

Mr. Stanthon (05:56:13):

"So what? What did expensive ones look like? Do you have a picture of those?" and you said," Yes, sir. I can show you the one that Tupac would have. "And then the questions asked of you by Detective Mogg," Did you ever get one of those chains? "And you respond," Yeah, I had one. "And then the question was," What happened to it? "And you said, "Shit, hard times hit." And Detective Mogg commiserates and says, "Yeah, I hear you." You said, "Got to get rid of it somehow," and then Detective Mogg asked," What did you get for it? "And you said, "I got about 5,000," right?

Reginald Lilburn Wright Jr. (05:56:46):

Yeah, that was the platinum one or the white gold one. You can watch, and I'm sure you have several interviews, pictures of me with my gold chain one. I wear them on several YouTube videos.

Mr. Stanthon (05:57:01):

But fair to say, of course, that when you said you had one, it's not one gold, it's not one platinum in this book, correct?

Reginald Lilburn Wright Jr. (05:57:07):

Like I said, the one I sold was the platinum one.

Mr. Stanthon (05:57:09):

Now, in addition to that, later on when you're testifying before the grand jury, the question that was asked by one of the jurors was, and I want to make sure I'm clear because I don't want to mess up the ... I want to be accurate with you.

Binu Palal (05:57:20):

Your Honor, I think this is improper impeachment or refreshing asking the [inaudible 05:57:35].

Mr. Stanthon (05:57:34):

Let me just do that as a refreshing of his recollection, your Honor. I just didn't want to-

Binu Palal (05:57:36):

[inaudible 05:57:36].

Judge Carli Kierny (05:57:37):

So it's sustained. So I don't know that he said he doesn't remember.

Mr. Stanthon (05:57:41):

Okay. So let me ask you this. You were asked by a juror-

Binu Palal (05:57:47):

Again, I think you have to ask a substantive question first. Determine whether or not-

Speaker 17 (05:57:53):

Mr. Palal, you're going to have [inaudible 05:40:54] because your mic's not open.

Binu Palal (05:57:56):

Okay. I'm sorry. I think you have to ... I can stand. I apologize, your Honor.

Judge Carli Kierny (05:57:59):

Everyone approach.

Mr. Stanthon (05:58:34):

Sorry. Sir, were you asked this question by a grand jury?

Binu Palal (05:58:38):

Again, your Honor, I think, again, you have to ask the predicate. He's trying to impeach and/or refresh recollection about something of substance. Procedurally, you have to ask the substantive question first, not why you were asked this.

Judge Carli Kierny (05:58:53):

Are you talking about the chain question?

Mr. Stanthon (05:58:57):

Yes.

Judge Carli Kierny (05:58:57):

We've gone up and down about the chain.

Binu Palal (05:59:00):

And so I believe what he ... He's already answered the chain things. I don't understand. Are we impeaching or are we-

Judge Carli Kierny (05:59:05):

No, he's impeaching, saying that he's given an inconsistent statement in the past. So overruled. He can proceed.

Mr. Stanthon (05:59:11):

Do you recall being asked a question by a grand jury, "Do you still have your Death Row pendant?"

Reginald Lilburn Wright Jr. (05:59:18):

Correct.

Mr. Stanthon (05:59:19):

And you had said yes, you do.

Reginald Lilburn Wright Jr. (05:59:20):

I do.

Mr. Stanthon (05:59:21):

You didn't say that was gold. You didn't say it was platinum. You just said, "I had my Death Row pendant."

Reginald Lilburn Wright Jr. (05:59:25):

That's correct.

Mr. Stanthon (05:59:26):

Okay. Now, one of the other issues that we've talked a little bit about is, and once again, I apologize, maybe the state can refresh my recollection because maybe I was thinking about something else, you have been convicted of a crime?

Reginald Lilburn Wright Jr. (05:59:54):

I have.

Mr. Stanthon (05:59:56):

And with regards to that crime, it was a felony.

Reginald Lilburn Wright Jr. (06:00:00):

It was sales of marijuana.

Mr. Stanthon (06:00:02):

No, no. Back up here real quick. It was sales of marijuana and it was also embezzlement. Is that what it was?

Reginald Lilburn Wright Jr. (06:00:06):

No.

Mr. Stanthon (06:00:06):

Money laundering?

Reginald Lilburn Wright Jr. (06:00:06):

Money laundering. More money going in.

Mr. Stanthon (06:00:10):

And with regard to those two things, that happened in California?

Reginald Lilburn Wright Jr. (06:00:15):

No, actually, well, the reason why I got in trouble because it went across state lines to Memphis. It's actually Memphis, Tennessee.

Mr. Stanthon (06:00:22):

And because it was across the state lines, it was a federal case?

Reginald Lilburn Wright Jr. (06:00:25):

Correct.

Mr. Stanthon (06:00:27):

And that happened way after you were a police officer?

Reginald Lilburn Wright Jr. (06:00:29):

Yeah, that's 2019. Well, 2017, I believe.

Mr. Stanthon (06:00:37):

Okay. And at some point, you become the general manager of Death Row Records.

Reginald Lilburn Wright Jr. (06:00:42):

That's in 1997, sir.

Mr. Stanthon (06:00:44):

1997?

Reginald Lilburn Wright Jr. (06:00:44):

Yes, that's correct, sir.

Mr. Stanthon (06:00:45):

So Suge Knight is in Las Vegas and you were with him every single day. And in September of 1996, he just happened to get into spray and next thing you know, he's going to prison, right?

Reginald Lilburn Wright Jr. (06:01:03):

I'm sorry?

Mr. Stanthon (06:01:04):

Let me ask you this. Why did Suge go to prison?

Reginald Lilburn Wright Jr. (06:01:08):

He violated his probation.

Mr. Stanthon (06:01:10):

Right. So you knew, of course, that he was on probation, right?

Reginald Lilburn Wright Jr. (06:01:15):

The whole time I was with him.

Mr. Stanthon (06:01:16):

You did?

Reginald Lilburn Wright Jr. (06:01:18):

From 1994, yes.

Mr. Stanthon (06:01:19):

Yeah. And so you knew that the person, the number one person from Death Row Records, the primary principal for you, potentially could go to prison if he got into a fight, for instance, right?

Reginald Lilburn Wright Jr. (06:01:30):

Correct.

Mr. Stanthon (06:01:31):

And on this particular night, you weren't around for him when he was in this "fight", right?

Reginald Lilburn Wright Jr. (06:01:37):

I was around with Mr. Knight about 70 to 80% of his life. So I guess a lot of 20%, I wasn't with him. Public. And when I say that, I mean public because a lot of times he laid up, sleep with somebody and I wasn't with him.

Mr. Stanthon (06:01:53):

So in the most important time of Suge Knight's life of having your protection, you weren't there for him, right?

Reginald Lilburn Wright Jr. (06:01:58):

Unfortunately not. That's correct.

Mr. Stanthon (06:02:01):

And then you became the general manager of Death Row Records-

Reginald Lilburn Wright Jr. (06:02:03):

By his calling, not anyone else.

Mr. Stanthon (06:02:05):

All right. No further questions, your Honor.

Judge Carli Kierny (06:02:07):

All right. State, any further questions?

Binu Palal (06:02:09):

I just want to clarify that last point. In terms of who determined who's going to run Death Row Records while Mr. Knight was in prison?

Speaker 17 (06:02:18):

[inaudible 06:02:20].

Binu Palal (06:02:19):

Sorry. I'm sorry. Who made you in charge of Death Row Records while Mr. Knight was in prison?

Reginald Lilburn Wright Jr. (06:02:30):

He did. And I visited him four days a week during that time while he was incarcerated.

Binu Palal (06:02:36):

Nothing further.

Judge Carli Kierny (06:02:38):

Anything further on that, Mr. Sanft?

Mr. Stanthon (06:02:39):

Just one clarification. So Suge Knight made you general manager when he was in custody?

Reginald Lilburn Wright Jr. (06:02:45):

That's correct.

Mr. Stanthon (06:02:46):

No further questions.

Judge Carli Kierny (06:02:47):

Anything else? Ladies and gentlemen of the jury, any questions for this witness? Of course. All right.

(06:02:50)
All right. Mr. Wright, I have a couple questions for you from our jurors. First, if they knew the cell phones were for in case of emergency, why wouldn't they call once the shooting took place? Why did you find out later in person?

Reginald Lilburn Wright Jr. (06:06:18):

Not sure. I don't know why they didn't call me. That was Mr. Alexander's responsibility and I didn't hear from him. Didn't hear from him.

Judge Carli Kierny (06:06:26):

Okay. Was there anything in writing regarding the transfer of management power to you over Death Row Records?

Reginald Lilburn Wright Jr. (06:06:34):

I wouldn't call it power. Just dealing with the day-to-day operation. The one that signed people, orders for him. I did everything for him. I dealt with his women. I dealt with his parents. I dealt with pretty much everything while he was incarcerated. And generally, because I was going back and forth, seeing him the four days, I spent hours on the phone with him and I was just his point-of-contact person.

Judge Carli Kierny (06:07:04):

So was there anything in writing regarding that?

Reginald Lilburn Wright Jr. (06:07:07):

Not to my knowledge other than-

Judge Carli Kierny (06:07:08):

Okay. Were there any witnesses to it?

Reginald Lilburn Wright Jr. (06:07:12):

Well, there's a young lady sitting in here right now that I signed while he was incarcerated through the record label.

Judge Carli Kierny (06:07:20):

There was a writing?

Reginald Lilburn Wright Jr. (06:07:20):

I'm sorry?

Judge Carli Kierny (06:07:20):

You signed ... Why did you say-

Reginald Lilburn Wright Jr. (06:07:20):

"You don't sign her as an artist."

Judge Carli Kierny (06:07:26):

Okay. State, any questions based on those answers?

Binu Palal (06:07:32):

Nothing for state.

Judge Carli Kierny (06:07:34):

Defense?

Mr. Stanthon (06:07:34):

I do. All right. So I want to make sure I'm clear. You become the general manager of Death Row Records and what was your job responsibilities?

Reginald Lilburn Wright Jr. (06:07:46):

I did everything, to be honest. I brought Mr. Shakur up to the prison to meet with him. I talked to several, put the albums together. Went and met with Jimmy Iovine, who was our distributor at the time. Negotiated deals with him. Everything I did was approved by Mr. Knight, but I was his point of contact.

Mr. Stanthon (06:08:17):

Did you ever have a power of attorney signed by Mr. Knight to sign on his behalf?

Reginald Lilburn Wright Jr. (06:08:25):

No. What I would do was have everything generated and I would send it. His attorney would come visit him on Tuesdays. If it was something real important, he would sign it on Tuesdays. And if I needed before then, he was married to a young lady by the name of Michel'le, or at least, she thought they were married and she would sign. She had the power of attorney to sign, but she didn't deal with anyone. And then we also had a rubber stamp that two of his female friends had to sign checks or to sign some contracts if they would take them.

Mr. Stanthon (06:09:08):

So if there was anything wrong with the bank account, for instance, did you have to get someone else to handle that, not you?

Reginald Lilburn Wright Jr. (06:09:13):

I dealt with the bookkeeper, generated the checks, but his two female friends were the ones that stamped them.

Mr. Stanthon (06:09:22):

And with regards to his two female friends here, were they employees of Death Row Records?

Reginald Lilburn Wright Jr. (06:09:28):

One was an artist, Michel'le, and then the other one, Ms. Hawkins. She was just a girlfriend.

Mr. Stanthon (06:09:37):

Now, you are aware that at the time that Mr. Knight Suge was involved in this thing that happened in Las Vegas and finally he gets revoked on probation, that his record label was valued somewhere around what, $500 million?

Reginald Lilburn Wright Jr. (06:09:55):

I heard three, but it was up there.

Mr. Stanthon (06:09:57):

All right. So it's pretty significant asset, right?

Reginald Lilburn Wright Jr. (06:10:00):

Correct.

Mr. Stanthon (06:10:01):

Now, out of all of this, you are the general manager, you have access to all of it?

Reginald Lilburn Wright Jr. (06:10:07):

I guess I was the one he trusted at the time.

Mr. Stanthon (06:10:08):

No further questions, your Honor.

Judge Carli Kierny (06:10:11):

Okay. All right. Thank you, Mr. Wright. You are excused and you're free to go.

Reginald Lilburn Wright Jr. (06:10:16):

Thank you, ma'am.

Judge Carli Kierny (06:10:17):

You're welcome. All right, ladies and gentlemen of the jury, that's it for the presentation of witnesses today. We'll be in recess. We're going to come back at 1:00 PM tomorrow because I have a calendar in the morning, so I'm going to read the admonishment and then you're excused for the day. During the recess, you are admonished not to talk or converse amongst yourselves or with anyone else on any subject connected to the trial or read, watch or listen to any report of or commentary on the trial of any person connected with this case by any meaning of information, including without limitation, newspaper, television, internet and radio or form or express any opinion on any subject connected with the trial until the case is submitted to you. We'll see you guys back here at 1:00 PM tomorrow. Thank you.

Speaker 18 (06:10:55):

Rise for the jury.

Judge Carli Kierny (06:11:35):

For the record, the jury exited the room. Is there anything we need to address outside their presence?

Speaker 19 (06:11:39):

Nothing from the state, your Honor.

Speaker 20 (06:11:39):

Not from the state?

Mr. Stanthon (06:11:40):

No, your Honor. I'll be asking the state for their witness tomorrow, but I wouldn't imagine-

Judge Carli Kierny (06:11:43):

Okay, sounds good. We'll be in recess then. See everyone back at 1:00.

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